Archive for the ‘River Foyle’ Tag

Borderlines: Remembering Sojourns in Ireland.   Leave a comment

001

Edited by Sam Burnside, published by Holiday Projects West, Londonderry, 1988.

The recent ‘Brexit’ negotiations over the issue of the land border between Northern Ireland and the Republic of Ireland have made me think about my two visits to the island as an adult, in 1988 and 1990, a decade before the Belfast talks led to the ‘Good Friday Agreement’. I had been to Dublin with my family in the early sixties, but recalled little of that experience, except that it must have been before 1966, as we climbed Nelson’s Column in the city centre before the IRA blew it up to ‘commemorate’ the fiftieth anniversary of the Easter Rising. I had never visited Northern Ireland, however.

Image result for nelson's column dublin

Image result for nelson's column dublin

Nelson’s Column in the centre of Dublin in 1961.

A Journey to Derry & Corrymeela, June 1988:

In June 1988, while working for the Quakers in Selly Oak, Birmingham, I drove a group of students from Westhill College to Corrymeela, a retreat and reconciliation centre in the North. We drove to Belfast, being stopped by army blockades and visiting the Shankill and the Falls Road, witnessing the murals and the coloured curb-stones. Political violence in Belfast had largely been confined to the confrontation lines where working-class unionist districts, such as the Shankill, and working-class nationalist areas, such as the Falls, Ardoyne and New Lodge, border directly on one another (see the map below). We also visited Derry/ Londonderry, with its wall proclaiming ‘You are now entering Free Derry’, and with its garrisons protected by barbed wire and soldiers on patrol with automatic rifles. Then we crossed the western border into Donegal, gazing upon its green fields and small hills.

My Birmingham colleague, a Presbyterian minister and the son of a ‘B Special’ police officer, was from a small village on the shores of Lough Neagh north of Belfast. So while he visited his family home there, I was deputed to drive the students around, guided by Jerry Tyrrell from the Ulster Quaker Peace Education Project. He described himself as a ‘full-time Peace worker’ and a ‘part-time navigator’. I had already met him in Birmingham, where I was also running a Peace Education Project for the Quakers in the West Midlands. He was born in London but had come to live in Derry in 1972, where he had worked on holiday projects for groups of mixed Catholic and Protestant students. It provided opportunities for them to meet and learn together during organised holidays, work camps and other activities. He had left this in April 1988 to take up a post running a Peace Education Project at Magee College.

Image result for Magee College

Magee College, Londonderry.

Jerry gave me a copy of a slim volume entitled Borderlines: A Collection of New Writing from the North West, containing prose and poems by members of the Writers’ Workshop based at Magee College, including some of his own poetry. The Workshop promoted and encouraged new writing in the North-west, and acted as a forum for a large number of local writers. In his preface, Frank McGuinness wrote of how …

… freedom is full of contradictions, arguments, the joy of diversity, the recognition and celebration of differences.

After reading the collection, I agreed with him that the collection contained that diversity and that it stood testimony to the writers’ experiences and histories, their fantasies and dreams. Its contributors came from both sides of the Derry-Donegal border we had driven over, and from both sides of the Foyle, a river of considerable beauty which, in its meandering journey from the Sperrins to the Atlantic, assumes on its path through Derry a socio-political importance in symbolising the differences within the City. However, in his introduction to the collection, Sam Burnside, an award-winning poet born in County Antrim, but living in Derry, wrote of how …

… the borders which give definition to the heart of this collection are not geographical, nor are they overtly social or political; while … embedded in time and place, they are concerned to explore emotional and moral states, and the barriers they articulate are … those internal to the individual, and no less detrimental to freedom for that.

If borders indicate actual lines of demarcation between places and … powers, they suggest also the possibility of those barriers being crossed, of change, of development, from one state to another. And a border, while it is the mark which distinguishes and maintains a division, is also the point at which the essence of real or assumed differences are made to reveal themselves; the point at which they may be forced to examine their own natures, for good or ill.

001

A page from an Oxford Bookworms’ Reader for EFL students.

In the short story ‘Blitzed’ by Tessa Johnston, a native of Derry where she worked as a teacher, Kevin has moved, in a fictional future (in 1998), from Derry to Manchester, to escape from the troubles, but the report of a car-bombing by the Provisional IRA in Manchester brings back memories of his encounter with a soldier in Derry as a schoolboy, fifteen years old. On his way from his home in Donegal to the Grammar School in Derry, in the week before Christmas, he had been blinded by the snow so that he didn’t see the soldier on patrol until he collided with him:

Over the years Kevin had grown accustomed to being stopped regularly on his way to and from school; to being stopped, questioned and searched, but never until that day had he experienced real hostility, been aware of such hatred. Spread-eagled against the wall he had been viciously and thoroughly searched. His school-bag had been ripped from his back and its contents strewn on the pavement; then, triumphantly, the soldier held aloft his bible, taunting him:

“So, you’re a Christian, are you? You believe in all that rubbish? You wanna convert me? Wanna convert the heathen, Fenian scum? No?”

On and on he ranted and raved until Kevin wondered how much more of this treatment he could endure. Finally, his anger exhausted, he tossed the offending book into the gutter and in a last act of vandalism stamped heavily upon it with his sturdy Army boots, before turning up Bishop Street to continue his patrol.

With trembling hands Kevin began to gather up his scattered possessions. Then, like one sleep-walking, he continued his journey down Bishop Street. He had only gone a few steps when a shot rang out. Instinctively, he threw himself to the ground. Two more shots followed in quick succession, and then silence.

He struggled to his feet and there, not fifty yards away his tormentor lay spread-eagled in the snow. Rooted to the spot, Kevin viewed the soldier dis passionately. A child’s toy, he thought, that’s what he looks like. Motionless and quiet;

a broken toy …

Then the realisation dawned as he watched the ever-increasing pool of blood stain the new snow.”

What haunted Kevin from that day, however, was not so much this picture of the dead soldier, but the sense that he himself had crossed an internal border. He had been glad when the soldier was shot and died; he had been unable to come to terms with the knowledge that he could feel like that. He had been unable to forgive not just the young soldier, but – perhaps worse – himself. The shadow of that day would never leave him, even after his family moved to Manchester. This had worked for a while, he’d married and had a child, and he had coped. But in the instant of the TV news report all that had been wiped out. The ‘troubles’ had found him again. They knew no borders.

Fortunately, this was a piece of fiction. Though there were thousands of deaths in Northern Ireland like that of the soldier throughout the troubles and bombings even after the PIRA cease-fire by the ‘Real IRA’, there was no renewal of the bombing campaigns on the mainland of Britain. But it could easily have been a real future for someone had it not been for the Good Friday Agreement.

An Easter ‘Pilgrimage’ to Dublin & Belfast, 1990:

‘Borderlines’: The Damned Barbed Wire of Freedom   2 comments

033The national and international news has been rather depressing of late, bringing real winter blues after all that jubilation, if not exactly real sunshine, of last summer. However, as a Facebook post ‘card’ reminded me the other day, sometimes you just have to make your own sunshine, whether summer or winter. Mind you, I prefer these cold, crisp, clear Hungarian January mornings to the wild winter winds of the western seaboard or the pervading gloom of ‘foggy Albion’ at this time of year.

This January, following the fortieth anniversary of ‘Bloody Sunday’ a year ago, it was good to receive New Year greetings from Derry, or Londonderry, at the beginning of that city’s year as the ‘UK capital of culture’. This not only balanced out the rather bad news coming out of the ‘backsliding’ big-sister City of Belfast, but also reminded me that this year marks twenty-five years since I visited both cities with a group of students from Birmingham and a colleague who hailed from the shores of Lough Neagh and whose father had been one a ‘B-special’ policeman in the province. We were supposed to have both Catholic and Protestant trainee teachers in our group, but somehow the students from Newman College failed to materialise, much to the disappointment of our hosts at the Corrymeela community, where we were staying and studying peace for the weekend. I know it was June 1988 because I received a copy of a book of poetry written by poets from both sides of the Derry-Donegal border, one of whom, Jerry Tyrrell, signed the book as ‘full-time Peace worker; part-time navigator!’ As the minibus-driver come trainer on the course at Corrymeela, I had met Jerry some months earlier on his visit to Birmingham at the beginning of his time as my ‘opposite’ number on a project at Magee College. I had been running the Quaker Peace Education Project in the West Midlands from a resource centre in the Selly Oak Colleges since May 1987.

Magee College became a campus of the Universit...

Magee College became a campus of the University of Ulster in 1969 (Photo credit: Wikipedia)

 

Jerry was born in west London, and went to live in Derry/ Londonderry in 1972, shortly after the events of Bloody Sunday. He worked as Organiser of Holiday Projects West until April 1988, when he took up the role of organiser for the Ulster Peace Education Project.  A registered charity, Holiday Projects West provided cross-community opportunities for young people in the western area of Northern Ireland to meet and live and learn together during organised holidays, work camps and other activities. All proceeds from the slim volume of poetry went towards supporting the charity, a life-long supporter of which had been Jerry’s aunt, Joan Winch, who had died a year earlier, aged eighty. She it was who encouraged Jerry, among many others, to write, having published her own book in 1960, so it was apt that donations in her memory be used to help publish Borderlines: A Collection of New Writing from the North West. Jerry ‘s contributions included a piece of prose and a series of ‘Haikus for Joan Winch’, reminiscent of her love of all things Japanese. The collection of writing was given its title because its contributors came from both sides not just of the border, but also from both banks of the River Foyle, which on its way to the Atlantic Ocean passes through the Derry, assuming a social-political value in symbolising the differences within the City.

 

In his introduction to the volume, Sam Burnside suggests that the borders giving definition to the heart of this collection are neither geographical nor social-political. While many of the stories were ‘embedded in time and place, they are concerned to explore emotional and moral states, and the barriers they articulate are, more often than not, those internal to the individual, and no less detrimental to freedom for that.’ He continues:

If borders indicate actual lines of demarcation between places and between powers, they suggest also the possibility of those barriers being crossed, of change, of development, from one state to another. And a border, while it is the mark which distinguishes and maintains a division, is also the point at which the essence of real or assumed differences are made to reveal themselves; the point at which they may be forced to examine their own natures, for good or ill.’

 A song which has haunted me ever since I first heard it, and long before I first realised it was about Derry, is Phil Coulter’s ‘Town I loved so well’. It sums up the ‘bruised, never broken’ spirit of the City. A native of the from before ‘the Troubles’, Coulter moved away to make his name as a musician, but on his return was horrified to see barbed wire surrounding the wall where he used to play football with his classmates, and by the militarisation of the townscape:

There was music there in the Derry air, 

The Bogside, looking down from the entrance to...

The Bogside, looking down from the entrance to the city walls. (Photo credit: Wikipedia)

Like a language that we could all understand.

I remember the day that I earned my first pay,

When I played in a small pick-up band.

There I spent my youth, and to tell you the truth,

I was sad to leave it all behind me;

For I learned about life, and I found a wife,

In the town I loved so well. 

 

But when I returned, how my eyes did burn

To see how a town could be brought to its knees 

English: Derry Guildhall. Looking over the roo...

English: Derry Guildhall. Looking over the rooftops of the shopping centre towards the 19th century guildhall and the River Foyle. (Photo credit: Wikipedia)

By the armoured cars and the bombed-out bars, 

And the gas that hangs on to every breeze. 

Now an army’s installed by the old gas-yard wall 

And the damned barbed wire gets higher and higher; 

With their tanks and their guns, oh my God, what have they done 

To the town I loved so well? 

 

 

 

Now the music’s gone, but they carry on, 

English: River Foyle, Derry, County Londonderr...For their spirit’s been bruised, never broken: 

They will not forget, but their hearts are set 

On tomorrow and peace once again. 

For what’s done is done and what’s won is won,

And what’s lost is lost and gone for ever: 

I can only pray for a bright, brand new day, 

In the town I loved so well.

 

Coulter’s thread of faith in the spirit of the people and hope for a future peace, expressed in his prayer, is on which also runs through Burnside’s collection of new writing from a decade later, though it took yet another decade for his prayer to be fully answered. Burnside’s own poem Outside the City makes the clearest connection between these themes and the surrounding landscape. Born in County Antrim, Burnside worked for the Workers’ Education Association in Derry, where he lived. He coordinated the Writers’ Workshop, from which the collection sprang, and won prizes for his short stories and poems. In the poem he gives the reader directions to the hills of County Donegal and interposes the descriptions of the landscape with memories of a lover:

English: Morning on the River Foyle, Derry Cit...

English: Morning on the River Foyle, Derry City centre. (Photo credit: Wikipedia)

 

The People farm a little; they fish a little; they have a little dole

From Dublin. The land is poor in places, marshy yes, but there may be oil under it.

And the coastline is rich in wrecks; it is said some contain gold. And tomorrow a deal may be carried off – it all depends on who you know; and the people generally are hopeful.

And it is so peaceful, so restful here; little stress; such a healthy air…

 

 

 

Descend through the wide glen, circumnavigate the standing stone at Asdevlin

Then, before returning to the city,

The River Foyle at night

The River Foyle at night (Photo credit: Wikipedia)

Walk along the shore as far as Fahan, place of poets and saints:

On a moonlight night you may be lucky enough to see the Abbey walls, raised again,

Standing white between water and mountain.

On a quiet night, when the tide has retreated, you may be graced

To hear men’s buoyant voices singing devotions.

One of the areas where the RUC were unwelcome ...

One of the areas where the RUC were unwelcome was the Bogside area of Derry often known as Free Derry. (Photo credit: Wikipedia)

 

When I think of Derry now, I remember picking up Jerry and driving over the Foyle Bridge, passing army posts with tall barbed wire and soldiers walking backwards in pairs, automatic rifles and machine guns sweeping the scene. I remember the great mural proclaiming ‘You are now entering Free Derry’ and thinking how glad I was to have this local, albeit a west Londoner, on board. Although ‘the Troubles’ seemed to be coming to an end at this time, I felt real fear for my life, for the first time in my life, and a great burden of responsibility for the young lives of my students. I wondered how people lived, day-to-day, under such militarised conditions. Then came the contrast of the peaceful landscape of Donegal. This taught me, as Frank McGuinness’ preface proposes, that ‘freedom is full of contradictions, arguments, the joy of diversity, the recognition and celebration of differences’. It’s about diversity, not about making everyone the same, equal in indifference. That’s what Northern Ireland taught me.

‘Integrated schools? Yes, they could be part of the answer,’ a Catholic school teacher told me, ‘but our kids first need to feel secure in their own cultural identity before they can learn to appreciate those of others.’ That same autumn emboldened by these experiences and insights, I went beyond the barbed wire for a second time, this time visiting Hungary, at that time still behind the iron curtain. My well-travelled Quaker colleague asked if the sight of heavily armed police at the airport troubled me. Not after my visit to Ulster, I thought!

In October 1989 I found myself crossing a border into the People’s Republic of Hungary for a third time and leaving the Republic of Hungary a week later. One geographical location, the same border, but two very different countries in the transition of time. At least one could make that assumption at that time, as pieces of barbed wire became symbols of freedom. A point of revelation, with no room for turning back. In Ireland, twenty-five years later, the barriers, ‘peace-lines’ and barbed wire are still in evidence, but the symbols are internalised in individuals, rather than entrenched, with the potential to become part of a shared identity. While Belfast may still be troubled, might the capital of culture yet recreate itself as a place of mind, heart and spirit where differences and diversity are affirmed and celebrated? One thing’s for sure, to adapt the poster I bought at Corrymeela and which goes to every new job. We need to be patient with each other. God isn’t finished with any of us yet! If there’s one place in the world that’s proved this true, its Derry/ Londonderry. So good they named it twice!

Corrymeela Community

Corrymeela Community (Photo credit: Wikipedia)

English: Photo of Craigavon bridge over Foyle ...

English: Photo of Craigavon bridge over Foyle river located in Derry. Català: Foto del pont de Craigavon sobre el riu Foyle al seu pas per Derry. (Photo credit: Wikipedia)