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‘Socialism’ & the Origins of the Labour Party in Britain, 1870-1900. Part Two – ‘Marxists’, ILP’ers & New Unionists.   Leave a comment

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Keir Hardie – The Harbinger of the Independent Labour Party, 1887-88:

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Keir Hardie, who was to play a major role in the political developments of the next three decades, was born into grinding poverty in 1856 in Lanarkshire, the illegitimate son of Mary Kerr, a farm servant who later married a ship’s carpenter named David Hardie. The first years of his life and his early career among the Ayrshire miners are the stuff of legend, but here we are concerned with how he became a Socialist and his contacts with Marxists in London. He had visited the capital with a miners’ delegation in 1887 and attended several meetings of the SDF, where he was introduced to Eleanor Marx, who in turn introduced him to Engels, who was, by then, critical of both the SDF and the Socialist League in Hardie’s hearing. In the end, he did not join the SDF as he had planned to do before arriving in London, and his reasons for his change of mind are instructive about the state of the Socialist movement in Britain at this time:

Born and reared as I had been in the country, the whole environment of the clubs, in which beer seemed to be the most dominant influence, and the tone of the speeches, which were full of denunciation of everything, including trade unionism, and containing little constructive thought, repelled me.

Hardie’s character and politics were not above and beyond the comprehension of the people from whom he had sprung. On the contrary, he was made of the same stuff as they were, with the same instincts, attitudes, the same religious turns of mind and phrase, the same inability to draw a line between politics and morality, or between logic and emotion. His views had already begun developing under the influence of Henry George, from Liberalism to Socialism; but these views were assimilated into his own life and experience, which was something the London Socialists could not share. As the leader and organiser of a trade union and a federation of unions, weak though these organisations were, Hardie was a valuable recruit to the Socialist cause, and his adhesion brought a less academic and more homely voice to the advocacy of independent labour policy. At the beginning of 1887, he had started a monthly magazine, the Miner, in which he addressed the men in his own blunt style, which contained all the aggressive spirit of economic discontent without any of the catchwords of Marxism:

Party be hanged! We are miners first and partisans next, at least if we follow the example of our “superiors” the landlords and their allies, we ought to be. …

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He was the harbinger of the New Unionists; and it was fitting that, although his career was to be primarily a political one, he should make his entry into national prominence as a trade union delegate. Already he had taken part in political work, as a Liberal; but now, in the autumn of 1887, he was adopted miners’ Parliamentary candidate for North Ayrshire, and in March 1888, when a vacancy occurred at Mid-Lanark, he was selected as miners’ candidate there, but the Liberal Party chose differently. His supporters encouraged him to stand as an independent and he accepted their nomination. The main principle that Hardie stood for, as an independent labour candidate, was the universal one that the working class must build up its own political strength, stand on its own feet and fight its own battles. This note of sturdy independence, which he struck repeatedly in the course of the by-election campaign, had not often been heard in the course of the preceding decade. He was supported by Champion from the SDF office in London, Tom Mann, Mahon, Donald and a host of other Socialists and Radicals who arrived in the constituency of their own accord. But though the canvassing and rallies were vigorous, there was little doubt about what the outcome would be. Hardie was at the bottom of the poll with 617 votes out of the total of seven thousand votes cast. The Liberal candidate was elected, leading the Conservative by nine hundred votes.

It was a disappointing result at the time, but in retrospect, it is seen as an important political turning-point. There and then, there was no reason to suppose that one or other party, Liberal or Conservative, would not allow itself to become the vehicle for labour representation by a gradual process. But the caucus system which operated within the Liberal Party meant that its choice of candidate was firmly in the control of its middle-class members. The failure of the working-class to break through this stranglehold had the concomitant effect that the Liberal Party’s grip on the working-class vote was clearly weakening in the mid-eighties. Yet its leaders still maintained that they served the interests of working people. Champion, for his part, claimed still more strongly his ambitious claim to be the organiser of the ‘National Labour Party’ and Hardie began the task of forming a Scottish Labour Party.

The Fabian Society & The Socialist Revival of 1889:

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The Fabians were also concerned in the task of formulating long-term Socialist policy for the country as a whole. In the autumn of 1888, they organised a series of lectures on The Basis and Prospects of Socialism which were edited by Bernard Shaw and published at the end of 1889, becoming the famous Fabian Essays in Socialism. They provided a distinctive sketch of the political programme of evolutionary Socialism, attracting immediate attention. The first edition at six shillings sold out rapidly and by early 1891, a total of 27,000 copies had been purchased. The seven Fabian essayists, all members of the Society’s Executive, offered a reasoned alternative to the revolutionary Socialist programme. In the first essay, Shaw rejected Marxian analysis of value in favour of a theory of Marginal Utility, asserting the social origin of wealth and reversing the conclusions of laissez-faire political economy from its own premises. In a second essay on the transition to Socialism, Shaw emphasised the importance of the advances towards democracy accomplished by such measures as the County Council Act of 1888. The extinction of private property could, he thought, be gradual, and each act of expropriation should be accompanied by compensation of the individual property-owner at the expense of all.

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Nearly all the Fabian essayists postulated a gradual, comparatively even and peaceful evolution of Socialism, which they regarded as already taking place by the extension of political democracy, national and local, and by the progress of ‘gas and water’ Socialism. They regarded the existing political parties, and especially the Liberal-Radicals, as open to permeation by Socialist ideas. Judged by the circumstances of their time, the most striking omission from their whole general thesis was their failure to recognise the significance of the trade unions and co-operative societies. As Sidney Webb (pictured above)  was later to discover, conclusions could be drawn from the working of these institutions which would dovetail with his general theory of the inevitability of gradualness. Arguing on historical grounds, Webb suggested that Socialism was already slowly winning the day: by Socialism, he meant the extension of public control, either by the State or the municipality.

Annie Besant looked forward to a decentralised society attaching special importance to municipal Socialism. One of the other essayists, Hubert Bland, however,  was hostile on the one hand towards Liberal-Radicalism and on the other towards the ‘catastrophic’ Socialism of the SDF and the Socialist League, but this did not lead him to accept Webb’s view that the extension of State control was necessarily an indication of advance towards Socialism. He could not agree that it was possible to effectively permeate the Radical Left: on the contrary, he predicted, Socialists could expect nothing but opposition from both main parties. His conclusion from this more thoroughly Marxian analysis was that there was a true cleavage being slowly driven through the body politic and that there was, therefore, a need for the formation of a definitively Socialist Party.

Bland’s view was important and, in some ways, future developments confirmed his ideas rather than those of the other essayists. He was certainly more in line with the Championite group, some of whose members were to play a leading role in the foundation of the Labour Party. Among his contemporary Fabian leaders, however, Bland was in a minority of one. The majority, judging national politics from a metropolitan perspective and assuming that the character of Liberalism was the same throughout the country, thought that their policy of permeation was the answer not only for the problems of London County Council but also for the broader sphere of Westminster politics. In the following decades, their association with the metropolitan Liberals was to be the source of great mistrust to the leaders of the growing independent labour movement outside the capital. Consequently, it was not for the immediate political tactics, but for their success in formulating a long-term evolutionary programme, that the Fabians were to be of importance in the eventual foundation of the Labour Party.

Labour Aristocrats, New Unionists & Socialist Internationals, 1889-1894:

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In 1874, the trade union membership recorded and represented at the Trades Union Congress had risen to 594,000; but by the end of that decade it had fallen to 381,000, and it was not until 1889 that the 1874 figure was exceeded. Union membership was almost entirely concentrated among more highly-skilled workers, for the first attempts to organise unskilled industrial workers had been killed off by the depression. The term ‘labour aristocracy’, which was used at the time by Marxists to describe the organised workers, is not inappropriate to point out the contrast between the privileges of their position and the weakness of the great mass of the less-skilled workers below them. Bowler-hatted craft unionists like those seen with their giant painted banner at the opening of the Woolwich Free Ferry in March 1889, shown in the photograph below, enjoyed a measure of respectability and a regular wage, the so-called unskilled lived a precarious existence. Balanced between poverty and absolute destitution, they were feared by the middle classes and despised by skilled and organised trade unionists. The Amalgamated Society of Engineers was the third-largest union in Britain by 1890. In 1897-98 it fought long, hard and unsuccessfully for an eight-hour day.

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In London alone, there were four thousand casual workers in the 1890s, and thousands were unemployed, homeless and destitute, a submerged population of outcasts who not only filled the workhouses and doss houses but slept in great numbers in the streets. Two of the SDF lantern slides (below) show differing aspects of homelessness, a picture of women spending the night on an embankment seat, taken at four in the morning, and a scene of men washing in a night shelter. The scene of women sleeping on the Embankment was would have been a common sight at the time. R. D. Blumenfeld, an American-born journalist who came to Britain in the 1880s, recorded, in his diary, his experience of a night on the Embankment on 24 December 1901:

I walked along the Embankment this morning at two o’ clock … Every bench from Blackfriars to Westminster Bridge was filled with shivering people, all huddled up – men, women and children. The Salvation Army people were out giving away hot broth, but even this was merely a temporary palliative against the bitter night. At Charing Cross we encountered a man with his wife and two tiny children. They had come to town from Reading to look for work. The man had lost his few shillings and they were stranded …

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Charitable institutions were unable to cope with the vast numbers that sought nightly access to their refuges and many of the outcast lacked even the few coppers required for common lodging houses and ‘dossers’. Others preferred the open streets to the casual ward where they ran the risk of being detained for three days against their will and there were hundreds who would chance exposure to the elements rather than submit to the workhouse. After Trafalgar Square was cleared on Bloody Sunday in 1887, the authorities finally banned the Square to the homeless. But the embankment, with its benches and bridges, continued to be used by mothers with babies in arms, children and old people, all spending the night insulated against the cold by old newspapers and sacks. The thousands who slept out were not for the most part alcoholics but honest, poor, unskilled and casual workers, subject to seasonal and trade fluctuations in employment. Salvation Army General Booth in Darkest London quotes a typical case of a Bethnal Green bootmaker, in hospital for three months. His wife also became ill and after three weeks their furniture was seized for rent due to the landlord. Subsequently, they were evicted. Too ill to work, everything pawned, including the tools of his trade, they became dispossessed outcasts. Not all the ‘dossers’ were out of work; many were simply homeless and earned such poor wages that renting rooms was beyond their means. Records from the Medland Hall refuge showed sailors, firemen, painters, bricklayers and shoemakers among those who sought shelter from the streets of the richest city in the world.

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Elsewhere in the country, there were some anomalies in the divisions of workers into ‘skilled’ and ‘unskilled’: the Lancashire cotton workers, for example, even though comparatively unskilled, ranked with the ‘aristocracy’, while the Yorkshire woollen workers, probably owing to the greater diversity of their occupations, were almost devoid of organisation. Among the miners, too, the degree of trade unionism varied widely among men of comparable skill in different coalfields. The general labourers and workers in the sweated trades, many of them women, had no unions, and their miserable conditions were at once a cause and a result of their inability to defend themselves. At the bottom of the social heap were the casual labourers, thousands of whom fought daily for work at the gates of London’s docks. The following description of dockers waiting for ‘call on’ was written by Ben Tillett in a little pamphlet entitled A Dock Labourer’s Bitter Cry in July 1887:

There can be nothing ennobling in an atmosphere where we are huddled and herded together like cattle. There is nothing refining in the thought that to obtain employment we were driven into a shed, iron barred from end to end, outside of which a contractor or a foreman walks up and down with the air of a dealer in cattle market, picking and choosing from a crowd of men who in their eagerness to obtain employment, trample each other underfoot, and where they fight like beasts for the chance of a day’s work.

Tillett also told of how these men lived more by accident than design … picking over the rubbish heaps in search of anything eatable and of the furtive storing of refuse rice, the coolies had thrown away. The manager of the Millwall Docks gave evidence at an enquiry, of men who came to work without a scrap of work in their stomachs and gave up after an hour, their hunger not allowing them to continue. They were, said Tillett, Lazaruses who starve upon crumbs from the rich man’s table. On 12 August 1889, two members of Ben Tillett’s little union, the ‘Tea Operatives and General Labourers’ Association’ which had been formed by twelve men in the Oak Tavern off Hackney Road, met at Wroot’s Coffee House and came to Tillett with a demand that they should declare a strike at the South West India Dock. Though Tillett had campaigned for two years at the docks with evangelical fervour, the demand surprised him: Was it possible to strike with men who shivered with hunger and cold, bullied and intimidated by the petty tyrants who took a delight in the brutalities of the call on? The men left Tillett in no doubt as to the answer. Meetings were held under the windows of the dock offices and seethed with tumult. The demands included the raising of wages to sixpence an hour, The full round orb of the dockers’ tanner, as John Burns described it, eightpence an hour for overtime and a reduction in the number of ‘call-ons’, which kept hungry men hanging about the dock gates all day, often in the wet and cold awaiting the next chance to catch the foreman’s eye.

The strike spread rapidly throughout the docks, stevedores, boilermakers, coal heavers, ballast-men, lightermen, painters and carpenters all supporting the dock labourers. With only seven shillings and sixpence in his union funds. Tillett set about raising money to provide relief for the striking dockers and their families. Daily marches with banners and bands around the docks and to the City served to keep up morale, spread the news and keep money pouring into the jingling collecting boxes. From the strike committee headquarters at The Wade’s Arms, Ben Tillett, Tom Mann, Eleanor Marx, John Burns, Harry Orbell and Henry Champion planned the distribution of money. Champion had been expelled from the SDF in November 1888 and threw himself eagerly into leading the practical relief work among the strikers. He persuaded the strike committee to issue one shilling food tickets and got local tradesmen to honour them. Tom Mann took charge of the task and told in his memoirs of how he faced the first crowd of hungry dockers:

I put my back against one of the doorposts and stretched out my leg, with my foot on the opposite post, jamming myself in. I talked pleasantly to the men and passed each man in under my leg!

Tillett wrote of this event:

I can see Tom now, with his back against the door of Wroot’s Coffee House, keeping back a yelling, hungry mob, while Nash and Smith shivered in the pay room. 

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Eight relief centres were established in the East End of London, tickets being issued on production of a union card. This was not only a rational way of issuing relief but served to build the union, twenty thousand cards being issued for the twopenny membership fee. Contemporary reports tell of women and children feeding in the streets and the photograph above shows women with their meal tickets pinned to their hats and dresses, feeding their children outside one of the union centres. At the peak of the struggle, twenty-five thousand meal tickets a day were being issued by the union. Eventually, on 14 September 1889, a settlement favourable to the dockers was reached. The story of the strike for the ‘dockers’ tanner’ is legendary and the engravings from The Illustrated London News of 1889 and a few contemporary photographs of the strikers are familiar enough. However, the photograph from the SDF slide set, entitled women and children of dock strikers being fed in the street was not published until 1980. It is a rare relic from that epic fight which heralded the ‘new unionism’ and the organisation of the unskilled.

The Tea Operatives Union which began the strike with a few hundred members finished it with a few hundred thousand and the ground was prepared for the building of the great Dockers’ Union, ‘the Dock, Wharf, Riverside and General Labourers’ Union of Great Britain and Ireland’. The photograph below shows victorious strikers, greeting the end of the strike, one of the most significant in the history of British trades unionism. The Socialists as a whole gained considerably in prestige from their association with the New Unionism which developed from the late 1880s onwards. The example of devoted leadership that they gave was only rarely spoilt by errors of judgement. As Champion himself recognised at the time, it was not for the purity of their Socialism that they were respected by the workers, but for their willingness to throw themselves into the day-to-day tasks of union organisation. But the political leaders at the dockside were careful not to take advantage of the strike to advance the Socialist cause. Hyndman had wanted John Burns to display a red flag during the dock strike, but Burns had refused because he knew it would be inappropriate to do so.

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John Burns resigned from the SDF after the strike but still regarded himself as a Socialist, and the movement could only gain from his popularity, and that of Thorne and Mann, who now occupied key positions in the New Unions. Furthermore, the principles of New Unionism were socialistic in tendency, basing their tactics on the principle of advancing the interests of the working class as a whole, which is clearly indicated by their willingness to accept all types of workers for membership. This brought the new unionists into sympathy with the basic conception of Socialism and made them favourable to the Socialist demand for an independent labour party in Parliament. The new unionists had nothing to lose and a world to gain by a policy of political action such as the Socialists were advocating. It soon became clear to them that the gains they made by industrial action were not easy to maintain. The success of the Championite Socialists in taking the lead in the formation of the new unions was largely due to the lukewarm attitude of the established ‘craft’ unions. The echoes of New Unionism were meanwhile resounding throughout the country, and struggles of less importance but sometimes greater intensity and bitterness were waged in provincial towns and ports. The letters of Engels reveal something of the intense excitement of the period, especially one he wrote to Sorge in December 1889:

The people are throwing themselves into the job in quite a different way, are leading far more colossal masses into the fight, are shaking society more deeply, are putting forward much more far-reaching demands: eight hour day, general federation of all organisations, complete solidarity. Thanks to ‘Tussy’ (Eleanor Marx) women’s branches have been formed for the first time – in the Gasworkers and General Labourers Union. Moreover, the people regard their immediate demands only as provisional although they themselves do not know as yet what final aim they are working for.

But this dim idea is strongly enough rooted to make them choose only openly declared Socialists as their leaders. Like everyone else they will have to learn by their experiences and the consequences of their own mistakes. But as, unlikethe old trade unions, they greet every suggestion of an identity of interest between Capital and Labour with scorn and ridicule, this will not take very long. …

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Engels’ optimism was based not only on the success of the Socialists in capturing the new unions in London but also on the successful reconstitution of the ‘International’ in the autumn of 1889. There had been two separate Socialist and Labour congresses held simultaneously in Paris: one was backed by the orthodox followers of Marx and Engels, and also attended by a number of British Socialists including William Morris and Keir Hardie; the other, summoned by French reformists opposed to the Engels group, was attended not only by the Fabians and by a number of the craft unionists, but also by Hyndman and other members of the SDF. It was due to Engels’ hostility that the SDF delegates were forced to consort with conservative trade-union leaders and the foreign reformists rather than with the Marxists.

Fortunately, however, for the sake of the future of the movement, the two congresses finally joined together to form the Second International. As a consequence, this was much more real as an organisation than its predecessor of two decades before, embracing strong parties from a variety of countries. One notable outcome of the foundation of the Second International was the decision to make a demonstration of labour solidarity on May Day, 1890. The London Socialists busied themselves with preparations for a great demonstration in Hyde Park on the first Sunday in May, the result being a remarkable display of the forces of New Unionism and its solidarity with the Socialism. The attendance was impressive, and Engels, who watched the scene from the top of a goods-van, was almost beside himself with enthusiasm. He proclaimed in the Vienna Arbeiter Zeitung:

On May 4th, 1890, the English working class joined up in the great international army. … The grand-children of the old Chartists are entering the line of battle. 

A German depiction of the famous phrase "Workers of the World Unite!" from Marx and Engel's Communist Manifesto (1848).

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But in his more sober moments, Engels was well aware of what he called the bourgeois respectability which has grown deep into the bones of the workers. Although the new unionists made an impact on the TUC in 1890, they were not sufficiently numerous to outvote the craft unions, most of whom retained their prejudices and patronising attitude towards the new arrivals. Meanwhile, the Socialist League in London was falling apart. Eleanor Marx, Aveling and Bax were feeling, as Hyndman had done, that Socialism should engage with the parliamentary system. The withdrawal of this ‘Parliamentary’ element caused the Socialist League to fall more and more into the hands of the Anarchists, who voted Morris out of his role as editor of The Commonweal at the 1890 conference.

016 (3)Morris himself became increasingly uncomfortable with their activities until in November 1890 he decided to cut his losses and withdraw from the League, together with the Hammersmith branch, which remained loyal to him. Without his funds and moderating influence, the League then disintegrated. Morris continued to work for Socialism, but at a reduced rate which was all his health permitted; he chaired meetings of what had become the Hammersmith Socialist Society and continued to speak at outdoor meetings. He still hoped for a united British Socialist Party, and negotiated, unsuccessfully, to bring that about in 1892. He was pleased with the election of three ‘Independent Labour’ MPs, regarding…

… this obvious move forward of the class feeling as full of real hope. 

The growth of the waterfront and related unions in the great seaports helped to change the geography of the trade union movement, although their strength ebbed and flowed spectacularly with the trade cycle. In 1891, on the crest of the cycle, officially recorded membership had penetrated deepest into Northumberland, Durham, industrial Lancashire, Yorkshire and Derbyshire, and into South Wales. It remained at a very low ebb across the Home Counties, southwest England, rural Wales and most of East Anglia, despite the rise of agricultural trade unions in the early 1870s. The same geographical pattern applied to the development of consumer co-operatives. By 1870, Yorkshire had 121 societies of varying sizes, and Lancashire had 112, followed by Durham (28), the Northamptonshire footwear district (21), Northumberland (18), and Cheshire and Derbyshire (17). At this stage, there were only six societies within a twelve-mile radius of central London.

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Wherever the Chartist legacy had been strong, and trade union commitment coexisted with hard-working, thrifty Nonconformity, co-operation took root.  Falling prices and rising working-class living standards in late Victorian times made it compatible with popular pleasures like football and seaside excursions, as more people could afford to save and spend, or to save in order to spend. Co-operation became a mass movement and by 1899, 1,531 co-operative societies in Britain had over 1.6 million members, and in heartlands like ‘cotton Lancashire’, practically every household included a ‘co-operator’. London, the great seaports and even the popular resorts were catching up with the older industrial centres by this time. Co-operatives and the trade unions rarely collaborated, except when local societies gave special support to strikers.  As a widely supported movement which drew in women as well as men, the Co-operative Movement, with its proto-feminist Women’s Guild, had an even bigger impact than the better-documented trade unions. The relaxation of draconian anti-union legislation in the 1870s and rising affluence among unskilled workers in the 1890s had enabled them to take part in the union movement, while co-operative societies encouraged ‘Self-help’ by dividing profits among their members. The geographical influence of the two movements is best understood if they are regarded as two sides of the same coin.

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The photograph above shows the Radcliffe Co-op in Lancashire, typical of the early co-operators and their belief in Robert Owen’s great discovery that the key to a better society was ‘unrestrained co-operation on the part of all members for every purpose of social life’. Founded in 1860, the Radcliffe co-operators looked to the established movement in Bury, Oldham and Ashton in for inspiration and advice. The Radcliffe Co-op flourished with reading rooms, educational classes, the Women’s Guild interwoven with the steady growth of baking, coal supply, housing, dairy produce and a growing number of branches.  

The Advent of the Independent Labour Party, 1893-95:

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Although aloof from the fray over these early years of the 1890s, the fact that Morris was known to be speaking not for one faction but for the interests of Socialism as a whole actually increased his influence.

At the beginning of 1893, the inaugural conference of the Independent Labour Party took place at the Bradford Labour Institute. The hall’s history was symbolic of working-class causes both religious and political to date. It had begun life as a Wesleyan Reform Chapel and had later been used by the Salvation Army. It was surrounded by the mills and warehouses on which the trade of Bradford depended. Against this backdrop, the opening of the conference presented like a scene from a novel depicting British political history.

William Morris was not there, but there were certainly many faces to be seen which belonged to characters who had already played major roles in labour politics including Mahon, Donald, and Aveling, Hardie, Tillett and Shaw. Hardie was elected to the chair, and he immediately faced difficulties over whether the two London Fabians should be admitted as delegates. Shaw was one of these, but the ‘permeation’ tactics of the Fabians were unpopular among the rank-and-file of independent labour, especially as it was widely known that they had no intention of abandoning their positions of influence inside the Liberal Party. On the night before the conference, Shaw had addressed a meeting of the provincial Fabian delegates and had suggested that the whole idea of immediately establishing an independent party was premature. Reports of his speech circulated overnight, so it was not surprising that the credentials of these two delegates were disputed and only approved by a margin of two votes. Thereafter, Shaw’s contribution to the discussions was of considerable value. The principal questions with which the conference had to deal were the choice of the party’s name, the drafting of its constitution and programme and the election of an executive. The choice of name was obvious to the English delegates, but the Scottish Labour Party colleagues the title of ‘Socialist Labour Party’. Joseph Burgess and Katherine Conway argued that the new party had to appeal to an electorate which has as yet no full understanding of Socialism. Ben Tillett supported this point, adding that:

He wished to capture the trade unionists of this country, a body of men well organised, who paid their money, and were Socialists at their work every day and not merely on the platform, who did not shout for blood-red revolution, and when it came to revolution, sneaked under the nearest bed.

Tillett followed up this attack on the Hyndmanites with a gratuitous one on the hare-brained chatterers and magpies of Continental revolutionists, a remark which offended Eduard Bernstein, the able London correspondent of the German Social-Democratic paper, who was later given the right to reply. The decision to leave the title as ‘Independent Labour Party’ reflected an awareness of the origins and roots of the party in the local labour unions and parties, some of which were not explicitly committed to Socialism. The primary object of these bodies was to build a Parliamentary party on the basis of a programme of labour reform, and the principal allies of this party were to be, not the existing Socialist societies, but the trade unions, whose leaders were in most cases still to be converted to the independent policy. In this decision the fundamental differences between the ILP and the earlier Socialist societies were revealed: the means of political action were regarded as of primary importance, and the theoretical approach gave way to the practical. But this did not mean that the party was not to be a Socialist party. The proposal to define its object as to secure the collective ownership of the means of production, distribution and exchange was carried as a substantive motion by an almost unanimous vote. The conference was evidently strongly Socialist; this was confirmed when the programme came to be discussed and, with the help of Aveling and Shaw, the Marxist and the Fabian, it provided the new party with a concise and clear-cut programme without inconsistency or divergence from basic Socialist doctrine.

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The Bradford Conference had raised high hopes of the new Independent Labour Party, which was intended to rival the Liberals and Conservatives in the fight for Parliamentary power. But the reality of its position fell far short of what its supporters at first imagined was possible. The ILP was able to rely on many of the remnants of the Socialist League, especially in Yorkshire, but the SDF had strengthened itself at the expense of the League in London and had also rapidly extended its hold in Lancashire. In June 1893, the SDF claimed sixty-two branches, a total larger than ever before except for its temporary boom during the strikes of 1887; in August 1894, the official total was ninety-one. Although never as large as the ILP it was always a formidable competitor.

Champion manoeuvred his way back into the political limelight in association with Maltman Barry, described by one rival as that most Marxian of Tories and Toryest of Marxians, now openly boasting his connection with the Conservative Party, as its paid agent, in a letter to the Workman’s Times of September 1892, which made him a sinister influence to the purists of independent politics. The national press was overwhelmingly hostile to the ILP and anxious to misrepresent any indiscretion or sign of weakness, and the agents of both the ‘great’ parties were seeking to break down the policy of independence by offers of financial assistance or by promises designed to satisfy personal ambitions.

Fortunately for the ILP, despite its internal financial and organisational difficulties, political factors in the country were strengthening its position. Hardie’s vigorous propaganda, up and down the country as well as in Parliament was breaking through and stiffening the members’ attitude on the issue of strict independence. The political situation was one of which he could take advantage since the Liberal government were showing no signs of dealing with the relief of the unemployed or of accomplishing important reforms. The problem of unemployment was very severe, with distress on a national scale, and Hardie calculated, with good reason, that there were over a million out of work. Throughout the country, local ILPs took the initiative in forming distress committees to provide food and shelter for the needy and to press public bodies to assist by offering relief work. The SDF methods of organising demonstrations of the unemployed were revived, and many industrial towns echoed to the tramp of their marching feet and the pathetic sound of their song, The Starving Poor of Old England.

But it did not take very much to persuade the Fabians to turn around once more and reassert their alliance with the Liberals. The ILP, they were convinced, could not succeed without official trade-union support. It was in vain that Hardie attempted to explain to them the fighting attitude of the local ILP branches in the north of England. He took part, with Tom Mann, in an informal Fabian-ILP conference in January 1895, and also lectured to the Society in London, telling them:

To reach the masses of the people, something more than academic education and discussion on abstract propositions is necessary. The workers will only rally to a fighting policy.

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After Hardie’s lecture, Curran reminded those present that London is not England, a reminder that, for all their claims of intellectual superiority, they often seemed incapable of fully appreciating. In the 1895 General Election, although the ILP fielded twenty-eight candidates, polling 34,433 votes (1% of the total votes cast), and failed to get a single MP elected. Even Keir Hardie, standing again in West Ham, and his two colleagues lost their seats.

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‘Merrie England’ – Popularising Socialism in the Countryside, 1894-95:

Allied to the ILP in the North and Midlands, journals like The Clarion had a wide appeal because of its brilliant journalism. Robert Blatchford founded The Clarion as a weekly paper in the winter of 1891 to spread the message of Socialism. With a combination of wit, warmth and sound political argument the circulation soon reached forty thousand. It became more than a newspaper, it became a movement. Blatchford’s series of articles inviting John Smith, the typical working man, to join the ranks of the Socialists was published as Merrie England, and when issued as a book it sold twenty thousand copies at a shilling each. Wanting to reach out further he issued a penny edition issued in 1894 and sold three-quarters of a million copies in a year, giving a great lift to the circulation of the Clarion, sales of which reached sixty thousand. The features of Merrie England that made it so popular were its simplicity and directness of style, and its engaging enthusiasm for the ordinary pleasures of life that had been submerged by industrial civilisation, as the following extract from Blatchford’s writing demonstrates:

I would stop the smoke nuisance. … I would have towns rebuilt with wide streets, with detached houses, with gardens and fountains and avenues. … I would have public parks, public theatres, music halls, gymnasiums, football and cricket fields, public halls and public gardens for recreation and music and refreshment. …

015 (2)How could all this be done? Blatchford demonstrated that the working class, who were seven-eighths of the population, received little more than a third of the national income. He also argued, principally on the basis of an article by the Russian scientist Peter Kropotkin, that Great Britain and Ireland could be self-sufficient in agricultural production. The whole problem, therefore, he maintained, could be solved by nationalising the land, industry and commerce, and by limiting industrial production to the extent actually required for the supply of the people of Britain. Thus the doctrines of Marxian Socialism, as transmitted to Blatchford through the agency of Hyndman and the Fabians, were transformed into a policy of national autarky which, at the time it was propounded, could hardly be taken seriously by those who knew anything about Britain’s position in world trade. But the economic arguments in the book did not really matter. Blatchford was not equipped to deal with the practical problems of political administration. He was, however, in his element as a popular journalist who could stir the public imagination with his vivid writings.

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Blatchford found other ways, too, of exploiting the interest in Socialism. Clarion Clubs were formed, informally known as The Fellowship. These were followed by the Clarion Cycling Club, joining the new craze with spreading the gospel of Socialism to countryside villages. Blatchford’s supporters became known as ‘Clarionettes’ and in 1894 he founded the Clarion Scouts, bodies of young Socialist pioneers who were to spread their faith by such original methods as leaflet raids by bicyclists. These propagandising methods both improved the Clarion‘s circulation and spread the idea of Socialism in directions where it had not previously penetrated. He encouraged the formation of a Glee Club, a Camera Club and a Field Club, and for a time ran a special supplementary paper, the Scout, to support their activity. These were followed by numerous cycling clubs. One reason for the establishment of the Clarion Scouts had been to find a way of bringing Socialism to the agricultural areas. In 1895 a few Manchester Clarionettes borrowed a horse and van and set off for Tabley in Cheshire to camp with eight Clarion supporters. The idea of the Clarion vans was born, and, complete with beds and fitted with socialist literature the vans were mobile propaganda vehicles, touring for weeks at a time, until the last one, designed by Walter Crane (1845-1916), the great Socialist artist-craftsman and William Morris’ associate, was built and dedicated in the market square in Shrewsbury, photographed below, just months before the First World War began.

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Blatchford’s conception of Socialism was a policy of agricultural self-sufficiency and the 1895 ILP annual conference followed his lead by adopting a long and detailed list of agricultural reforms including nationalisation of land values and placed these prominently at the head of its programme. These policies aimed at catching the eye of the rural voter, but it was all to little avail: the general picture of the party’s activity in the first year of its existence remained one of great vigour in the industrial North of England, especially the woollen areas, with pockets of strength in parts of Scotland and the Midlands. ; but it remained weak in London and other southern towns, and completely absent from nearly all the rural areas. The ILP Directory, published in 1895 showed that out of the three hundred or so party branches listed, a hundred were in Yorkshire, mostly in the West Riding, over seventy in Lancashire and Cheshire, forty in Scotland, mostly in Glasgow and Strathclyde,  and thirty in the London area. Of the sixty remaining branches, most were in the Midlands and north-eastern counties of England, leaving Wales, Ireland and eastern England virtually without representation. It was primarily an industrial working-class party with a strong presence in particular localities in the textile towns and in the more scattered engineering districts of England. By replacing the cosmopolitan Socialism of the eighties with a national party, the ILP had merely succeeded in establishing itself as a provincial party by the mid-nineties.

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In 1896, Walter Crane had published Cartoons for the Cause, 1886-96, printed by the ‘Twentieth Century Press’ at Clerkenwell Green in London. As John Betjeman, the later poet laureate wrote in his foreword to its reprint in 1976, Crane’s cartoons are of historic interest as period pieces when high-minded Socialism was taken up by the followers of William Morris. Crane was prominent among them, the first Master of the Art Worker’s Guild, an ardent ‘Guild Socialist’ and Positivist. Betjeman also wrote that:

Crane was no William Blake but a brilliant decorative artist. … Walter learned the art of engraving on wood and stone. A hard life among the shabby-genteel of London opened his generous heart. He saw the twentieth century as a golden age ahead, with equal cash and opportunity for all. … 

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The designs which are shown here are taken from Crane’s ‘portfolio’ and were done from time to time over the decade from the summer of 1885 which, as Crane wrote in his preface, had been a period of remarkable progress in the knowledge and spread of Socialist ideas.  They served on different occasions the Socialist movement, appearing in various journals devoted to ‘the cause’, including Justice. The year of publication was marked by the International Socialist and Trade Union Congress in July when workers and Socialists from all parts of the world met in London. It was hoped, as Crane wrote, that the event would …

… be the means of strengthening the ties of international brotherhood, and consolidating those common interests of humanity which makes for Peace and social progress; as well as giving an immense stimulus to the great movement towards the new era, when, society renewed upon a sound economic basis, the earth shall be for man and the fullness thereof.

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Crane continued in the same millennarian spirit:

The possibilities of life on the earth under such a change of system – and it is only a change of system – are as yet but dimly and partially apprehended; but to anyone who can read the signs of the times everything points to the approach of such great economic changes as those indicated, and consciously or unconsciously we may be all, whether rich or poor, factors in their evolution …  

Rival Revolutionaries, 1896-1900:

Meanwhile, the Hyndman group continued to dominate the politics of the SDF, greeting with scorn and vituperation the slightest sign of deviation from an uncompromising hostility to all other parties. Ramsay Macdonald and the Fabian leaders were especially singled out for criticism. When, in 1895, George Lansbury, who stood for Walworth as an SDF Parliamentary candidate, ventured to speak in his manifesto of the transformation of society by peaceful means, he was severely taken to task by Hyndman for his apparent abandonment of what the latter saw as the true revolutionary attitude. Yet in spite of these defects, the SDF continued to provide a serious challenge to the ILP as the leading Socialist party. In 1898 it claimed a total of 137 branches, twice as many as it had in 1893, and roughly two-thirds of the ILP figure.

Since the 1895 General Election, it had gained ground at the expense of the ILP and its leaders were willing to support a merger with the ILP since they knew they would no longer be submerged. It was more overtly ‘Socialist’ both in its title and programme. Members of the Federation were expected to make a real attempt to master the theory of Marxism, and even Lansbury’s Bow and Bromley Socialists wearily struggled with ‘Das Kapital’ and Engels’ ‘Socialism, Utopian and Scientific’. This was far more than the ILP branches were prepared to do. Also, there were many who had joined the SDF because they were hostile to the ILP for a variety of reasons, not least because it was not sufficiently democratic, a criticism shared by Blatchford. It was for these reasons that William Morris rejoined the party a short time before his death in 1896. Morris had come to accept the need for political action but was suspicious of Hardie, dating from the days when the latter was closely associated with Champion. In 1894, a young member of the SDF heard Morris speaking for the party in Manchester:

The last time I saw Morris, he was speaking from a lorry pitched on a piece of waste land close to the Ship Canal. … It was a wild March Sunday morning, and he would not have been asked to speak out of doors, but he had expressed a desire to do so, and so there he was., talking with quiet strenuousness, drawing a laugh now and then from the undulating crowd, of working men mostly, who stood in the hollow and on the slopes before him. There would be quite two thousand of them. He wore a blue overcoat, but had laid aside his hat; and his grizzled hair blew in wisps and tumbles about his face. … In spite of the bitter cold of the morning, scarcely a man moved from the crowd; though there was comparatively little fire or fervour in the speech, and next to no allusion to any special topic of the hour. Many there were hearing and seeing the man for the first time; most of us were hearing from him for the last time; and we all looked and listened as though we knew it.

When Morris died two years later, aged sixty-two, the sense of loss which was felt by fellow Socialists was summed up by Robert Blatchford, the ILP’er and editor of The Clarion:

I cannot help feeling that it does not matter what goes into ‘the Clarion’ this week, because William Morris is dead. And what Socialist will care for any other news this week, beyond that one sad fact?  … He was our best man… It is true that much of his work still lives, and will live. But we have lost him, and, great as was his work, he himself was greater … Though his words fell like sword strokes, one always felt that the warrior was stronger than the sword. For Morris was not only a genius, he was a man. Strike him where you would, he rang true…

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Morris’ greatest contribution to the socialist movement was the inspiration he provided, as Blatchford suggested, more as a man than as a theorist. In fact, the future for British Socialism lay not in revolution, as Morris had thought, but in a gentler, reformist approach, specifically through the election to Parliament of the ILP candidates. Nevertheless, the Socialist League in its short life played a vital role in forming that party; its stronghold was in the north, not in London, and this is was from these roots that the party sprang, whereas the SDF was strongest in the south. Morris did, to some extent, succeed in educating the working classes in Socialism, even though the results were not exactly what he had hoped they would be. It is more difficult to assess his influence on Socialism and socialist thought in the longer term. Recent revaluations suggest that his contribution in this area may have been undervalued and that he was a more substantial political theorist than has been realised. The ‘Marxist’ historian E P Thompson suggests that Morris’ essential contribution to British Socialism was his stress on a moral and humane element, on the importance of community and fellowship, and that this was a necessary complement to the more cerebral Marxist economic analysis.

Poverty & Progress at the Turn of a New Century:

The final years of the century were a time of sharply rising industrial militancy and the ‘imperial issue’ of Ireland: Of all these issues around the world, the issue of Home Rule for Ireland was the one that  roused most interest, not simply because it was the closest to home and mixed with religious differences but also because it divided the Liberal Party as well as the workers. But it was the issue of poverty which began to attract men of social conscience, most notably the shipowners Charles Booth and the chocolate manufacturer Seebohm Rowntree, who began to investigate it, quantify it and to record its reality and extent in irrefutable detail for the first time. At the beginning of the 1890s, thirty per cent of London’ population fell on or below Booth’s ‘poverty line’, which increased to 68% in Southwark and 65% in Greenwich, and Rowntree’s figure for York in 1899 was not much lower than these. Cases of real want could no longer be dismissed as unrepresentative. So low or intermittent were earnings that many families had incomes which were below the level needed for the maintenance of physical health and strength even if excellent housekeepers had been available to ensure that not even a farthing was spent on non-essential items. Rowntree calculated that in York in 1899, almost ten per cent of the population (15.5% of all wage earners) lived in primary poverty, below the ‘poverty line’, and this figure was considered to be not untypical of other provincial towns.  It was small wonder, therefore, that just over a third of those who volunteered for military service between 1893 and 1902 were rejected on medical grounds, and fears of national physical deterioration began to alarm the more conservative elements in the country and allied them with those whose consciences had been stirred by the social investigators ‘arithmetic of woe’.

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Above: A Sunderland slum, c.1889: Squalor was all too often the fate of the industrial working class. By-laws regulated new building, but slums like these were to take another forty years to clear.

The growing urbanisation of the country which many thought was aggravating the problems of the poor also made it possible to deal with the worst social injustices. Towns provided an increasing range of free services and local government expenditure began to increase. Workmen’s trains and, from the 1890s, electric tramcars, together with the availability of cheap, second-hand bicycles, enabled wage-earners to escape from overcrowded town centres to the suburbs. And the spread of multiple shops such as Sainsbury’s and Lipton’s from the 1860s onwards was also an urban phenomenon, as were Saturday afternoon sporting events, excursions by train, and the music halls.

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The preference for smaller families, which became more marked among the middle classes in the later nineteenth century, was beginning to spread to the working classes, thus making the lives of married women considerably better, but this was a gradual change. The photo (right) shows the Gulliver family in c.1899, the children of an agricultural labourer and a domestic servant, on the steps of their cottage in Ufton, Warwickshire. A further seven siblings were added in the following decade. There were also the beginnings of greater employment opportunities for single women. The reforms of secondary education after 1870 led to new grammar schools offering scholarships to bright young people of both sexes, providing them with a better start in life than their parents had had. There was also more time for leisure. C Stella Davies recalled her memories of the Clarion Cycle Club at this time:

At the club-house, after a ride through the lanes of Cheshire or over the Derbyshire hills, we ate an enormous tea of ham, pickles, jam and cake of such solidity that we called it a “tram-stopper” … Washing-up followed, after which we cleared the tables away for either a meeting, a play or a concert, finishing the evening by dancing … By ten o’ clock we were shooting down Schools Hill, bunches of wild flowers tied to our handle-bars, apples in our pockets, the wind lifting our hair …

The State of the Socialist ‘Cause’ & Labour’s ‘Turning Point’:

The Socialists, whether in the Socialist League, the SDF or the ILP, were the only active political group who were interested in bringing an independent working-class political party into being. They alone could provide a programme which would make it distinct and separate from the existing parties. Without such a programme, as Engels realised, there could be no such party on a permanent basis, and every attempt to found one would fail. Even after the foundation of a Labour Party by the coming together of the trades unions with the socialist societies at the beginning of the twentieth century, its political independence remained in doubt until in 1918 it accepted a Socialist constitution. In addition, the Socialists possessed faith in the righteousness and ultimate victory of their cause which acted as a powerful driving force. This ‘faith’ was based, ultimately, on the analysis of society first presented by Marx and Engels in their Communist Manifesto of 1848 and elaborated in their subsequent writings. This analysis was modified by Hyndman and the Fabians and simplified for popular consumption by Morris, Blatchford and Hardie. To its working-class adherents, it gave a sense of purpose and pride in their class consciousness; to middle-class progressives, it afforded the consolation that they were working in harmony with contemporary social change.

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Socialism had the dynamic quality of a faith devoutly held which was capable of conquering social realities. It had this quality for the early members of the SDF, the Socialist League and the ILP. Just as now, it led them into making foolish statements, such as…

If Socialism were the law in England every worker would get at least four times his present wages for half his present work, or this country is capable of feeding more than treble her present population. 

But ‘the faith’ did not stand or fall by the publication of illusory and inaccurate figures: it depended much less on ‘reason’ than on deeper and simpler forces in human nature. G. B. Shaw summed this up in his 1897 article, The Illusions of Socialism, in which he wrote:

Socialism wins its disciples by presenting civilization as a popular melodrama, or as a Pilgrim’s Progress through suffering, trial, and combat against the powers of evil to the bar of poetic justice with paradise beyond.

It was this crusading zeal which drew attention to the Socialists in the eighties and enabled them to have an influence in British politics far beyond what their numbers justified. They made up in energy and enthusiasm for their lack of numbers: in spite of their eccentricities and discords, they formed a political élite.  When it came to fighting elections, speaking at street corners, canvassing and delivering manifestos, the man with the red tie was worth a score of his more easy-going trade-unionists, a fact that the union leaders were obliged to take into account in drawing up the terms of the alliance in 1900. Not all the Socialists, however, could claim to have made a valuable contribution to the formation of the new party. The SDF had originated in a labour revolt against the National Liberal Federation, yet in the course of a few years, it came to embody a sectarian exclusiveness and hostility to all save the adherents to its own narrow creed. Engels himself resented the way it had managed to reduce the Marxist theory of development to a rigid orthodoxy. Hyndman’s was a doctrinaire radicalism, full of echoes of Tom Paine and the Jacobins, but devoid of any astute revolutionary technique. It was primarily to defend his more collaborative strategy that Hardie fought tooth and nail against a merger with the SDF. His attitude was justified by the attitude of the SDF leadership at the critical moment of the formation of the new party and their decision to secede eighteen months later.

The fact was, as George Lansbury understood better than Hyndman, that the British working class as a whole had no use for the concept of violent revolution, and that any leader who failed to recognise this could not expect to win widespread support. Economic grievances could temporarily arouse bitter discontent as they had done in the early period of the industrial revolution: the Norwich shoemakers who joined the Socialist League were, like the Chartist hand-loom weavers before them, making a protest against an industrial system which had no place for their craftsmanship. But fractures and dislocations of this kind were transitory events: a permanent political organisation of the working class needed to disavow the use of violence. Only those who recognised this could effectively move forward to the formation of a Labour Party. The Fabian Society performed the essential service of adapting Marxist theory to a form compatible with British constitutional practice, drawing heavily on indigenous radical and liberal ideas. But the Fabians had no direct involvement in the establishment of the Labour Representation Committee and were never ready to believe that the time was ripe for the creation of a new party. The failure of their policy of permeation, in which they had placed such high hopes, turned their complacency to depression, and by the end of the century, most of the members of the Society were beginning, like Shaw, to distrust existing democratic processes.

Apart from the early efforts of Engels and the Marx-Avelings, it is Champion and his associates who deserve the credit for devoting themselves to the formation of a Labour Party. From 1893 onwards, the ILP began to provide examples of the value of independence. It had the initial support of Engels, and Aveling helped to draw up its programme. Within the limits of constitutionalism, it seemed to be determined to fight its battles without compromise. It governed itself by means of a supreme annual conference, a democratic device inherited from the trades unions, but not at that time adopted by any political party. The ILP also showed that poor as it was, it could fight elections against both Liberals and Conservatives and yet secure polls that were no discredit to the cause. Yet it was clearly a party with a future; and, given the support of the trade unions, it was obvious that the future would be rich in Parliamentary success. The greatest achievement of Keir Hardie and his ILP lay in the capture of trade union support as early as 1900. In the same year, Pete Curran of the ILP Council addressed the Congress of the Second International, striking a self-confident tone about the state of the labour movement as a whole in his critique of imperialism at home and abroad:

Great efforts are now being made in England to convince the trade unionists that the colonial policy is in their interests … But the English trade unionists are not to be caught with those fine words … And if the jingoes rejoice in the fact that England has become a great country on which the sun never sets, then I say that in England there are thousands of homes on which the sun has never risen.

The whole strategy of the ILP from its foundation had been based on the conception of collaboration with trade unionists with the ultimate objective of tapping trade-union funds for the eventual attainment of Parliamentary power. Eventually, even William Morris had to accept that the purity of the Socialist Cause was worth nothing without the power to enact its policies and that this power could only be enacted through parliamentary means and pluralistic methods. That may be a lesson that its current adherents in the Labour Party need to learn afresh. Let’s hope it doesn’t take them a further thirty or forty years to do so; at least they are not building from scratch.

 

Sources:

Christine Poulson (2002), William Morris. Royston: Quantum Publishing.

John Gorman (1980), To Build Jerusalem: A Photographic Remembrance of British Working Class Life, 1875-1950. London: Scorpion Publications.

Henry Pelling (1965), Origins of the Labour Party. Oxford: Clarendon Press.

Walter Crane (1896; 1976), Cartoons for the Cause, 1886-1896. London: Twentieth Century Press/ Journeyman Press.

Theo Barker (ed.) (1978), The Long March of Everyman, 1750-1960. Harmondsworth: Penguin Books.

John Walton et. al. (2001), The Penguin Atlas of British & Irish History. London: Penguin Books.

 

Posted December 9, 2019 by TeamBritanniaHu in Affluence, Austerity, Baptists, Britain, British history, Cartoons, Charity, Christian Faith, Christian Socialism, Christianity, Church, Co-operativism, Coalfields, Colonisation, Commemoration, Commonwealth, Conservative Party, democracy, Demography, East Anglia, Education, Egalitarianism, Empire, Factories, Family, Fertility, History, Home Counties, Ireland, Irish history & folklore, Labour Party, Leisure, liberal democracy, liberalism, Literature, Marriage, marriage 'bar', Marxism, Maternity, Methodism, Midlands, Militancy, Millenarianism, Monuments, Narrative, Nonconformist Chapels, Oxford, Population, populism, Poverty, Proletariat, Reconciliation, Recreation, Scotland, Socialist, south Wales, Trade Unionism, tyranny, Unemployment, United Kingdom, Utopianism, Victorian, Wales, West Midlands, William Morris

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British Society and Popular Culture, 1963-68: Part Two – Beatlemania & the Cultural Revolution.   Leave a comment

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Sexual Freedom & Women’s Liberation:

The ‘cultural revolution’ had a profound effect on sexual behaviour in general, and on women in particular. Sex before marriage became less taboo (one-third of young women were pregnant when they married), and there was a general feeling of increasing sexual freedom at various levels in society, which was made a reality through the advent and growing availability of the contraceptive pill from 1962. Women’s liberation also took off, leading to the victory of the Equal Pay Act in 1970. Until that, equal rights and feminism only really touched the surface. There was still a long road to travel on this, however. Too many workplaces were utterly unwelcoming of women wanting work. Too many memoirs recount the gross sexism of the new rock stars, not to mention the abuse of young women and children by a small number of prominent pop celebrities, more recently uncovered in police investigations. ‘The Pill’ might have arrived, and the Abortion Act became law in 1967, but this was still a time of ‘unwanted’ pregnancies, ‘unmarried’ mothers and gross domestic violence being administered by drunken men. Yet the philosophical principles of egalitarianism were gradually weaving their way into social change. Traditions of submission and obedience, together with hierarchies of class and gender based on medieval property rights, industrial capital and imperial administration, began to wobble and dissolve into a society which was more dilute and porous. This was not so much because ‘revolutionaries’ ushered in an age of personal freedom, but more generally because it suited a new economic system based on consumer choices.

In domestic life, two-thirds of families acquired labour-saving devices such as refrigerators and washing-machines. There was a growing ‘snappiness’ and lightness of design, in everything from the cut of clothing to the shape of cars, an aesthetic escape from the gravitas of the post-war period of austerity. But among the population as a whole this was a gradual transformation, experienced in a continuum, not as a revolution. The process was somewhat accelerated among the younger generation.  The real earnings of young manual workers had grown rapidly in the early sixties, creating a generation who had money to spend on leisure and ‘luxury’ goods. The average British teenager was spending eight pounds a week on clothes, cosmetics, records and cigarettes. In London, King’s Road and Carnaby Street became the haunts of this generation. Their attitude is summed up by the designer Mary Quant, whose shop Bazaar in King’s Road, provided clothes…

… that allowed people to run, to jump, to leap, to retain their precious freedom. 

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Quant had been cutting up lengths of cloth bought over the counter and selling them at Bazaar since the mid-fifties. Her iconoclastic style involved drawing, slicing and sewing up a uniform that parodied the pleated, padded, extravagant clothes of the Old New Look designers. In doing so, she was taking on the fashion industry of Paris and the West End from her bedsit and tiny shop. Quant’s shockingly short mini-skirts, named after the car she loved, were offensive enough for the occasional brick to be lobbed at her window. She always claimed that she was trying to free women to be able to run for a bus. But it was the sexual allure that shocked. Michael Caine later recalled taking his mother down the King’s Road to see what all the fuss was about:

I said, “here’s one now”, and this girl walks by with a mini up to here. She goes by and my mother looked at her. So, we walk on a bit. She never said a word. So I said, what do you think, mum? She said: “If it’s not for sale, you shouldn’t put it in the window.”

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Clothes became the outward symbols of the ‘Chelsea Set’ of which Caine was a fully paid-up member, as was Quant. But Quant’s fashions were as exclusively priced as the ‘Set’ itself. ‘Biba’, an iconic symbol, promised liberation for women and girls, but liberation through spending. Its founder, Barbara Hulanicki was a girl from an exiled family, born before the war, brought up in British-controlled Palestine and then raised by a ‘bohemian’ aunt in Brighton, before going to art school. She then launched a mail order company with her husband. Biba, named after her younger sister, aimed to offer glamorous clothing at cheap prices. She had been mesmerised by Audrey Hepburn (above and below), her shape; long neck, small head, practically jointless, and her first top-selling design was a pink gingham dress like the one worn by Brigitte Bardot at her wedding.

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Her succession of boutiques were dark, chaotic spaces in which customers could lose themselves, pick up and try on, discard and collect, and sometimes steal, a great gush of new designs which seemed to change every week. The clothes were run up at high-speed in the East End and ferried to the boutique (below) several times a week. Turnover was spectacular and soon celebrities were beating a path its door, mixing with shorthand typists and schoolgirls to buy Biba designs – Mia Farrow, Yoko Ono, Princess Anne, Raquel Welch and even Bardot herself. As one Biba admirer said, it was helping to create the concept of shopping as an experience, a leisure activity for the young. George Melley, jazz singer, writer and professional flamboyant called it a democratic version of Mary Quant. Hulancki herself said that she always wanted to get prices down, down, down, to the bare minimum. The cheapness and disposability of the clothes was shocking to an older Britain in which millions of families had been used to make do and mend, followed by making their own clothes, buying patterns from Woolworth’s and sewing them by hand, or using a new electric sewing machine, or knitting woollen dresses and jerseys. Biba was the beginning of the throw-away consumer culture applied to clothing, and though it would present moral dilemma later, in the sixties it simply provided freedom for millions of young single women, career girls about town, who, as yet, had not been shaped by motherhood.

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Pop Music and Popular Culture:

Another symbol was popular music. Before ‘pop’ the dominant popular music styles produced low profits. Most public music was live; piano and banjo players on music-hall stages, the star singers and then eventually the big bands of the dance halls and the smoky subculture of ‘jazz’. Sheet-music made big money for talented composers like Ivor Novello and stage stars like Harry Lauder. Gramophone record sales had kicked off with recordings of early twentieth-century opera stars but the invention of the modern microphone in the twenties had then changed popular singing, allowing intimacy and variety of a new kind. The recording industry brought Louis Armstrong, the Ink Spots, Vera Lynn and the crooners of many West End musicals to millions of homes before pop. By the end of the fifties there were four major British recording companies: EMI, Decca, Pye and Philips. Most of their profits came from classical music or comic recordings, like those of Flanders and Swann. It was with the spread of seven-inch forty-fives that records had become something that teenagers could afford to buy. Though first produced in the US as early as 1948, for working-class British youngsters they were still formidably expensive by the late fifties.

The other essential technological changes arrived at around the same time. First, loud electric guitars, invented by radio repairman Leo Fender in 1948. Then transistor radios, originally invented in the mid-fifties to help Americans keep in touch after the coming nuclear war with Russia, and becoming popular for other purposes at the end of the decade. Without the mike, the electric guitar and the seventh-inch record, rock and pop would not have happened. Without the radio, the vital cross-cultural currents would have been unheard. The post-austerity economic boom was putting money in the pockets of teenagers and young workers, and the post-war baby-boom had increased their numbers. Better nutrition meant that they reached puberty earlier, and the mechanisms for the mass-marketing were already in place. By the early sixties, all the essential ingredients of the new market for this were also in place.

Most histories of golden-age sixties rock groups begin with a similar narrative, with the kids discovering Chuck Berry and Elvis Presley under their bedclothes, covertly listening on frequency 208 on their transistor radio to Radio Luxembourg, which broadcast to the UK from 7.00 p.m. onwards every night. They then go on to describe the formation of a ‘skiffle’ band, like that of Lonnie Donegan, using simple chords and home-made instruments like washboards or slatted wardrobe doors, mouth organs and ‘kazoos’. Then the coffee bar or burger bar would make an appearance, a place where teenagers could go to socialize and listen to jukeboxes. The local art college would also, often, be part of this formative, group experience. Many of these were associated with local technical colleges, which before the university expansion of the seventies was where bright, imaginative and often rebellious teenagers would end up after leaving ‘academia’ behind at fifteen. The art schools were the true factories of popular culture, for musicians, painters and sculptors.

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By the later fifties, art students were not only listening to skiffle, but the US rock ‘n’ roll stars, and also to British ‘Elvis copies’ like first Tommy Steel, then Harry Webb, ‘reincarnated’ as Cliff Richard, then Tom Jones. John Lennon went to Liverpool Art College, while Ray Davies, who formed The Kinks attended Hornsey, Keith Richard of The Rolling Stones went to Sidcup, and Pete Townsend of The Who went to Ealing Art College. The RAF-style roundels and bold black arrows which appeared on the band’s clothes and became part of the Mods’ insignia, had been swiped from graphic designers and pop painters. Of course, no band was more important in the sixties, and arguably since, than The Beatles. They expressed both youthful rebellion and commercialism, providing British teenagers with an identity that cut across the barriers of class, accent and region. The Beatles had been formed, originally as The Quarrymen, in July 1957 and in 1962 Love Me Do reached #17 in the charts. But it wasn’t until April 1963, that From Me to You became their first number one hit single.

‘Beatlemania’ & the Radio Revolution:

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The key to their initial breakthrough, and their continued success, was not studio recordings, but radio performances. Between 1957 and 1970 they performed live in eighty-four different venues in England, fifteen in Scotland, six in Wales and two in Ireland. Many people in the establishment regarded ‘pop’ music with disdain. The BBC held a monopoly over the radio waves and, in a deal with the Musicians’ Union and record manufacturers, ensured that popular music was not given airtime. The Beatles, however, were too popular for the BBC to resist, and between March 1962 and June 1965, no fewer than 275 unique musical performances were recorded in their studios and broadcast throughout the UK. The group played eighty-eight different songs on national radio, some recorded many times. As well as their own songs, these recordings also included rock ‘n’ roll numbers by Chuck Berry and Little Richard. They worked like dogs, once recording eighteen songs in one day on 16 July 1963. Derek Taylor has written about how …

… they became our cheeky chappies, our Elvis, took up residence on the front page, and in the zeitgeist of the age, helped to establish the booming creative potential of provincial England.

The Beatles gave us a continuing soundtrack of unparalleled charm and reassurance. As long as they kept on delivering fresh songs along with the morning milk, everything was right in our optimistic world. Quite quickly, the Beatles became an institution all of their own, with all sorts of attendants – fanatics and detractors, revisionists and archivists, accountants and lawyers, scribes and Pharisees.

That the Beatles were woven into the fabric of British life was due in large part to the regularity of their attention to good habits – the Christmas message to the fans, the package tours, the visits home to Liverpool families, an honest paying of all the expected dues and in no small measure to the BBC, who provided that unparalleled broadcasting expertise to keep the nation in touch with ‘the boys’ through fifty-three broadcasts. Radio allowed them to ‘be themselves’ and that was always enough for the Beatles and their followers.

The Beatles’ frequent access to the BBC’s studios and airwaves was the consequence of an age of wireless innocence. Although millions were hungry for rock ‘n’ roll, on the radio it was severely rationed. When you tuned in during the day, there was only the choice of the BBC’s three national networks and, of those, only the Light Programme might occasionally allow Elvis or Buddy Holly into your house. There was no local radio or commercial radio. The only alternative was a crackling, phasing Radio Luxembourg beamed across Europe at night. When ‘the Light’ did feature ‘pop’, due to the Musicians’ Union restriction, records were frequently side-lined by emasculated renditions of hits from dance orchestras. But without competition, BBC radio programmes were guaranteed huge audiences. The Beatles’ manager, Brian Epstein, had understood this opportunity and sent an application for a radio audition to the BBC’s Manchester outpost early in 1962. Producer Peter Pilbeam had auditioned them and, despite his note on his report about the singers – John Lennon, yes; Paul McCartney, no – both had featured on their BBC debut in front of an audience at Manchester Playhouse in March 1962. This regional radio breakthrough had come seven months before the release of their first single on ‘Parlophone’, Love Me Do, and no recording exists of the concert or any of their other three broadcasts of 1962. It remains ‘pre-history’ in terms of the Beatlemania years, especially when compared to their ‘meteoric’ rise to fame in 1963.

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At the beginning of 1963, Britain was experiencing its worst winter weather since 1947. The country shivered through freezing temperatures at a time when few houses had the luxury of central heating. Most of the land was covered in deep snow making transport difficult. Undaunted, The Beatles spent many hours during those cold early months of 1963 in a van driven by a friend, journeying up and down the country to appear onstage at theatres and ballrooms and to perform in radio and TV studios. Before this breakthrough year, the group had worked hard at their craft, including hundreds of hours spent entertaining the rowdy clientele of a Hamburg nightclub and the friendly regulars at the Cavern Club in Liverpool, enabling the development of an extensive and varied repertoire. Their musical expertise combined with discipline and stamina proved to be an unbeatable formula.

Though the stories of British rock and pop bands follow a predictable trajectory, the stories of the earlier bands are more interesting simply because the story had not occurred before. Though pop was a business it was also narrative about class and morality; almost every band’s story described the tension between the marketing of the music and the attempt by the band to stay in some way ‘authentic’, true to themselves. Many never tried to be authentic in the first place, but the groundbreaking ones did but didn’t find it easy. The Kinks were four north London boys who affected a camp look and played rough, hard pop were put into the most extraordinary pink hunting jackets, ruffs and thigh-high suede boots. The Beatles were bullied and cajoled by Epstein into ditching the rough jeans and leather Luftwaffe jackets they had learned in Hamburg. To get their first recording contract with EMI, the Beatles were told to stop smoking on stage, stop swearing, turning up late, and making spontaneous decisions about which songs they would play at their gigs. They also had to learn to bow smartly to the audience, all together, after every song. They agreed. It was only later in their successful sixties that they felt they could tell their managers where to get off.

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The BBC’s Saturday Club presenter, Brian Matthew (above), commented, following their appearance on his show on 26th January 1963:

At the moment, the majority of ‘The Beatles’ fans are in their home town of Liverpool and I have a very strong suspicion it won’t be long before they’re all over the country.

Brian Matthew’s belief was quickly confirmed. From ten o’clock to twelve noon every Saturday, the show reached an enormous audience of around ten to twelve million. The Beatles were featured ten times on the programme and quickly established a rapport with Matthew and producer Bernie Andrews, who supervised the music sessions.  Six numbers were recorded in sessions lasting no more than three and a half hours; sometimes as short as ninety minutes. Throughout 1963 number one records followed in quick succession: Please Please Me, From me to You, She Loves You and I Want to Hold Your Hand. The debut album, Please Please Me, the Twist and Shout EP, and the With the Beatles LP were also released within that year. While those releases kept them high in the charts, the pressure of The Beatles schedule never eased for a moment, but they were match-fit. They performed music in thirty-nine radio shows in 1963 and, most importantly, fifteen of those programmes were editions of their own radio series Pop Go the Beatles which the BBC invited them to host during the summer of 1963. Tuesday evening became an essential date with the radio for millions of fans. They were encouraged by the presenter to let their humour shine between the songs, and producer Terry Henebery remembers this ‘zaniness’ not being confined to the recorded speech links:

They’d come to the studio and horse about. You had to crack the whip and get on the loudspeaker talk-back key quite a lot and say “Come on, chaps!” They’d be lying all over the floor, giggling. And I can remember afternoons down at the Paris Cinema studio, where you were just looking at the clock, throwing your hands up in horror and thinking, ‘will they ever settle down?’ I mean, people would go and get locked in the toilets and fool about. But you were, at the end of the day, getting some nice material out of them.

No one would have predicted it in 1963, but the songs The Beatles chose to perform for their radio series constitute the most fascinating aspect of their music sessions for the BBC. The New Musical Express reported that R-and-B material will be strongly featured. The shows certainly lived up to that promise. Required to record six songs for every show, to avoid undue repetition, the group would often romp through an old favourite or work on a new number. As Ringo observed:

It was fine when doing the repertoire we knew, but some weeks it’d be real hard. We’d rehearse two or three songs in the lunch break and then go and record them in the afternoon.

For some groups, a series that demanded six new recordings every weeknight might have been daunting; but it allowed The Beatles to air their influences and try out some new favourites. They performed fifty-six new songs in all, twenty-five of which had not and would not be released on any of their records. The choice of material in these and other programmes clearly reveals the artists who had inspired the group. They recorded nine cover versions of Chuck Berry songs which, except for Roll Over Beethoven were all belted out by John. In addition, they covered six Carl Perkins and four Elvis Presley songs, while the four Little Richard rockers were the exclusive vocal property of Paul and his throat-ripping ‘whoops’ and ‘hollers’. In gentler moments, Paul sang A Taste of Honey and Till There Was You, but his most unusual ballad was The Honeymoon Song. John produced a real gem in Ann-Margret’s I Just Don’t Understand. The four were adept at digging out unusual material, often beating rival Liverpool groups to sought-after American records and learning the B-side. As Paul commented in 2013,

You will find stuff in our repertoire that came off little odd-ball records. We had started off going onstage and playing songs that we liked, but then we would find that on the same bill as us in the Liverpool clubs, there might be another band that would play exactly the same songs. If they were on before us, it made us look a bit silly. We started to look further afield, study the American charts and see what was there. We’d listen to radio a lot and find out if there was anything up and coming. We would also flip records and listen to the B-sides; see if we could find anything that way. In fact, that’s what started John and I writing, because this was the only foolproof way that other bands couldn’t have our songs. There was no great artistic muse that came out of the heavens and said, ‘Ye shall be a songwriting partnership!’ It was really just we had better do this or everyone is going to have our act. …

In addition to the night-time broadcasts of Radio Luxembourg, the other sources for rock ‘n’ roll music on discs were coffee-bar jukeboxes, fairgrounds and record shops. Fortunately, this era was a golden era for record stores. Hundreds of family-run concerns, like Brian Epstein’s NEMS in Liverpool, would take pride in stocking at least one copy of everything released. Many Liverpool musicians spent hours in listening booths at NEMS while records were played to them. Occasionally, they might even buy one! At the time of their BBC sessions, The Beatles were seeking out the latest Rhythm and Blues records from the States. Although many of these by groups such as The Miracles did not, at first, make the British charts, they were a key influence on The Beatles. Again, Paul McCartney explains:

With our manager Brian Epstein having a record shop – NEMS – we did have the opportunity to look around a bit more than the casual buyer. …

Ringo would get stuff from the sailors. … he happened to have a few mates who’d been to New Orleans or New York and had picked up some nice blues or country and western. … But it was really a question of looking harder than the next guy. We made it our full-time job to research all these things; to go for the road less travelled.

These records, and those by The Shirelles, who did have some UK hits, had sophisticated vocal, string and horn parts. Rearranging them for a four-piece line-up helped to create the Beatle sound just as much as the earlier singles by the rock ‘n’ roll pioneers. Current R&B records were not easy to get hold of or hear in Britain. But in 1963, records released on the Tamla and Motown labels were distributed in the UK by Oriole. Radio Luxembourg also featured the latest records by Mary Wells, The Miracles, Marvin Gaye, Martha & the Vandellas and Little Stevie Wonder. Although none of them was a hit at the time, The Beatles’ love of the records from Detroit was demonstrated when they included three Motown songs on With the Beatles. Their devotion to black soul music proved crucial to its wider acceptance.

The significance of The Beatles’ BBC radio sessions also stems from the way the sound of the group was captured for their broadcasts. At that time, artists were not given large amounts of studio time. At EMI studios, on 11th February 1963, The Beatles had to record ten songs for their debut album, Please Please Me. The fact that this was achieved in under ten hours subsequently became regarded as a remarkable achievement. This was seen as especially true when the quality of the tracks was considered. It was common practice in 1963 to complete a minimum of two songs in a standard three-hour session. As Paul has pointed out,

It was just the rate people worked at. … Looking at it now, it seems so fast, but then it seemed very sensible.

At the BBC, the work-rate was even higher. Apart from when they were performing in front of an audience for a broadcast, The Beatles had to record five or six songs in a short session so they were not fazed by this requirement. The recordings were made onto a four-track tape machine at EMI in October 1963, but multi-tracking did not begin at the BBC until a decade later. This meant that the mono recordings could not be edited, except by editing different takes of a song onto the same tape. Otherwise, there was the option to ‘overdub’ by copying the first recording to another tape, while at the same time adding more instruments or vocals. Both of these processes could be very time-consuming, so what we hear on the BBC tapes is the sound of the group performing ‘live’, direct to tape, as if to an immediate audience, but without the noisy hysteria which accompanied their public concerts. The pop songs of the early Beatles were not neatly produced commodities as all pop songs later became. You can hear the fun involved in their creation.

When Pop Go The Beatles finished its run, they were once more at the top of the charts with She Loves You. From that point on, things went crazy and pretty much stayed that way. Their unassailable popularity was reflected by the press who applied the epithet Beatlemania to the hysteria that surrounded their every move. In February 1964, the States surrendered to the magic and Brian Epstein’s bold boast that his group would be ‘bigger than Elvis’ proved to be true. Having ‘hit the business jackpot’, as Brian Matthew expressed it in Saturday Club, the number of times The Beatles came to the BBC was greatly reduced; compared to the thirty-four programmes recorded in 1963, from October 1963 to June 1965 there were just fifteen specially recorded sessions. Having once been prepared to rush from one end of the country to the other for a radio show, global success now made the group less available. Their last BBC radio performance was the solitary one of 1965, on Whit Monday, entitled The Beatles Invite You to Take a Ticket to Ride. It was understandable that they now had real need of this particular kind of radio exposure. But most of the sessions at the BBC had been exciting and fun. DJ Alan ‘Fluff’ Freeman worked with the Beatles in 1964. He remembered that:

Their music and persona freed me from middle age … because the things that were coming from The Beatles made me feel like a ten-year-old! They made us all feel tremendously happy.

Just before The Beatles made their last BBC recording, at Easter 1964 the first illegal ‘pirate’ radio station, Radio Caroline, began broadcasting from a ship just off the Sussex coast. Within months, millions of young people were listening to Radio Caroline North and Radio Caroline South, Radio London and other pirate stations that sprung up. Not only did they broadcast popular music records, but they also reminded their listeners that any attempt to silence them would constitute a direct ‘attack on youth’. With the advent of these radio stations, the BBC monopoly on airtime was broken, and bands were able to get heard beyond their concerts. Eventually, the Government acted to bring an end to its cold war with the British record industry. The BBC set up Radio One to broadcast popular records and in August 1967, the Marine Offences Act outlawed the pirate ships.

The Rock Generation:

In the early days of pop and rock, it was not always quite as obvious that money would always trump vitality. There were still battles to be fought between the two. The Who (pictured below) were a west London band which had, like so many others, emerged from skiffle, and had been kick-started by the early successes of The Beatles. They were encouraged by their manager, Peter Meadon, to dress stylishly and address themselves to the new audience of ‘Mods’. Their first single, I Can’t Explain was self-consciously derivative of The Kinks, and was released in January 1965. It made it to #8 in the charts, but it was their second single, My Generation which really caught the mood of the times and the imaginations of pop fans, later became the first British rock ‘anthem’. It was recorded at the Pye Studios in London in October 1965 and released as a single on 5th November. Just before its release, Roger Daltry was fired from the band for fighting with the other members, but he was quickly reinstated when it reached #2. The fighting and onstage antics continued throughout their early career, though, including the smashing up of guitars by the band’s leader, Pete Townsend. While delighting their live audiences, their guitar-smashing kept them away from mainstream venues.

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A string of top ten hits followed in 1965-67, from Substitute to Pictures of Lily and I Can See for Miles. Pete was disappointed that the last of these only reached #10 in the UK charts compared with #9 in the US, commenting shortly afterwards that to him, that was the ultimate Who record yet it didn’t sell and I spat on the British record buyer. Throughout a stellar career during which some think, with their concept albums, eclipsed The Beatles after the break-up of the ‘fab four’, The Who, though, far from revolutionary in politics, were never properly ‘tamed’.  Nor were The Kinks, whose song-writing genius Ray Davies became involved in a punch-up with an American television union official who had called them a bunch of commie wimps. That altercation got them banned from the States for four crucial years.

The big battle lines, however, were drawn over the content of the songs, which quickly moved beyond the easy American boy-meets-girl themes of Buddy Holly and the Everly Brothers. By 1968, rock was beginning to escape from the urban and suburban Britain of its young consumers. For most of them, their teenage years would end in a more conventional working life and marriage, which was (perhaps somewhat conversely) more popular than ever in the late sixties, with marriage rates peaking in 1972. But drugs, mysticism, gangs and sexual experimentation were some of the alternatives celebrated by pop culture, much to the discomfort of record companies, the BBC, politicians and the newspapers. Songs such as Lola by The Kinks and I’m a Boy by The Who challenged existing sexual stereotypes, and there was a ‘libertine’ element in The Rolling Stones songs which shocked those parents who could follow the lyrics.

Above all, the rate of experimentation and change in sixties pop itself was astonishing, as a new sound, instrument, length of song and sexually explicit album cover image seemed to come along every few weeks in 1966-68. It was a classic, market-driven competition between the top bands and artists, measured by sales of records. Lennon and McCartney remained at the forefront of this experimentation, feeding back discoveries about tape loops, modern composers and Bach into the music of The Beatles, retreating more and more into their Abbey Road studio to produce more complex sounds. The Stones’ blues-rock challenged the ‘Mersey Beat’ and the ‘Mods’ began to produce early versions of the ‘heavy metal’ genre, followed by Led Zeppelin at the end of 1968, who made it their own. But, at this stage, The Beatles were still seen as the pioneers, the first big stars to fall for Indian mysticism, sitars, or the next drug craze, and the first to break up under the strain. Their trajectory, like their output, seemed impossible to beat. As Andrew Marr concludes,

A band’s success was based on its members’ skills but also on their authentic claim to be the kids from the streets whose anger, enthusiasm, boredom and wit reflected the actual Britain all around them, the lives of the people who would save up and buy their songs. Pop was music from below or it was nothing. Yet the successful musicians would be cut off from the world they came from by the money and the security needed to keep fans at bay until they were fated to sound introspective and irrelevant.  

By 1968, other forms of music were receding before the ear-splitting tidal advance of rock and pop, driven by radio. In painting, pop art and the pleasure principle were on the attack. Simpler and more digestible art forms, suitable for mass market consumption, were replacing élite art which assumed an educated and concentrated viewer, listener or reader. Throughout these years there were self-conscious moves to create new élites, to keep the masses out. They came from the portentous theories of modern art or the avowedly difficult atonal Classical music arriving from France and America, but these were eddies against the main cultural current.  Similarly, when Mary Quant set up her shop she was a rotten businesswoman. The fun was in the clothes. No business with so little grasp of cash could afford to be cynical. Of course, the King’s Road was a foreign country to most Britons in the mid-sixties. The majority of those who lived through that period have personal memories of rather conventional and suburban lives. Most working-class people were still living in Edwardian and Victorian red-brick terraces in the English and Welsh industrial cities, and in tenements in Glasgow, Dundee and other Scottish towns.

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For this vast majority, the early sixties were experienced as a continuation of the fifties, not as a break with that decade. Britain remained an industrial society, though more prosperous, whose future was believed still to depend on factories producing cars, engines, washing machines and electrical goods, both for the ‘domestic’ market and for export. The older generation of authority figures – teachers, judges and above all parents – still derived their clothes and morality from their wartime experience, and were the butt of widespread mockery, especially by the cartoonist Giles of The Daily Express (commemorated by the statue shown above, located in Ipswich town centre) and on TV by David Frost. Television also gave further mass exposure to the pop industry, with regular editions of  ‘Jukebox Jury’, ‘Ready, Steady, Go’, and ‘Top of the Pops’ attracting huge young audiences. The radio, TV and magazine publicity machine was up and going. The equipment was in every second home, radios and record players turned out by Britain’s booming electronics industry. But the men with moustaches and ‘short back and sides’ haircuts were visibly still in power. As Andrew Marr has written,

The Britain which proudly displayed volumes of Churchill’s war memoirs on bookshelves, and stood up in cinemas for the national anthem, did not disappear when Ringo Starr grew his first luxuriant moustache.   

Swinging London and its New Celebrities:

The new culture was far from elitist; it was meritocratic, but it could be just as exclusive as the older forms. It was shaped by upper-working-class and lower-middle-class people who had never enjoyed this level of cultural influence before. The northern cities of England, especially Liverpool, but also Newcastle and Manchester, that were sending their sons and daughters south to conquer, even if it was only on radio and television shows. The older Britain with its regimental traditions, its racism and clear divisions in terms of class, geography and dialect. The ‘scouse’ voices of The Beatles and the ‘Geordie’ accents of the Animals had been rarely heard on the radio before 1963, and for many metropolitan and Home Counties listeners, they came as something of a shock. By the summer of 1965, however, what was called Swinging London, or the Scene, was a small number of restaurants, shops and clubs where a small number of people were repeatedly photographed and written about. In Chelsea, Biba, ‘Granny Takes a Trip’, ‘Bazaar’ and ‘Hung on You’ were honeypots for the fashionable. They spent their evenings and nights at clubs like ‘Annabel’s’, ‘Showboat’ and ‘Talk of the Town’.

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There were perhaps no more than twenty ‘celebrities’ at the heart of Swinging London. They included The Beatles and Mick Jagger, among eight pop singers, the model Jean Shrimpton, the designer Mary Quant, painter David Hockney, actors Michael Caine and Terence Stamp, and photographers Lord Snowdon, David Bailey and Terence Donovan. The ‘list’ compiled and published by Private Eye journalist Christopher Booker in 1969, also included an interior decorator, a creative advertiser, a film producer, a discotheque manager, a ballet dancer and the Kray brothers from the East End who could only be described as connected with the underworld. These New Aristocrats, as Christopher Booker called them, were all concerned with the creation of images. Following the Profumo affair of a few years earlier, old money, big business, the traditional arts and politics were being marginalised and replaced by working-class ‘upstarts’. Among the photographers, Bailey was a tailor’s son and Donovan a lorry driver’s son, both from the East End. Michael Caine was a Billingsgate fish porter’s son and Stamp the son of a tug-boat captain. The female aristocrats included Lesley Hornby of Neasden, better known as ‘Twiggy’, a carpenter’s daughter, and Priscilla White, better known as ‘Cilla Black’, another (originally) ‘scruffy Scouser’. A few were there entirely because of their looks, like ‘supermodel’ Jean Shrimpton, a description first used in 1968. Very few of these men and women would have made it in the London of previous decades. The intertwining of this aristocracy of pop was as sinuous as the old Tory cliques of the fifties. But their significance was that they represented the increased mobility of talented people from working-class backgrounds.

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006These ‘celebrities’ were joined by footballers, who in 1966-68 were raised from tradesmen and servants to the level of golden gods, sometimes behaving badly too. England’s victory in the 1966 World Cup, with its dramatic finale at Wembley and the team’s 4-2 defeat of West Germany was the stuff that dreams are made of, leading to ritual disappointed expectations every four years ever since. Despite reaching the semi-finals on two occasions since, in 1990 and 2018, the nation has not yet been able to repeat the dressing up and dancing in the streets that went on then, with every English man, woman and child joining in. Alf Ramsey, the English team manager, had been part of the team who had lost 3-6 to Hungary at Wembley in 1953. Now he and his lions had brought football home at last. The three ‘Eastenders’, West Ham’s Bobby Moore, Martin Peters and Geoff Hurst outshone the Charlton brothers on this occasion, but Bobby Charlton was himself part of Manchester United’s ‘home’ international trio together with George Best and Denis Law who won the European Cup, beating Eusebio and Benfica 4-1 in 1968. This was a remarkable achievement, coming just a decade after Busby’s ‘babes’ were all but wiped out in the Munich air disaster of 1958. Glasgow Celtic had been the first British team to win the European Cup in the previous year, under the management of Jock Stein in 1967. Some of these soccer celebrities, like George Best, were later to struggle with the limelight, but for now they could do no wrong as far as the British public were concerned. The articles and photos below are from a facsimile of the Sunday Mirror from 31 July 1966:

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The new celebrities were not just fascinated by images, but quickly colonised the entire new media of pop music, radio, television, fashion, advertising, colour magazines, and hairdressing. These were not the property of the City or of old money. Linguistic diversity was as important as imagery in this democratisation of society and culture. It was the breakthrough lead given by Lennon and McCartney in singing their own material that persuaded scores of other British bands to follow suit. Others chose to mimic the accents and vocabulary of the American rockers who had inspired them, even when producing their own compositions. There are few songs in the ‘transatlantic’ repertoire of The Rolling Stones which sound particularly English, unlike those of other iconic London bands such as The Kinks and The Who. Banned from the US while others were breaking into the American market, Ray Davies turned back to local subjects. He had always written pop songs about everything from the death of the dance-halls to the joys of an autumn sunset over Waterloo Bridge, but The Kinks Are The Village Green Preservation Society of 1968 was on an entirely different scale. As Ray Davies commented himself:

While everybody else thought the hip thing to do was to drop acid, take as many drugs as possible and listen to music in a coma, the Kinks were singing songs about lost friends, draught beer, motorbike riders, wicked witches and flying cats.

The title song of their album calls for the ‘preservation’ of Desperate Dan, strawberry jam, the George Cross, the ‘Sherlock Holmes English-speaking vernacular’, little shops, china cups, virginity, Tudor houses and antique tables while attacking the new skyscrapers and office blocks. The album, which sold in tiny numbers compared with Sergeant Pepper, with its equally nostalgic Liverpudlian and Lancastrian-themed lyrics, confused contemporary critics who could not decide whether the group were being serious or satirical. The simple answer, with the benefit of a critical hindsight which regards the disc as one of the greatest achievements of British pop in the sixties, “both”. The band showed that it was possible to write inspiring rock music about what was around you, rather than posturing as a boy from Alabama or pretending to be an Afro-American. On the other hand, in listening to Dusty Springfield, who had one of the ‘purest’, most spell-binding voices of the decade, you could be forgiven for thinking she was from Detroit or Paris. Few of the songs she sang, if any, had British themes and British English vocabulary. But then, ‘son of a preacher man’ scans better! The English folk-song revival of the early sixties also played into this democratic, eclectic mix, with the founding of Fairport Convention in 1967, named after the house in which they practised in North London. Their folk-rock genre took themes and dialects from all parts of the British Isles. By 1968, regional accents had become commonplace in radio and television programmes, especially the perennial ‘soap operas’, though it took much longer for the provincial presenters of news, views and features to be accepted onto the national broadcasts of the BBC, not to mention those from ethnic minorities. This reflected the slow progress in British society in general towards genuine devolution, diversity and gender equality.

Despite the dramatic increase in wealth, coupled with the emergence of distinctive subcultures, technological advances (including television) and unprecedented shifts in popular culture, by the end of the sixties, there was a general sense of dissatisfaction and disillusionment with society and politics in Britain. In the early seventies, when John Lennon was asked to assess the impact of The Beatles by Rolling Stone magazine, he commented that…

Nothing happened, except we all dressed up. The same bastards are in control, the same people are running everything, it’s exactly the same.

Conclusion: A Real Counter-cultural Revolution?

The counter-cultural ‘revolution’ in Britain had no organisation and no practical agenda. It was largely middle class in its amorphous leadership, without any real or effective links to the working-class socialists who wanted higher wages and perhaps even workers’ cooperatives, but were less keen on long-haired students taking drugs, or indeed on angry black people. The counter-cultural currents influenced pop and rock music, but it did not immediately create an indigenous, autonomous British movement. It was dependent on passing American fads and voices, like that of Bob Dylan and Allen Ginsberg. Like both Dylan and John Lennon in the early seventies, The Who questioned revolutionary values and violent methods in their second great ‘anthem’, Won’t Get Fooled Again, written by Pete Townsend in 1970 and recorded and released the next year. It ends with the line, Meet the new boss; he’s the same as the old boss! Townsend wrote,

It’s really a bit of a weird song. The first verse sounds like a revolution song and the second like somebody getting tired of it. It’s an anti-establishment song. It’s ‘anti’ people who are negative. A song against the revolution because … a revolution is not going to change anything at all in the long run, and a lot of people are going to get hurt.

Symbolically, perhaps, the group has usually played the full eight-and-a-half minute version of the song at the end of its concert. More than any other song, it sums up the relationship between pop music and sixties’ counter-culture.

Sources:

Joanna Bourke, Shompa Lahiri, et. al. (eds.) (2001), The Penguin Atlas of British & Irish History. London: Penguin Books.

Andrew Marr (2007), A History of Modern Britain. London: Macmillan.

Kevin Howlett (2014), The Beatles: The BBC Archives, 1962-1970.

 

Posted July 18, 2018 by TeamBritanniaHu in Affluence, BBC, Britain, British history, Britons, Cartoons, Commemoration, Domesticity, Fertility, History, homosexuality, Journalism, Marriage, Maternity, Midlands, Migration, morality, Music, Mysticism, Mythology, Narrative, Proletariat, Respectability, Satire, Second World War, Suffolk, Uncategorized, USA, West Midlands, Women's History

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