Sexual Freedom & Women’s Liberation:

The ‘cultural revolution’ had a profound effect on sexual behaviour in general, and on women in particular. Sex before marriage became less taboo (one-third of young women were pregnant when they married), and there was a general feeling of increasing sexual freedom at various levels in society, which was made a reality through the advent and growing availability of the contraceptive pill from 1962. Women’s liberation also took off, leading to the victory of the Equal Pay Act in 1970. Until that, equal rights and feminism only really touched the surface. There was still a long road to travel on this, however. Too many workplaces were utterly unwelcoming of women wanting work. Too many memoirs recount the gross sexism of the new rock stars, not to mention the abuse of young women and children by a small number of prominent pop celebrities, more recently uncovered in police investigations. ‘The Pill’ might have arrived, and the Abortion Act became law in 1967, but this was still a time of ‘unwanted’ pregnancies, ‘unmarried’ mothers and gross domestic violence being administered by drunken men. Yet the philosophical principles of egalitarianism were gradually weaving their way into social change. Traditions of submission and obedience, together with hierarchies of class and gender based on medieval property rights, industrial capital and imperial administration, began to wobble and dissolve into a society which was more dilute and porous. This was not so much because ‘revolutionaries’ ushered in an age of personal freedom, but more generally because it suited a new economic system based on consumer choices.

In domestic life, two-thirds of families acquired labour-saving devices such as refrigerators and washing-machines. There was a growing ‘snappiness’ and lightness of design, in everything from the cut of clothing to the shape of cars, an aesthetic escape from the gravitas of the post-war period of austerity. But among the population as a whole this was a gradual transformation, experienced in a continuum, not as a revolution. The process was somewhat accelerated among the younger generation.  The real earnings of young manual workers had grown rapidly in the early sixties, creating a generation who had money to spend on leisure and ‘luxury’ goods. The average British teenager was spending eight pounds a week on clothes, cosmetics, records and cigarettes. In London, King’s Road and Carnaby Street became the haunts of this generation. Their attitude is summed up by the designer Mary Quant, whose shop Bazaar in King’s Road, provided clothes…

… that allowed people to run, to jump, to leap, to retain their precious freedom. 

Quant had been cutting up lengths of cloth bought over the counter and selling them at Bazaar since the mid-fifties. Her iconoclastic style involved drawing, slicing and sewing up a uniform that parodied the pleated, padded, extravagant clothes of the Old New Look designers. In doing so, she was taking on the fashion industry of Paris and the West End from her bedsit and tiny shop. Quant’s shockingly short mini-skirts, named after the car she loved, were offensive enough for the occasional brick to be lobbed at her window. She always claimed that she was trying to free women to be able to run for a bus. But it was the sexual allure that shocked. Michael Caine later recalled taking his mother down the King’s Road to see what all the fuss was about:

I said, “here’s one now”, and this girl walks by with a mini up to here. She goes by and my mother looked at her. So, we walk on a bit. She never said a word. So I said, what do you think, mum? She said: “If it’s not for sale, you shouldn’t put it in the window.”

Clothes became the outward symbols of the ‘Chelsea Set’ of which Caine was a fully paid-up member, as was Quant. But Quant’s fashions were as exclusively priced as the ‘Set’ itself. ‘Biba’, an iconic symbol, promised liberation for women and girls, but liberation through spending. Its founder, Barbara Hulanicki was a girl from an exiled family, born before the war, brought up in British-controlled Palestine and then raised by a ‘bohemian’ aunt in Brighton, before going to art school. She then launched a mail order company with her husband. Biba, named after her younger sister, aimed to offer glamorous clothing at cheap prices. She had been mesmerised by Audrey Hepburn (above and below), her shape; long neck, small head, practically jointless, and her first top-selling design was a pink gingham dress like the one worn by Brigitte Bardot at her wedding.

Her succession of boutiques were dark, chaotic spaces in which customers could lose themselves, pick up and try on, discard and collect, and sometimes steal, a great gush of new designs which seemed to change every week. The clothes were run up at high-speed in the East End and ferried to the boutique (below) several times a week. Turnover was spectacular and soon celebrities were beating a path its door, mixing with shorthand typists and schoolgirls to buy Biba designs – Mia Farrow, Yoko Ono, Princess Anne, Raquel Welch and even Bardot herself. As one Biba admirer said, it was helping to create the concept of shopping as an experience, a leisure activity for the young. George Melley, jazz singer, writer and professional flamboyant called it a democratic version of Mary Quant. Hulancki herself said that she always wanted to get prices down, down, down, to the bare minimum. The cheapness and disposability of the clothes was shocking to an older Britain in which millions of families had been used to make do and mend, followed by making their own clothes, buying patterns from Woolworth’s and sewing them by hand, or using a new electric sewing machine, or knitting woollen dresses and jerseys. Biba was the beginning of the throw-away consumer culture applied to clothing, and though it would present moral dilemma later, in the sixties it simply provided freedom for millions of young single women, career girls about town, who, as yet, had not been shaped by motherhood.

Pop Music and Popular Culture:

Another symbol was popular music. Before ‘pop’ the dominant popular music styles produced low profits. Most public music was live; piano and banjo players on music-hall stages, the star singers and then eventually the big bands of the dance halls and the smoky subculture of ‘jazz’. Sheet-music made big money for talented composers like Ivor Novello and stage stars like Harry Lauder. Gramophone record sales had kicked off with recordings of early twentieth-century opera stars but the invention of the modern microphone in the twenties had then changed popular singing, allowing intimacy and variety of a new kind. The recording industry brought Louis Armstrong, the Ink Spots, Vera Lynn and the crooners of many West End musicals to millions of homes before pop. By the end of the fifties there were four major British recording companies: EMI, Decca, Pye and Philips. Most of their profits came from classical music or comic recordings, like those of Flanders and Swann. It was with the spread of seven-inch forty-fives that records had become something that teenagers could afford to buy. Though first produced in the US as early as 1948, for working-class British youngsters they were still formidably expensive by the late fifties.

The other essential technological changes arrived at around the same time. First, loud electric guitars, invented by radio repairman Leo Fender in 1948. Then transistor radios, originally invented in the mid-fifties to help Americans keep in touch after the coming nuclear war with Russia, and becoming popular for other purposes at the end of the decade. Without the mike, the electric guitar and the seventh-inch record, rock and pop would not have happened. Without the radio, the vital cross-cultural currents would have been unheard. The post-austerity economic boom was putting money in the pockets of teenagers and young workers, and the post-war baby-boom had increased their numbers. Better nutrition meant that they reached puberty earlier, and the mechanisms for the mass-marketing were already in place. By the early sixties, all the essential ingredients of the new market for this were also in place.

Most histories of golden-age sixties rock groups begin with a similar narrative, with the kids discovering Chuck Berry and Elvis Presley under their bedclothes, covertly listening on frequency 208 on their transistor radio to Radio Luxembourg, which broadcast to the UK from 7.00 p.m. onwards every night. They then go on to describe the formation of a ‘skiffle’ band, like that of Lonnie Donegan, using simple chords and home-made instruments like washboards or slatted wardrobe doors, mouth organs and ‘kazoos’. Then the coffee bar or burger bar would make an appearance, a place where teenagers could go to socialize and listen to jukeboxes. The local art college would also, often, be part of this formative, group experience. Many of these were associated with local technical colleges, which before the university expansion of the seventies was where bright, imaginative and often rebellious teenagers would end up after leaving ‘academia’ behind at fifteen. The art schools were the true factories of popular culture, for musicians, painters and sculptors.

By the later fifties, art students were not only listening to skiffle, but the US rock ‘n’ roll stars, and also to British ‘Elvis copies’ like first Tommy Steel, then Harry Webb, ‘reincarnated’ as Cliff Richard, then Tom Jones. John Lennon went to Liverpool Art College, while Ray Davies, who formed The Kinks attended Hornsey, Keith Richard of The Rolling Stones went to Sidcup, and Pete Townsend of The Who went to Ealing Art College. The RAF-style roundels and bold black arrows which appeared on the band’s clothes and became part of the Mods’ insignia, had been swiped from graphic designers and pop painters. Of course, no band was more important in the sixties, and arguably since, than The Beatles. They expressed both youthful rebellion and commercialism, providing British teenagers with an identity that cut across the barriers of class, accent and region. The Beatles had been formed, originally as The Quarrymen, in July 1957 and in 1962 Love Me Do reached #17 in the charts. But it wasn’t until April 1963, that From Me to You became their first number one hit single.

‘Beatlemania’ & the Radio Revolution:

The key to their initial breakthrough, and their continued success, was not studio recordings, but radio performances. Between 1957 and 1970 they performed live in eighty-four different venues in England, fifteen in Scotland, six in Wales and two in Ireland. Many people in the establishment regarded ‘pop’ music with disdain. The BBC held a monopoly over the radio waves and, in a deal with the Musicians’ Union and record manufacturers, ensured that popular music was not given airtime. The Beatles, however, were too popular for the BBC to resist, and between March 1962 and June 1965, no fewer than 275 unique musical performances were recorded in their studios and broadcast throughout the UK. The group played eighty-eight different songs on national radio, some recorded many times. As well as their own songs, these recordings also included rock ‘n’ roll numbers by Chuck Berry and Little Richard. They worked like dogs, once recording eighteen songs in one day on 16 July 1963. Derek Taylor has written about how …

… they became our cheeky chappies, our Elvis, took up residence on the front page, and in the zeitgeist of the age, helped to establish the booming creative potential of provincial England.

The Beatles gave us a continuing soundtrack of unparalleled charm and reassurance. As long as they kept on delivering fresh songs along with the morning milk, everything was right in our optimistic world. Quite quickly, the Beatles became an institution all of their own, with all sorts of attendants – fanatics and detractors, revisionists and archivists, accountants and lawyers, scribes and Pharisees.

That the Beatles were woven into the fabric of British life was due in large part to the regularity of their attention to good habits – the Christmas message to the fans, the package tours, the visits home to Liverpool families, an honest paying of all the expected dues and in no small measure to the BBC, who provided that unparalleled broadcasting expertise to keep the nation in touch with ‘the boys’ through fifty-three broadcasts. Radio allowed them to ‘be themselves’ and that was always enough for the Beatles and their followers.

The Beatles’ frequent access to the BBC’s studios and airwaves was the consequence of an age of wireless innocence. Although millions were hungry for rock ‘n’ roll, on the radio it was severely rationed. When you tuned in during the day, there was only the choice of the BBC’s three national networks and, of those, only the Light Programme might occasionally allow Elvis or Buddy Holly into your house. There was no local radio or commercial radio. The only alternative was a crackling, phasing Radio Luxembourg beamed across Europe at night. When ‘the Light’ did feature ‘pop’, due to the Musicians’ Union restriction, records were frequently side-lined by emasculated renditions of hits from dance orchestras. But without competition, BBC radio programmes were guaranteed huge audiences. The Beatles’ manager, Brian Epstein, had understood this opportunity and sent an application for a radio audition to the BBC’s Manchester outpost early in 1962. Producer Peter Pilbeam had auditioned them and, despite his note on his report about the singers – John Lennon, yes; Paul McCartney, no – both had featured on their BBC debut in front of an audience at Manchester Playhouse in March 1962. This regional radio breakthrough had come seven months before the release of their first single on ‘Parlophone’, Love Me Do, and no recording exists of the concert or any of their other three broadcasts of 1962. It remains ‘pre-history’ in terms of the Beatlemania years, especially when compared to their ‘meteoric’ rise to fame in 1963.

At the beginning of 1963, Britain was experiencing its worst winter weather since 1947. The country shivered through freezing temperatures at a time when few houses had the luxury of central heating. Most of the land was covered in deep snow making transport difficult. Undaunted, The Beatles spent many hours during those cold early months of 1963 in a van driven by a friend, journeying up and down the country to appear onstage at theatres and ballrooms and to perform in radio and TV studios. Before this breakthrough year, the group had worked hard at their craft, including hundreds of hours spent entertaining the rowdy clientele of a Hamburg nightclub and the friendly regulars at the Cavern Club in Liverpool, enabling the development of an extensive and varied repertoire. Their musical expertise combined with discipline and stamina proved to be an unbeatable formula.

Though the stories of British rock and pop bands follow a predictable trajectory, the stories of the earlier bands are more interesting simply because the story had not occurred before. Though pop was a business it was also narrative about class and morality; almost every band’s story described the tension between the marketing of the music and the attempt by the band to stay in some way ‘authentic’, true to themselves. Many never tried to be authentic in the first place, but the groundbreaking ones did but didn’t find it easy. The Kinks were four north London boys who affected a camp look and played rough, hard pop were put into the most extraordinary pink hunting jackets, ruffs and thigh-high suede boots. The Beatles were bullied and cajoled by Epstein into ditching the rough jeans and leather Luftwaffe jackets they had learned in Hamburg. To get their first recording contract with EMI, the Beatles were told to stop smoking on stage, stop swearing, turning up late, and making spontaneous decisions about which songs they would play at their gigs. They also had to learn to bow smartly to the audience, all together, after every song. They agreed. It was only later in their successful sixties that they felt they could tell their managers where to get off.

The BBC’s Saturday Club presenter, Brian Matthew (above), commented, following their appearance on his show on 26th January 1963:

At the moment, the majority of ‘The Beatles’ fans are in their home town of Liverpool and I have a very strong suspicion it won’t be long before they’re all over the country.

Brian Matthew’s belief was quickly confirmed. From ten o’clock to twelve noon every Saturday, the show reached an enormous audience of around ten to twelve million. The Beatles were featured ten times on the programme and quickly established a rapport with Matthew and producer Bernie Andrews, who supervised the music sessions.  Six numbers were recorded in sessions lasting no more than three and a half hours; sometimes as short as ninety minutes. Throughout 1963 number one records followed in quick succession: Please Please Me, From me to You, She Loves You and I Want to Hold Your Hand. The debut album, Please Please Me, the Twist and Shout EP, and the With the Beatles LP were also released within that year. While those releases kept them high in the charts, the pressure of The Beatles schedule never eased for a moment, but they were match-fit. They performed music in thirty-nine radio shows in 1963 and, most importantly, fifteen of those programmes were editions of their own radio series Pop Go the Beatles which the BBC invited them to host during the summer of 1963. Tuesday evening became an essential date with the radio for millions of fans. They were encouraged by the presenter to let their humour shine between the songs, and producer Terry Henebery remembers this ‘zaniness’ not being confined to the recorded speech links:

They’d come to the studio and horse about. You had to crack the whip and get on the loudspeaker talk-back key quite a lot and say “Come on, chaps!” They’d be lying all over the floor, giggling. And I can remember afternoons down at the Paris Cinema studio, where you were just looking at the clock, throwing your hands up in horror and thinking, ‘will they ever settle down?’ I mean, people would go and get locked in the toilets and fool about. But you were, at the end of the day, getting some nice material out of them.

No one would have predicted it in 1963, but the songs The Beatles chose to perform for their radio series constitute the most fascinating aspect of their music sessions for the BBC. The New Musical Express reported that R-and-B material will be strongly featured. The shows certainly lived up to that promise. Required to record six songs for every show, to avoid undue repetition, the group would often romp through an old favourite or work on a new number. As Ringo observed:

It was fine when doing the repertoire we knew, but some weeks it’d be real hard. We’d rehearse two or three songs in the lunch break and then go and record them in the afternoon.

For some groups, a series that demanded six new recordings every weeknight might have been daunting; but it allowed The Beatles to air their influences and try out some new favourites. They performed fifty-six new songs in all, twenty-five of which had not and would not be released on any of their records. The choice of material in these and other programmes clearly reveals the artists who had inspired the group. They recorded nine cover versions of Chuck Berry songs which, except for Roll Over Beethoven were all belted out by John. In addition, they covered six Carl Perkins and four Elvis Presley songs, while the four Little Richard rockers were the exclusive vocal property of Paul and his throat-ripping ‘whoops’ and ‘hollers’. In gentler moments, Paul sang A Taste of Honey and Till There Was You, but his most unusual ballad was The Honeymoon Song. John produced a real gem in Ann-Margret’s I Just Don’t Understand. The four were adept at digging out unusual material, often beating rival Liverpool groups to sought-after American records and learning the B-side. As Paul commented in 2013,

You will find stuff in our repertoire that came off little odd-ball records. We had started off going onstage and playing songs that we liked, but then we would find that on the same bill as us in the Liverpool clubs, there might be another band that would play exactly the same songs. If they were on before us, it made us look a bit silly. We started to look further afield, study the American charts and see what was there. We’d listen to radio a lot and find out if there was anything up and coming. We would also flip records and listen to the B-sides; see if we could find anything that way. In fact, that’s what started John and I writing, because this was the only foolproof way that other bands couldn’t have our songs. There was no great artistic muse that came out of the heavens and said, ‘Ye shall be a songwriting partnership!’ It was really just we had better do this or everyone is going to have our act. …

In addition to the night-time broadcasts of Radio Luxembourg, the other sources for rock ‘n’ roll music on discs were coffee-bar jukeboxes, fairgrounds and record shops. Fortunately, this era was a golden era for record stores. Hundreds of family-run concerns, like Brian Epstein’s NEMS in Liverpool, would take pride in stocking at least one copy of everything released. Many Liverpool musicians spent hours in listening booths at NEMS while records were played to them. Occasionally, they might even buy one! At the time of their BBC sessions, The Beatles were seeking out the latest Rhythm and Blues records from the States. Although many of these by groups such as The Miracles did not, at first, make the British charts, they were a key influence on The Beatles. Again, Paul McCartney explains:

With our manager Brian Epstein having a record shop – NEMS – we did have the opportunity to look around a bit more than the casual buyer. …

Ringo would get stuff from the sailors. … he happened to have a few mates who’d been to New Orleans or New York and had picked up some nice blues or country and western. … But it was really a question of looking harder than the next guy. We made it our full-time job to research all these things; to go for the road less travelled.

These records, and those by The Shirelles, who did have some UK hits, had sophisticated vocal, string and horn parts. Rearranging them for a four-piece line-up helped to create the Beatle sound just as much as the earlier singles by the rock ‘n’ roll pioneers. Current R&B records were not easy to get hold of or hear in Britain. But in 1963, records released on the Tamla and Motown labels were distributed in the UK by Oriole. Radio Luxembourg also featured the latest records by Mary Wells, The Miracles, Marvin Gaye, Martha & the Vandellas and Little Stevie Wonder. Although none of them was a hit at the time, The Beatles’ love of the records from Detroit was demonstrated when they included three Motown songs on With the Beatles. Their devotion to black soul music proved crucial to its wider acceptance.

The significance of The Beatles’ BBC radio sessions also stems from the way the sound of the group was captured for their broadcasts. At that time, artists were not given large amounts of studio time. At EMI studios, on 11th February 1963, The Beatles had to record ten songs for their debut album, Please Please Me. The fact that this was achieved in under ten hours subsequently became regarded as a remarkable achievement. This was seen as especially true when the quality of the tracks was considered. It was common practice in 1963 to complete a minimum of two songs in a standard three-hour session. As Paul has pointed out,

It was just the rate people worked at. … Looking at it now, it seems so fast, but then it seemed very sensible.

At the BBC, the work-rate was even higher. Apart from when they were performing in front of an audience for a broadcast, The Beatles had to record five or six songs in a short session so they were not fazed by this requirement. The recordings were made onto a four-track tape machine at EMI in October 1963, but multi-tracking did not begin at the BBC until a decade later. This meant that the mono recordings could not be edited, except by editing different takes of a song onto the same tape. Otherwise, there was the option to ‘overdub’ by copying the first recording to another tape, while at the same time adding more instruments or vocals. Both of these processes could be very time-consuming, so what we hear on the BBC tapes is the sound of the group performing ‘live’, direct to tape, as if to an immediate audience, but without the noisy hysteria which accompanied their public concerts. The pop songs of the early Beatles were not neatly produced commodities as all pop songs later became. You can hear the fun involved in their creation.

When Pop Go The Beatles finished its run, they were once more at the top of the charts with She Loves You. From that point on, things went crazy and pretty much stayed that way. Their unassailable popularity was reflected by the press who applied the epithet Beatlemania to the hysteria that surrounded their every move. In February 1964, the States surrendered to the magic and Brian Epstein’s bold boast that his group would be ‘bigger than Elvis’ proved to be true. Having ‘hit the business jackpot’, as Brian Matthew expressed it in Saturday Club, the number of times The Beatles came to the BBC was greatly reduced; compared to the thirty-four programmes recorded in 1963, from October 1963 to June 1965 there were just fifteen specially recorded sessions. Having once been prepared to rush from one end of the country to the other for a radio show, global success now made the group less available. Their last BBC radio performance was the solitary one of 1965, on Whit Monday, entitled The Beatles Invite You to Take a Ticket to Ride. It was understandable that they now had real need of this particular kind of radio exposure. But most of the sessions at the BBC had been exciting and fun. DJ Alan ‘Fluff’ Freeman worked with the Beatles in 1964. He remembered that:

Their music and persona freed me from middle age … because the things that were coming from The Beatles made me feel like a ten-year-old! They made us all feel tremendously happy.

Just before The Beatles made their last BBC recording, at Easter 1964 the first illegal ‘pirate’ radio station, Radio Caroline, began broadcasting from a ship just off the Sussex coast. Within months, millions of young people were listening to Radio Caroline North and Radio Caroline South, Radio London and other pirate stations that sprung up. Not only did they broadcast popular music records, but they also reminded their listeners that any attempt to silence them would constitute a direct ‘attack on youth’. With the advent of these radio stations, the BBC monopoly on airtime was broken, and bands were able to get heard beyond their concerts. Eventually, the Government acted to bring an end to its cold war with the British record industry. The BBC set up Radio One to broadcast popular records and in August 1967, the Marine Offences Act outlawed the pirate ships.

The Rock Generation:

In the early days of pop and rock, it was not always quite as obvious that money would always trump vitality. There were still battles to be fought between the two. The Who (pictured below) were a west London band which had, like so many others, emerged from skiffle, and had been kick-started by the early successes of The Beatles. They were encouraged by their manager, Peter Meadon, to dress stylishly and address themselves to the new audience of ‘Mods’. Their first single, I Can’t Explain was self-consciously derivative of The Kinks, and was released in January 1965. It made it to #8 in the charts, but it was their second single, My Generation which really caught the mood of the times and the imaginations of pop fans, later became the first British rock ‘anthem’. It was recorded at the Pye Studios in London in October 1965 and released as a single on 5th November. Just before its release, Roger Daltry was fired from the band for fighting with the other members, but he was quickly reinstated when it reached #2. The fighting and onstage antics continued throughout their early career, though, including the smashing up of guitars by the band’s leader, Pete Townsend. While delighting their live audiences, their guitar-smashing kept them away from mainstream venues.

A string of top ten hits followed in 1965-67, from Substitute to Pictures of Lily and I Can See for Miles. Pete was disappointed that the last of these only reached #10 in the UK charts compared with #9 in the US, commenting shortly afterwards that to him, that was the ultimate Who record yet it didn’t sell and I spat on the British record buyer. Throughout a stellar career during which some think, with their concept albums, eclipsed The Beatles after the break-up of the ‘fab four’, The Who, though, far from revolutionary in politics, were never properly ‘tamed’.  Nor were The Kinks, whose song-writing genius Ray Davies became involved in a punch-up with an American television union official who had called them a bunch of commie wimps. That altercation got them banned from the States for four crucial years.

The big battle lines, however, were drawn over the content of the songs, which quickly moved beyond the easy American boy-meets-girl themes of Buddy Holly and the Everly Brothers. By 1968, rock was beginning to escape from the urban and suburban Britain of its young consumers. For most of them, their teenage years would end in a more conventional working life and marriage, which was (perhaps somewhat conversely) more popular than ever in the late sixties, with marriage rates peaking in 1972. But drugs, mysticism, gangs and sexual experimentation were some of the alternatives celebrated by pop culture, much to the discomfort of record companies, the BBC, politicians and the newspapers. Songs such as Lola by The Kinks and I’m a Boy by The Who challenged existing sexual stereotypes, and there was a ‘libertine’ element in The Rolling Stones songs which shocked those parents who could follow the lyrics.

Above all, the rate of experimentation and change in sixties pop itself was astonishing, as a new sound, instrument, length of song and sexually explicit album cover image seemed to come along every few weeks in 1966-68. It was a classic, market-driven competition between the top bands and artists, measured by sales of records. Lennon and McCartney remained at the forefront of this experimentation, feeding back discoveries about tape loops, modern composers and Bach into the music of The Beatles, retreating more and more into their Abbey Road studio to produce more complex sounds. The Stones’ blues-rock challenged the ‘Mersey Beat’ and the ‘Mods’ began to produce early versions of the ‘heavy metal’ genre, followed by Led Zeppelin at the end of 1968, who made it their own. But, at this stage, The Beatles were still seen as the pioneers, the first big stars to fall for Indian mysticism, sitars, or the next drug craze, and the first to break up under the strain. Their trajectory, like their output, seemed impossible to beat. As Andrew Marr concludes,

A band’s success was based on its members’ skills but also on their authentic claim to be the kids from the streets whose anger, enthusiasm, boredom and wit reflected the actual Britain all around them, the lives of the people who would save up and buy their songs. Pop was music from below or it was nothing. Yet the successful musicians would be cut off from the world they came from by the money and the security needed to keep fans at bay until they were fated to sound introspective and irrelevant.  

By 1968, other forms of music were receding before the ear-splitting tidal advance of rock and pop, driven by radio. In painting, pop art and the pleasure principle were on the attack. Simpler and more digestible art forms, suitable for mass market consumption, were replacing élite art which assumed an educated and concentrated viewer, listener or reader. Throughout these years there were self-conscious moves to create new élites, to keep the masses out. They came from the portentous theories of modern art or the avowedly difficult atonal Classical music arriving from France and America, but these were eddies against the main cultural current.  Similarly, when Mary Quant set up her shop she was a rotten businesswoman. The fun was in the clothes. No business with so little grasp of cash could afford to be cynical. Of course, the King’s Road was a foreign country to most Britons in the mid-sixties. The majority of those who lived through that period have personal memories of rather conventional and suburban lives. Most working-class people were still living in Edwardian and Victorian red-brick terraces in the English and Welsh industrial cities, and in tenements in Glasgow, Dundee and other Scottish towns.

For this vast majority, the early sixties were experienced as a continuation of the fifties, not as a break with that decade. Britain remained an industrial society, though more prosperous, whose future was believed still to depend on factories producing cars, engines, washing machines and electrical goods, both for the ‘domestic’ market and for export. The older generation of authority figures – teachers, judges and above all parents – still derived their clothes and morality from their wartime experience, and were the butt of widespread mockery, especially by the cartoonist Giles of The Daily Express (commemorated by the statue shown above, located in Ipswich town centre) and on TV by David Frost. Television also gave further mass exposure to the pop industry, with regular editions of  ‘Jukebox Jury’, ‘Ready, Steady, Go’, and ‘Top of the Pops’ attracting huge young audiences. The radio, TV and magazine publicity machine was up and going. The equipment was in every second home, radios and record players turned out by Britain’s booming electronics industry. But the men with moustaches and ‘short back and sides’ haircuts were visibly still in power. As Andrew Marr has written,

The Britain which proudly displayed volumes of Churchill’s war memoirs on bookshelves, and stood up in cinemas for the national anthem, did not disappear when Ringo Starr grew his first luxuriant moustache.   

Swinging London and its New Celebrities:

The new culture was far from elitist; it was meritocratic, but it could be just as exclusive as the older forms. It was shaped by upper-working-class and lower-middle-class people who had never enjoyed this level of cultural influence before. The northern cities of England, especially Liverpool, but also Newcastle and Manchester, that were sending their sons and daughters south to conquer, even if it was only on radio and television shows. The older Britain with its regimental traditions, its racism and clear divisions in terms of class, geography and dialect. The ‘scouse’ voices of The Beatles and the ‘Geordie’ accents of the Animals had been rarely heard on the radio before 1963, and for many metropolitan and Home Counties listeners, they came as something of a shock. By the summer of 1965, however, what was called Swinging London, or the Scene, was a small number of restaurants, shops and clubs where a small number of people were repeatedly photographed and written about. In Chelsea, Biba, ‘Granny Takes a Trip’, ‘Bazaar’ and ‘Hung on You’ were honeypots for the fashionable. They spent their evenings and nights at clubs like ‘Annabel’s’, ‘Showboat’ and ‘Talk of the Town’.

There were perhaps no more than twenty ‘celebrities’ at the heart of Swinging London. They included The Beatles and Mick Jagger, among eight pop singers, the model Jean Shrimpton, the designer Mary Quant, painter David Hockney, actors Michael Caine and Terence Stamp, and photographers Lord Snowdon, David Bailey and Terence Donovan. The ‘list’ compiled and published by Private Eye journalist Christopher Booker in 1969, also included an interior decorator, a creative advertiser, a film producer, a discotheque manager, a ballet dancer and the Kray brothers from the East End who could only be described as connected with the underworld. These New Aristocrats, as Christopher Booker called them, were all concerned with the creation of images. Following the Profumo affair of a few years earlier, old money, big business, the traditional arts and politics were being marginalised and replaced by working-class ‘upstarts’. Among the photographers, Bailey was a tailor’s son and Donovan a lorry driver’s son, both from the East End. Michael Caine was a Billingsgate fish porter’s son and Stamp the son of a tug-boat captain. The female aristocrats included Lesley Hornby of Neasden, better known as ‘Twiggy’, a carpenter’s daughter, and Priscilla White, better known as ‘Cilla Black’, another (originally) ‘scruffy Scouser’. A few were there entirely because of their looks, like ‘supermodel’ Jean Shrimpton, a description first used in 1968. Very few of these men and women would have made it in the London of previous decades. The intertwining of this aristocracy of pop was as sinuous as the old Tory cliques of the fifties. But their significance was that they represented the increased mobility of talented people from working-class backgrounds.

These ‘celebrities’ were joined by footballers, who in 1966-68 were raised from tradesmen and servants to the level of golden gods, sometimes behaving badly too. England’s victory in the 1966 World Cup, with its dramatic finale at Wembley and the team’s 4-2 defeat of West Germany was the stuff that dreams are made of, leading to ritual disappointed expectations every four years ever since. Despite reaching the semi-finals on two occasions since, in 1990 and 2018, the nation has not yet been able to repeat the dressing up and dancing in the streets that went on then, with every English man, woman and child joining in. Alf Ramsey, the English team manager, had been part of the team who had lost 3-6 to Hungary at Wembley in 1953. Now he and his lions had brought football home at last. The three ‘Eastenders’, West Ham’s Bobby Moore, Martin Peters and Geoff Hurst outshone the Charlton brothers on this occasion, but Bobby Charlton was himself part of Manchester United’s ‘home’ international trio together with George Best and Denis Law who won the European Cup, beating Eusebio and Benfica 4-1 in 1968. This was a remarkable achievement, coming just a decade after Busby’s ‘babes’ were all but wiped out in the Munich air disaster of 1958. Glasgow Celtic had been the first British team to win the European Cup in the previous year, under the management of Jock Stein in 1967. Some of these soccer celebrities, like George Best, were later to struggle with the limelight, but for now they could do no wrong as far as the British public were concerned. The articles and photos below are from a facsimile of the Sunday Mirror from 31 July 1966:

The new celebrities were not just fascinated by images, but quickly colonised the entire new media of pop music, radio, television, fashion, advertising, colour magazines, and hairdressing. These were not the property of the City or of old money. Linguistic diversity was as important as imagery in this democratisation of society and culture. It was the breakthrough lead given by Lennon and McCartney in singing their own material that persuaded scores of other British bands to follow suit. Others chose to mimic the accents and vocabulary of the American rockers who had inspired them, even when producing their own compositions. There are few songs in the ‘transatlantic’ repertoire of The Rolling Stones which sound particularly English, unlike those of other iconic London bands such as The Kinks and The Who. Banned from the US while others were breaking into the American market, Ray Davies turned back to local subjects. He had always written pop songs about everything from the death of the dance-halls to the joys of an autumn sunset over Waterloo Bridge, but The Kinks Are The Village Green Preservation Society of 1968 was on an entirely different scale. As Ray Davies commented himself:

While everybody else thought the hip thing to do was to drop acid, take as many drugs as possible and listen to music in a coma, the Kinks were singing songs about lost friends, draught beer, motorbike riders, wicked witches and flying cats.

The title song of their album calls for the ‘preservation’ of Desperate Dan, strawberry jam, the George Cross, the ‘Sherlock Holmes English-speaking vernacular’, little shops, china cups, virginity, Tudor houses and antique tables while attacking the new skyscrapers and office blocks. The album, which sold in tiny numbers compared with Sergeant Pepper, with its equally nostalgic Liverpudlian and Lancastrian-themed lyrics, confused contemporary critics who could not decide whether the group were being serious or satirical. The simple answer, with the benefit of a critical hindsight which regards the disc as one of the greatest achievements of British pop in the sixties, “both”. The band showed that it was possible to write inspiring rock music about what was around you, rather than posturing as a boy from Alabama or pretending to be an Afro-American. On the other hand, in listening to Dusty Springfield, who had one of the ‘purest’, most spell-binding voices of the decade, you could be forgiven for thinking she was from Detroit or Paris. Few of the songs she sang, if any, had British themes and British English vocabulary. But then, ‘son of a preacher man’ scans better! The English folk-song revival of the early sixties also played into this democratic, eclectic mix, with the founding of Fairport Convention in 1967, named after the house in which they practised in North London. Their folk-rock genre took themes and dialects from all parts of the British Isles. By 1968, regional accents had become commonplace in radio and television programmes, especially the perennial ‘soap operas’, though it took much longer for the provincial presenters of news, views and features to be accepted onto the national broadcasts of the BBC, not to mention those from ethnic minorities. This reflected the slow progress in British society in general towards genuine devolution, diversity and gender equality.

Despite the dramatic increase in wealth, coupled with the emergence of distinctive subcultures, technological advances (including television) and unprecedented shifts in popular culture, by the end of the sixties, there was a general sense of dissatisfaction and disillusionment with society and politics in Britain. In the early seventies, when John Lennon was asked to assess the impact of The Beatles by Rolling Stone magazine, he commented that…

Nothing happened, except we all dressed up. The same bastards are in control, the same people are running everything, it’s exactly the same.

Conclusion: A Real Counter-cultural Revolution?

The counter-cultural ‘revolution’ in Britain had no organisation and no practical agenda. It was largely middle class in its amorphous leadership, without any real or effective links to the working-class socialists who wanted higher wages and perhaps even workers’ cooperatives, but were less keen on long-haired students taking drugs, or indeed on angry black people. The counter-cultural currents influenced pop and rock music, but it did not immediately create an indigenous, autonomous British movement. It was dependent on passing American fads and voices, like that of Bob Dylan and Allen Ginsberg. Like both Dylan and John Lennon in the early seventies, The Who questioned revolutionary values and violent methods in their second great ‘anthem’, Won’t Get Fooled Again, written by Pete Townsend in 1970 and recorded and released the next year. It ends with the line, Meet the new boss; he’s the same as the old boss! Townsend wrote,

It’s really a bit of a weird song. The first verse sounds like a revolution song and the second like somebody getting tired of it. It’s an anti-establishment song. It’s ‘anti’ people who are negative. A song against the revolution because … a revolution is not going to change anything at all in the long run, and a lot of people are going to get hurt.

Symbolically, perhaps, the group has usually played the full eight-and-a-half minute version of the song at the end of its concert. More than any other song, it sums up the relationship between pop music and sixties’ counter-culture.

Sources:

Joanna Bourke, Shompa Lahiri, et. al. (eds.) (2001), The Penguin Atlas of British & Irish History. London: Penguin Books.

Andrew Marr (2007), A History of Modern Britain. London: Macmillan.

Kevin Howlett (2014), The Beatles: The BBC Archives, 1962-1970.

 

Demographics and Reconfigurations:

The 1960s were dramatic years in Britain: demographic trends, especially the increase in the proportion of teenagers in the population, coincided with economic affluence and ideological experimentation to reconfigure social mores to a revolutionary extent. In 1964, under Harold Wilson, the Labour Party came into power, promising economic and social modernisation. In an attempt to tackle the problem of poverty, public expenditure on social services was expanded considerably, resulting in a small degree of redistribution of income. Economically, the main problems of the decade arose from the devaluation of the currency in 1967 and the increase in industrial action. This was the result of deeper issues in the economy, such as the decline of the manufacturing industry to less than one-third of the workforce. In contrast, employment in the service sector rose to over half of all workers. Young people were most affected by the changes of the 1960s. Education gained new prominence in government circles and student numbers soared. By 1966, seven new universities had opened (Sussex, East Anglia, Warwick, Essex, York, Lancaster and Kent). More importantly, students throughout the country were becoming increasingly radicalized as a response to a growing hostility towards what they perceived as the political and social complacency of the older generation. They staged protests on a range of issues, from dictatorial university decision-making to apartheid in South Africa, and the continuance of the Vietnam War.

Above: A Quaker ‘advertisement’ in the Times, February 1968.

Vietnam, Grosvenor Square and All That…

The latter conflict not only angered the young of Britain but also placed immense strain on relations between the US and British governments. Although the protests against the Vietnam War were less violent than those in the United States, partly because of more moderate policing in Britain, there were major demonstrations all over the country; the one which took place in London’s Grosvenor Square, home to the US Embassy, in 1968, involved a hundred thousand protesters. Like the world of pop, ‘protest’ was essentially an American import. When counter-cultural poets put on an evening of readings at the Albert Hall in 1965, alongside a British contingent which included Adrian Mitchell and Christopher Logue, the ‘show’ was dominated by the Greenwich Village guru, Allen Ginsberg. It was perhaps not surprising that the American influence was strongest in the anti-war movement. When the Vietnam Solidarity Committee organised three demonstrations outside the US embassy in London’s Grosvenor Square, the second of them particularly violent, they were copying the cause and the tactics used to much greater effect in the United States. The student sit-ins and occupations at Hornsey and Guildford Art Colleges and Warwick University were pale imitations of the serious unrest on US and French campuses. Hundreds of British students went over to Paris to join what they hoped would be a revolution in 1968, until de Gaulle, with the backing of an election victory, crushed it. This was on a scale like nothing seen in Britain, with nearly six hundred students arrested in fights with the police on a single day and ten million workers on strike across France.

Wilson & the ‘White Heat’ of Technological Revolution:

Andrew Marr has commented that the term ‘Modern Britain’ does not simply refer to the look and shape of the country – the motorways and mass car economy, the concrete, sometimes ‘brutalist’ architecture, the rock music and the high street chains. It also refers to the widespread belief in planning and management. It was a time of practical men, educated in grammar schools, sure of their intelligence. They rolled up their sleeves and took no-nonsense. They were determined to scrap the old and the fusty, whether that meant the huge Victorian railway network, the Edwardian, old Etonian establishment in Whitehall, terraced housing, censorship, prohibitions on homosexual behaviour and abortion. The country seemed to be suddenly full of bright men and women from lower-middle-class or upper-working-class families who were rising fast through business, universities and the professions who were inspired by Harold Wilson’s talk of a scientific and technological revolution that would transform Britain. In his speech to Labour’s 1963 conference, the most famous he ever made, Wilson pointed out that such a revolution would require wholesale social change:

The Britain that is going to be forged in the white heat of this revolution will be no place for restrictive practices or for outdated methods … those charged with the control of our affairs must be ready to think and speak in the language of our scientific age. … the formidable Soviet challenge in the education of scientists and technologists in Soviet industry (necessitates that) … we must use all the resources of democratic planning, all the latent and underdeveloped energies and skills of our people to ensure Britain’s standing in the world.

In some ways, however, this new Wilsonian Britain was already out of date by the mid-sixties. In any case, his vision, though sounding ‘modern’ was essentially that of an old-fashioned civil servant. By 1965, Britain was already becoming a more feminised, sexualized, rebellious and consumer-based society. The political classes were cut off from much of this cultural undercurrent by their age and consequent social conservatism. They looked and sounded what they were, people from a more formal time, typified by the shadow cabinet minister, Enoch Powell MP.

Education – The Binary Divide & Comprehensivisation:

By 1965, the post-war division of children into potential intellectuals, technical workers and ‘drones’ – gold, silver and lead – was thoroughly discredited. The fee-paying independent and ‘public’ schools still thrived, with around five per cent of the country’s children ‘creamed off’ through their exclusive portals. For the other ninety-five per cent, ever since 1944, state schooling was meant to be divided into three types of schools. In practice, however, this became a binary divide between grammar schools, taking roughly a quarter, offering traditional academic teaching, and the secondary modern schools, taking the remaining three-quarters of state-educated children, offering a technical and/or vocational curriculum. The grandest of the grammar schools were the 179 ‘direct grant’ schools, such as those in the King Edward’s Foundation in Birmingham, and the Manchester Grammar School. They were controlled independently of both central and local government, and their brighter children would be expected to go to the ‘better’ universities, including Oxford and Cambridge, from where they would enter the professions. Alongside them, also traditionalist in ethos but ‘maintained’ by the local authorities, were some 1,500 ordinary grammar schools, like George Dixon Grammar School in Birmingham, which the author attended from 1968.

The division was made on the basis of the selective state examination known as the ‘eleven plus’ after the age of the children who sat it. The children who ‘failed’ this examination were effectively condemned as ‘failures’ to attend what were effectively second-rate schools, often in buildings which reflected their lower status. As one writer observed in 1965, ‘modern’ had become a curious euphemism for ‘less clever’. Some of these schools were truly dreadful, sparsely staffed, crowded into unsuitable buildings and sitting almost no pupils for outside examinations before most were released for work at fifteen. At A Level, in 1964, the secondary moderns, with around seventy-two per cent of Britain’s children, had 318 candidates. The public schools, with five per cent, had 9,838. In addition, the selective system was divisive of friendships, families and communities. Many of those who were rejected at the eleven plus and sent to secondary moderns never got over the sense of rejection. The IQ tests were shown not to be nearly as reliable as first thought. Substantial minorities, up to sixty thousand children a year, were at the ‘wrong’ school and many were being transferred later, up or down. Different education authorities had widely different proportions of grammar school and secondary modern places; division by geography, not even by examination. A big expansion of teachers and buildings was needed to deal with the post-war baby boom children who were now reaching secondary school.

Desperately looking for money, education authorities snatched at the savings a simpler comprehensive system, such as that pioneered and developed in Coventry in the fifties, might produce. Socialists who had wanted greater equality, among whom Education Secretary Tony Crosland had long been prominent, were against the eleven plus on ideological grounds. But many articulate middle-class parents who would never have called themselves socialists were equally against it because their children had failed to get grammar school places. With all these pressures, education authorities had begun to move towards a one-school-for-all or comprehensive system during the Conservative years, Tory Councils as well as Labour ones. So when Crosland took over, the great schooling revolution, which has caused so much controversy ever since, was well under way. There were already comprehensives, not just in Coventry, but also on the Swedish model, and they were much admired for their huge scale, airy architecture and apparent modernity. Crosland hastened the demise of the grammar schools by requesting local authorities to go comprehensive. He did not say how many comprehensives must be opened nor how many grammar schools should be closed, but by making government money for new school building conditional on going comprehensive, the change was greatly accelerated.

Population ‘Inflow’ and ‘Rivers of Blood’:

Although the 1962 Commonwealth and Immigration Act was intended to reduce the inflow of Caribbeans and Asians into Britain, it had the opposite effects: fearful of losing the right of free entry, immigrants came to Britain in greater numbers. In the eighteen months before the restrictions were introduced in 1963, the volume of newcomers, 183,000, equalled the total for the previous five years. Harold Wilson was always a sincere anti-racist, but he did not try to repeal the 1962 Act with its controversial quota system. One of the new migrations that arrived to beat the 1963 quota system just before Wilson came to power came from a rural area of Pakistan threatened with flooding by a huge dam project. The poor farming villages from the Muslim north, particularly around Kashmir, were not an entrepreneurial environment. They began sending their men to earn money in the labour-starved textile mills of Bradford and the surrounding towns. Unlike the West Indians, the Pakistanis and Indians were more likely to send for their families soon after arrival in Britain. Soon there would be large, distinct Muslim communities clustered in areas of Bradford, Leicester and other manufacturing towns. Unlike the Caribbean communities, which were largely Christian, these new streams of migration were bringing people who were religiously separated from the white ‘Christians’ around them and cut off from the main forms of working-class entertainment, many of which involved the consumption of alcohol, from which they abstained. Muslim women were expected to remain in the domestic environment and ancient traditions of arranged marriages carried over from the subcontinent meant that there was almost no inter-marriage with the native population. To many of the ‘natives’ the ‘Pakis’ were less threatening than young Caribbean men, but they were also more alien.

Wilson had felt strongly enough about the racialist behaviour of the Tory campaign at Smethwick, to the west of Birmingham, in 1964, to publicly denounce its victor Peter Griffiths as a ‘parliamentary leper’. Smethwick had attracted a significant number of immigrants from Commonwealth countries, the largest ethnic group being Sikhs from the Punjab in India, and there were also many Windrush Caribbeans settled in the area. There was also a background of factory closures and a growing waiting list for local council housing. Griffiths ran a campaign critical of both the opposition and the government’s, immigration policies. The Conservatives were widely reported as using the slogan “if you want a nigger for a neighbour, vote Labour” but the neo-Nazi British Movement, claimed that its members had produced the initial slogan as well as spread the poster and sticker campaign. However, Griffiths did not condemn the phrase and was quoted as saying “I should think that is a manifestation of popular feeling. I would not condemn anyone who said that.” The 1964 general election had involved a nationwide swing from the Conservatives to the Labour Party; which had resulted in the party gaining a narrow five seat majority. However, in Smethwick, as Conservative candidate, Peter Griffiths gained the seat and unseated the sitting Labour MP, Patrick Gordon Walker, who had served as Shadow Foreign Secretary for the eighteen months prior to the election. In these circumstances, the Smethwick campaign, already attracting national media coverage, and the result itself, stood out as clearly the result of racism.

Griffiths, in his maiden speech to the Commons, pointed out what he believed were the real problems his constituency faced, including factory closures and over 4,000 families awaiting council accommodation. But in  1965, Wilson’s new Home Secretary, Frank Soskice, tightened the quota system, cutting down on the number of dependents allowed in, and giving the Government the power to deport illegal immigrants. At the same time, it offered the first Race Relations Act as a ‘sweetener’. This outlawed the use of the ‘colour bar’ in public places and by potential landlords, and discrimination in public services, also banning incitement to racial hatred like that seen in the Smethwick campaign. At the time, it was largely seen as toothless, yet the combination of restrictions on immigration and the measures to better integrate the migrants already in Britain did form the basis for all subsequent policy.

When the author went to live there with his family from Nottingham in 1965, Birmingham’s booming postwar economy had not only attracted its ‘West Indian’ settlers from 1948 onwards, but had also ‘welcomed’ South Asians from Gujarat and Punjab in India, and East Pakistan (Bangladesh) both after the war and partition, and in increasing numbers from the early 1960s. The South Asian and West Indian populations were equal in size and concentrated in the inner city wards of the city and in west Birmingham, particularly Sparkbrook and Handsworth, as well as in Sandwell (see map above; then known as Smethwick and Warley). Labour shortages had developed in Birmingham as a result of an overall movement towards skilled and white-collar employment among the native population, which created vacancies in less attractive, poorly paid, unskilled and semi-skilled jobs in manufacturing, particularly in metal foundries and factories, and in the transport and healthcare sectors of the public services. These jobs were filled by newcomers from the Commonwealth.

Whatever the eventual problems thrown up by the mutual sense of alienation between natives and immigrants, Britain’s fragile new consensus and ‘truce’ on race relations of 1964-65 was about to be broken by another form of racial discrimination, this time executed by Africans, mainly the Kikuyu people of Kenya. After the decisive terror and counter-terror of the Mau Mau campaign, Kenya had won its independence under the leadership of Jomo Kenyatta in 1963 and initially thrived as a relatively tolerant market economy. Alongside the majority of Africans, however, and the forty thousand whites who stayed after independence, there were some 185,000 Asians in Kenya. They had mostly arrived during British rule and were mostly better-off than the local Kikuyu, well established as doctors, civil servants, traders business people and police. They also had full British passports and therefore an absolute right of entry to Britain, which had been confirmed by meetings of Tory ministers before independence. When Kenyatta gave them the choice of surrendering their British passports and gaining full Kenyan nationality or becoming foreigners, dependent on work permits, most of them chose to keep their British nationality. In the generally unfriendly and sometimes menacing atmosphere of Kenya in the mid-sixties, this seemed the sensible option. Certainly, there was no indication from London that their rights to entry would be taken away.

Thus, the 1968 Immigration Act was specifically targeted at restricting Kenyan Asians with British passports. As conditions grew worse for them in Kenya, many of them decided to seek refuge in the ‘mother country’ of the Empire which had settled them in the first place. Through 1967 they were coming in by plane at the rate of about a thousand per month. The newspapers began to depict the influx on their front pages and the television news, by now watched in most homes, showed great queues waiting for British passports and flights. It was at this point that Conservative MP Enoch Powell, in an early warning shot, said that half a million East African Asians could eventually enter which was ‘quite monstrous’. He called for an end to work permits and a complete ban on dependants coming to Britain. Other prominent Tories, like Ian Macleod, argued that the Kenyan Asians could not be left stateless and that the British Government had to keep its promise to them. The Labour government was also split on the issue, with the liberals, led by Roy Jenkins, believing that only Kenyatta could halt the migration by being persuaded to offer better treatment. The new Home Secretary, Jim Callaghan, on the other hand, was determined to respond to the concerns of Labour voters about the unchecked migration.

By the end of 1967, the numbers arriving per month had doubled to two thousand. In February, Callaghan decided to act. The Commonwealth Immigrants Act effectively slammed the door while leaving a ‘cat flap’ open for a very small annual quota, leaving some twenty thousand people ‘stranded’ and stateless in a country which no longer wanted them. The bill was rushed through in the spring of 1968 and has been described as among the most divisive and controversial decisions ever taken by any British government. Some MPs viewed it as the most shameful piece of legislation ever enacted by Parliament, the ultimate appeasement of racist hysteria. The government responded with a tougher anti-discrimination bill in the same year. For many others, however, the passing of the act was the moment when the political élite, in the shape of Jim Callaghan, finally woke up and listened to their working-class workers. Polls of the public showed that 72% supported the act. Never again would the idea of free access to Britain be seriously entertained by mainstream politicians. This was the backcloth to the notorious ‘Rivers of Blood’ speech made in Birmingham by Enoch Powell, in which he prophesied violent racial war if immigration continued.

Powell had argued that the passport guarantee was never valid in the first place. Despite his unorthodox views, Powell was still a member of Edward Heath’s shadow cabinet which had just agreed to back Labour’s Race Relations Bill. But Powell had gone uncharacteristically quiet, apparently telling a local friend, I’m going to make a speech at the weekend and it’s going to go up “fizz” like a rocket, but whereas all rockets fall to earth, this one is going to stay up. The ‘friend’, Clem Jones, the editor of Powell’s local newspaper, The Wolverhampton Express and Star, had advised him to time the speech for the early evening television bulletins, and not to distribute it generally beforehand. He came to regret the advice. In a small room at the Midland Hotel on 20th April 1968, three weeks after the act had been passed and the planes carrying would-be Kenyan Asian immigrants had been turned around, Powell quoted a Wolverhampton constituent, a middle-aged working man, who told him that if he had the money, he would leave the country because, in fifteen or twenty years time, the black man will have the whip hand over the white man. Powell continued by asking rhetorically how he dared say such a horrible thing, stirring up trouble and inflaming feelings:

The answer is I do not have the right not to do so. Here is a decent, ordinary fellow-Englishman, who in broad daylight in my own town says to me, his Member of Parliament, that this country will not be worth living in for his children. I simply do not have the right to shrug my shoulders and think about something else. What he is saying, thousands and hundreds of thousands are saying and thinking … ‘Those whom the Gods wish to destroy, they first make mad.’ We must be mad, literally mad, as a nation to be permitting the annual flow of some fifty thousand dependants, who are for the most part the material growth of the immigrant-descended population. It is like watching a nation busily engaged in heaping its own its own funeral pyre. … 

 … As I look ahead, I am filled with foreboding. Like the Roman, I seem to see “the river Tiber foaming with much blood”.

He also made various accusations, made by other constituents, that they had been persecuted by ‘Negroes’, having excrement posted through their letter-boxes and being followed to the shops by children, charming wide-grinning pickaninnies chanting “Racialist.” If Britain did not begin a policy of voluntary repatriation, it would soon face the kind of race riots that were disfiguring America. Powell claimed that he was merely restating Tory policy. But the language used and his own careful preparation suggests it was both a call to arms and by a politician who believed he was fighting for white English nationhood, and a deliberate provocation aimed at Powell’s enemy, Heath. After horrified consultations when he and other leading Tories had seen extracts of the speech on the television news, Heath promptly ordered Powell to phone him, and summarily sacked him. Heath announced that he found the speech racialist in tone and liable to exacerbate racial tensions. As Parliament returned three days after the speech, a thousand London dockers marched to Westminster in Powell’s support, carrying ‘Enoch is right’ placards; by the following day, he had received twenty thousand letters, almost all in support of his speech, with tens of thousands still to come. Smithfield meat porters and Heathrow airport workers also demonstrated in his support. Powell also received death threats and needed full-time police protection for a while; numerous marches were held against him and he found it difficult to make speeches at or near university campuses. Asked whether he was a racialist by the Daily Mail, he replied:

We are all racialists. Do I object to one coloured person in this country? No. To a hundred? No. To a million? A query. To five million? Definitely.

Did most people in 1968 agree with him, as Andrew Marr has suggested? It’s important to point out that, until he made this speech, Powell had been a Tory ‘insider’, though seen as something of a maverick, and a trusted member of Edward Heath’s shadow cabinet. He had rejected the consumer society growing around him in favour of what he saw as a ‘higher vision’. This was a romantic dream of an older, tougher, swashbuckling Britain, freed of continental and imperial (now ‘commonwealth’) entanglements, populated by ingenious, hard-working white people rather like himself. For this to become a reality, Britain would need to become a self-sufficient island, which ran entirely against the great forces of the time. His view was fundamentally nostalgic, harking back to the energetic Victorians and Edwardians. He drew sustenance from the people around him, who seemed to be excluded from mainstream politics. He argued that his Wolverhampton constituents had had immigration imposed on them without being asked and against their will.

But viewed from Fleet Street or the pulpits of broadcasting, he was seen as an irrelevance, marching off into the wilderness. In reality, although immigration was changing small patches of the country, mostly in west London, west Birmingham and the Black Country, it had, by 1968, barely impinged as an issue in people’s lives. That was why, at that time, it was relatively easy for the press and media to marginalize Powell and his acolytes in the Tory Party. He was expelled from the shadow cabinet for his anti-immigration speech, not so much for its racialist content, which was mainly given in reported speech, but for suggesting that the race relations legislation was merely throwing a match on gunpowder. This statement was a clear breach of shadow cabinet collective responsibility. Besides, the legislation controlling immigration and regulating race relations had already been passed, so it is difficult to see what Powell had hoped to gain from the speech, apart from embarrassing his nemesis, Ted Heath.

Those who knew Powell best claimed that he was not a racialist. The local newspaper editor, Clem Jones, thought that Enoch’s anti-immigration stance was not ideologically-motivated, but had simply been influenced by the anger of white Wolverhampton people who felt they were being crowded out; even in Powell’s own street of good, solid, Victorian houses, next door went sort of coloured and then another and then another house, and he saw the value of his own house go down. But, Jones added, Powell always worked hard as an MP for all his constituents, mixing with them regardless of colour:

We quite often used to go out for a meal, as a family, to a couple of Indian restaurants, and he was on extremely amiable terms with everybody there, ‘cos having been in India and his wife brought up in India, they liked that kind of food.

On the numbers migrating to Britain, however, Powell’s predicted figures were not totally inaccurate. Just before his 1968 speech, he had suggested that by the end of the century, the number of black and Asian immigrants and their descendants would number between five and seven million, about a tenth of the population. According to the 2001 census, 4.7 million people identified as black or Asian, equivalent to 7.9 per cent of the total population. Immigrants were and are, of course, far more strongly represented in percentage terms in The English cities. Powell may have helped British society by speaking out on an issue which, until then, had remained taboo. However, the language of his discourse still seems quite inflammatory and provocative, even fifty years later, so much so that even historians hesitate to quote them. His words also helped to make the extreme right Nazis of the National Front more acceptable. Furthermore, his core prediction of major civil unrest was not fulfilled, despite riots and street crime linked to disaffected youths from Caribbean immigrant communities in the 1980s. So, in the end, Enoch was not right, though he had a point.

Trains, Planes and Motor Cars:

By the 1960s, British road transport had eclipsed railways as the dominant carrier of freight. In 1958 Britain had gained its first stretch of dedicated, high-speed, limited-access motorway, and by the early 1960s, traffic flow had been eased by a total of a hundred miles (160k) of a three-lane motorway into London (the M1, pictured above). In 1963 there were double the number of cars on the road than there had been in 1953. Motorways allowed fast, convenient commercial and social travel, household incomes were rising, and the real cost of private motoring was falling. Workplace, retail and residential decentralisation encouraged the desertion of trains and a dependence on cars. That dependency was set down between 1958 and 1968. By the mid-sixties, there were brighter-coloured cars on the roads, most notably the Austin Mini, but much of the traffic was still the boxy black, cream or toffee-coloured traffic of the fifties. The great working-class prosperity of the Midlands was based on the last fat years of the manufacture of cars, as well as other goods.

The map above shows what Britain’s transport network looked like by the early seventies. The start of Britain’s largest-ever road-building programme in the 1960s coincided with a more rapid decline in the railways. Roughly half of Britain’s branch-lines and stations had become uneconomic and its assets were therefore reduced. By 1970, the loss of rolling stock, locomotives, workforce, two thousand stations, 280 lines and 250 services meant that the railway network in Britain had been reduced to half of the length it had been in 1900. By the mid-sixties, flight frequencies and passenger loads on intercity air routes were also increasing vigorously. Nonetheless, rail passenger mileage remained stable for most of the second half of the century as rising oil and fuel prices put a ‘brake’ on motor vehicle use in the 1970s. Plans to triple the 660 miles of motorway in use by 1970 were also frustrated by a combination of the resulting economic recession, leading to cutbacks in public expenditure, and environmental protest.

(To be continued… for sources, see part two).

The first black Gospel group to make an impact in Britain were ‘The Singing Stewarts’. They were originally from Trinidad and Aruba, where the five brothers and three sisters of the Stewart family were born. They migrated to Handsworth in Birmingham in 1961, part of the second major wave of Windrush migrants who came to Britain just before the Commonwealth Immigration Act of 1962 ended the ‘open door’ policy for British overseas nationals. This was the period when many families were settling in Britain, many rejoining ‘menfolk’ who had come on their own some years earlier (see picture below). Many people moved to Britain before the Act was passed because they thought it would be difficult to get in afterwards. Immigration doubled from fifty-eight thousand in 1960 to over 115,000 in 1961, and to nearly 120,000 in 1962. The Stewarts were all members of the Seventh-day Adventist Church and under the training of their strict and devoted mother began to sing in an a cappella style songs that mixed traditional Southern gospel songs written by composers like Vep Ellis and Albert Brumley. To this material, they added a distinctly Trinidadian calypso flavour and by the mid-sixties were performing all around the Midlands. In later years they were joined by a double bass affectionately referred to as ‘Betty’. From childhood growing up in the church, they would refuse all offers to sing ‘secular’ music.

Above: Caribbean families arriving in Britain in the early 1960s

Settling in Handsworth, they quickly made a name for themselves in West Birmingham and what is known as Sandwell today (then as Smethwick and Warley), especially among the nonconformist churches where most of the Caribbean immigrant families were to be found. They also appeared at a variety of cross-cultural events and at institutions such as hospitals, schools and prisons. They performed on local radio and TV which brought them to the attention of a local radio producer and folk-music enthusiast Charles Parker, who heard in the group’s unlikely musical fusion of jubilee harmonies, Southern gospel songs and a Trinidadian flavour something unique. In 1964 they were the subject of a TV documentary produced by him which brought them to national attention. Parker helped them to cultivate their talent, and to become more ‘professional’, opening them up to wider audiences. They took his advice and guidance on board and reaped dividends on the back of their TV appearances and national and European tours that increased their exposure and widened their fan base. The most significant TV project was a documentary entitled ‘The Colony’, broadcast in June 1964. It was the first British television programme to give a voice to the new working-class Caribbean settlers.

For a while, in the early sixties, they were the only black Gospel group in the UK media spotlight. It was difficult to place them in a single category at the time, as they sang both ‘negro spirituals’ and traditional Gospel songs, which made them a novelty to British and European audiences. The Singing Stewarts were able to undertake a European tour where they played to crowds of white non-churchgoers. Thousands warmed to them, captivated by their natural and effortless harmonies. They possessed a remarkable ability to permeate cultural barriers that was unprecedented at the time, due to the racial tensions which existed in West Birmingham, Warley and Smethwick in the late sixties and seventies, stirred up by the Wolverhampton MP and Government Minister, Enoch Powell, who made his infamous ‘Rivers of Blood’ speech in Birmingham in 1968, and in local election campaigns in Smethwick run by the National Front. Meanwhile, in the US in 1967, at the height of the Civil Rights movement, a Berkeley-based ensemble called the Northern California State Youth Choir found that a track on their independent album – a soulful arrangement of a Victorian hymn penned by Philip Doddridge – started getting plays on a San Francisco pop station. The choir, renamed as the Edwin Hawkins Singers, were quickly signed to Buddah Records and “Oh Happy Day” went on to become a huge international pop hit.

In Britain the British record companies alerted to the commercial potential of US gospel music, looked around for a British-based version of that music and in 1968 The Singing Stewarts were signed to PYE Records. The following year, they were the first British gospel group to be recorded by a major record company when PYE Records released their album Oh Happy Day. Cyril Stapleton, PYE Records’ leading A&R executive, and a legendary big band conductor had invited the family to his London studio, where he produced the new classic and extremely rare album.  Hardly surprisingly, The Singing Stewarts’ single of “Oh Happy Day” didn’t sell, since pop fans were already familiar with the Edwin Hawkins Singers. Nor did the album sell well, partly because it was given the clumsy, long-winded title of Oh Happy Day And Other West Indian Spirituals Sung By The Singing Stewarts. It was released on the budget line Marble Arch Records. Also in 1969, they appeared at the Edinburgh Festival, where they were exposed to a wider and more musically diverse public. Their folksy Trinidadian flavour delighted the arts festivalgoers. The family went on to make more albums which sold better, but they never wavered from their original Christian message and mission. They continued to sing at a variety of venues, including many churches, performing well into retirement age. Neither did they compromise their style of music, helping to raise awareness of spirituals and gospel songs. They were pioneers of the British Black Gospel Scene and toured all over the world helping to put UK-based black gospel music on the map.

My own experience of  ‘The Singing Stewarts’ came as a fourteen-year-old at the Baptist Church in Bearwood, Warley, where my father, Rev. Arthur J. Chandler, was the first minister of the newly-built church. We had moved to Birmingham in 1965, and by that time West Birmingham and Sandwell were becoming multi-cultural areas with large numbers of Irish, Welsh, Polish, Indian, Pakistani and Caribbean communities.

My grammar school on City Road in Edgbaston was like a microcosm of the United Nations. In the early seventies, it appointed one of the first black head boys in Birmingham, and was also a community of many faiths, including Anglicans, Nonconformists, Catholics, Greek Orthodox, Sikhs, Muslims, Jews, Hindus and followers of ‘Mammon’! Our neighbourhood, which ran along the city boundary between Birmingham and the Black Country in Edgbaston (the ‘border’ was literally at the end of the Manse garden), was similarly mixed, though still mostly white. Birmingham possessed a relatively wealthy working class, due to the car industry, so the distinctions between the working class and middle-class members of our church were already blurred. There were no more than a handful of ‘West Indian’ members of the congregation at that time, from the mid-sixties to mid-seventies, though after my father retired in 1979, it shared its premises with one of the new black-led congregations. During the sixties and seventies, there were also more black children in the Sunday School, Boys’ and Girls’ Brigades and Youth Club, who attended these local facilities independently of their parents. These children and youths were especially popular when we played sports against other Baptist congregation in the West Birmingham area, except perhaps when it came to the annual Swimming gala!

The Stewart Family came to our church, at my father’s invitation, in 1970. Previously, my experience of Gospel music had been limited to singing a small number of well-known spirituals, calypso and gospel songs in the school choir or accompanying my sister on the guitar in a performance of ‘This Little Light of Mine’ and other songs which had not yet made it into an alternative to ‘the Baptist Hymn Book’.  I guess I must also have heard some of the renditions by Pete Seeger and the popular English folk group ‘the Spinners’, on the radio and TV. Then there were the Christmas songs like the ‘Calypso Carol’ and Harry Belafonte’s version of ‘Mary’s Boy Child’. Most of the ‘pop’ songs performed by ‘northern soul’ singers were massively over-produced, and even the ‘folk songs’ sung by white folk seemed to lack authenticity. I don’t think I’d heard a group sing a capella before, either, and it wasn’t until some years later, in Wales, that I heard such beautiful, natural, improvised harmonies again. I was inspired and moved by the whole experience, transformed by the deep ‘well-spring’ of joy that the Welsh call ‘hwyl’. There isn’t a single English word that does this emotion justice. At the end of the ‘service’, a ‘call’ to commitment was made, and I found myself, together with several others, standing and moving forward to receive God’s grace.

This was unlike any other experience in my Christian upbringing to that date. The following Whitsun, in 1971, I was baptised and received into church membership. In 1974, a group of us from Bearwood and south Birmingham, who had formed our own Christian folk-rock group,  attended the first Greenbelt Christian Music Festival, where Andrae Crouch and the Disciples were among the ‘headline acts’. Thus began a love affair with Gospel music of various forms which has endured ever since. We were inspired by this event to write and perform our own musical based on the Gospel of James, which we toured around the Baptist churches in west and south Birmingham. In 2013, I attended the fortieth Greenbelt Festival with my ten-year-old son, at which the London Community Gospel Choir (formed by Rev Bazil Meade and others in 1982, pictured below) ‘headlined’, singing ‘O Happy Day!’ among other spirituals and hymns (like ‘The Old Rugged Cross’) …

The service led by the Stewart Singers in Bearwood also began, more importantly, my own ministry of reconciliation. I have heard and read many stories about the coldness displayed by many ‘white Anglo-Saxon’ churches towards the Windrush migrants, and they make me feel guilty that we did not do more to challenge prejudiced behaviour, at least in our own congregations, to challenge prejudiced behaviour among our fellow Christians. However, I also feel that it is all too easy for current generations to judge the previous ones. You only have to look at what was happening in the southern United States and in ‘Apartheid’ South Africa to see that this was a totally different time in the life of the Church in many parts of the world. It was not that many Christians were prejudiced against people of colour, though some were, or that they were ‘forgetful to entertain strangers’. Many sincerely, though wrongly (as we now know from Science) that God had created separate races to live separately. In its extreme forms, this led to the policies of ‘separate development’ of the South African state, underpinned by the theology of the Dutch Reformed Church, and the belief in, and practice of, ‘segregation’, supported by Southern Baptists and others in the United States.

I remember discussing these issues with my father, who was by no means a white supremacist, but who had fears about the ability of Birmingham and the Black Country, the area he had grown up in and where he had become a Jazz pianist and bandleader in the thirties before training for the Ministry, to integrate so many newcomers, even though they were fellow Christians. However, rather than closing down discussion on the issue, as so many did in the churches at that time, mainly to avoid embarrassment, he sought to open it up among the generations in the congregation, asking me to do a ‘Q&A’ session in the Sunday evening service in 1975. There were some very direct questions and comments fired at me, but found common ground in believing that whether or not God had intended the races to develop separately, first slavery and then famine and poverty, resulting from human sinfulness, had caused migration, and it was wrong to blame the migrants for the process they had undergone. Moreover, in the case of the Windrush migrants (we simply referred to them as ‘West Indians’ then), they had been invited to come and take jobs that were vital to the welfare and prosperity of our shared community. In the mid-seventies to eighties, I became involved in the Anti-Nazi League in Birmingham. At university in north Wales, I campaigned against discrimination experienced by Welsh-speaking students, despite experiencing anti-English prejudice from some of them. In the early eighties, I joined the Anti-Apartheid movement, welcoming Donald Woods to Swansea to talk about his book on Steve Biko, and leading the South Wales Campaign against Racism in Sport in opposition to the tour by the South African Barbarians at the invitation of the Welsh Rugby Union.

The singing Adventists continued to perform to black and white audiences and even performed on the same stage as Cliff Richard. In 1977 the group were signed to Christian label Word Records, then in the process of dropping their Sacred Records name. The Singing Stewarts’ Word album ‘Here Is A Song’ was produced by Alan Nin and was another mix of old spirituals (“Every time I Feel The Spirit”), country gospel favourites (Albert Brumley’s “I’ll Fly Away”) and hymns (“Amazing Grace”). With accompaniment consisting of little more than a double bass and an acoustic guitar, it was, in truth, a long, long way from the funkier gospel sounds that acts like Andrae Crouch were beginning to pioneer. The Singing Stewarts soldiered on for a few more years but clearly their popularity, even with the middle of the road white audience, gradually receded. In his book British Black Gospel, author Steve Alexander Smith paid tribute to The Singing Stewarts as one of the first black gospel groups to make an impact in Britain and the first gospel group to be recorded by a major record company. They clearly played their part in UK gospel’s continuing development.

In the mid-1980s, while working for the Quakers in the West Midlands, I ‘facilitated’ a joint Christian Education Movement schools’ publication involving teachers from the West Midlands and Northern Ireland. Conflict and Reconciliation (1990) based on examples of community cohesion in Handsworth.  The ‘riots’ there in the early 1980s, partly stage-managed by the tabloid press, had threatened to unpick all the work done by the ‘Windrush generation’.  David Forbes, a black community worker living in Handsworth, visited ‘white flight’ schools in south Birmingham and Walsall to talk about his work and that of others in Handsworth, contrasted with the negative stereotyping which his neighbourhood had received. More recently and since moving to Hungary, I have supported international campaigns against anti-Semitism.

Frank Stewart (one of the brothers, pictured right) was also one of the first black people to play gospel music on a BBC radio station with The Frank Stewart Gospel Hour on BBC Radio WM. Sadly, his The death in Birmingham on 2nd April 2012 was the closing chapter in a key part of the development of British gospel music over half a century and more. For although in recent years it was Frank’s radio work where for more than a decade he presented The Frank Stewart Gospel Hour on BBC Radio WM, it was the many years he spent running The Singing Stewarts which was arguably his most significant contribution to UK Christian music history and black music history.

My experiences with the Windrush migrants shaped my interests and actions in opposing racism in a variety of forms over the subsequent decades, and they continue to do so today. In particular, I continue to research into migration and to argue the case for channelling and integrating migrants, rather than controlling and assimilating them. Like the Singing Stewarts, and the Welsh Male Voice choirs before them, working-class migrants are often able and willing to contribute much from their own cultures. Multi-cultural Britain has not been made in a ‘melting pot’ but through the interaction of cultures and identities in mutual respect. That is the reconciliation through integration and integration through reconciliation which I believe that Christians must work towards.

The Singing Stewarts:

Gospel & Negro Spirituals

Label: Impacto ‎– EL-205

Format: Vinyl, LP

Country: Spain

Released: 1976

Genre: Religious (Soul)

Style: Gospel, Spiritual, Calypso

Tracklist

A1	Oh Happy Day
A2	Ezekiel Saw The Wheel
A3	I Know The Lord Laid His Hands On Me
A4	Every Time I Feel The Spirit
A5	There Is Joy Down In My Heart
A6	Noah Found Grace In The Eyes Of The Lord
A7	On The Wings Of A Snow White Dove
B1	I Couldn’t Hear Nobody Pray
B2	Swing Them Chariots Round And Let Ride
B3	We’re Climbing
B4	Where Could I Go
B5	No Grave’s Going To Hold My Body Down
B6	Go Down Moses – Let My People Go

Unfortunately, there are no CDs or online recordings of this LP, or these songs. However, there is a youtube recording of the group in concert, the link for which is given below.

Sources:

crossrhythms.co.uk/artists/16786

https://en.wikipedia.org/wiki/Singing_Stewarts

https://www.youtube.com/channel/UCAqHSHOUC6bXWedFymWiMsA

British Black Gospel: The Foundations of this Vibrant UK Sound

https://books.google.hu/books?isbn=1854248960

The Wars of the Roses and the Tudor State of Wales:

By the time of the ensuing Wars of the Roses, the Crown territories had spread throughout Wales, leaving the Marcher lordships with less power. Yorkist and Lancastrian families in the March provided fighting men for the armies of the rival factions, and when Harlech fell to William Herbert, the first Welsh-speaking earl,  the poet Guto’r Glyn had no hesitation in calling upon him to unite Glamorgan and Gwynedd, pardon not a single burgess, and expel all Englishmen from office in Wales. Only the Anglo-Welsh Lancastrians should be spared. However, it was Edward of York, earl of the March and Lord Mortimer, who became Edward IV in 1461. As a result, many of the lordships changed hands or were forfeited. Many of these passed to the Crown, the twenty-two Mortimer lordships included. York controlled the March and Lancaster the Principality, and practically every family of substance was drawn into the conflict. William Herbert built himself up to become Earl of Pembroke, the effective ruler of south Wales. Griffith ap Nicolas rose from humble origins to make himself and his family ‘kings of south-west Wales’ and to establish the ‘House of Dinefwr’.

The Crown lordships and the Principality now dominated the political landscape of Wales, enabling the king to establish a Prince’s council of the Marches of Wales in 1471 which continued to function intermittently until the Tudor ‘invasion’ of Wales and ‘takeover’ of England in 1485. The Tudors of Anglesey were, like the bulk of their compatriots, survivors. The family fortunes had been established by Tudur ap Gronw, whose sons had fought alongside Owain Glyndwr as his cousins. One of them, Rhys was executed and another, Maredudd, was driven into exile. His son, Owen, was taken on as a page-boy by Henry V, later marrying his widow, Catherine de Valois. His stepson, Henry VI, made his Tudor half-brothers earls of Richmond and Pembroke. Edmund Tudor, Earl of Richmond, married Margaret Beaufort, who brought a claim to the English throne. Edmund died and was buried in Carmarthen; his son, Henry, was born posthumously. His mother was now a fourteen-year-old widow, so the boy was taken in by his uncle Jasper at Pembroke Castle, where he learnt Welsh. Following the Lancastrian disaster of 1471, Jasper took the boy to Brittany, and when his small army landed at Dale in Pembrokeshire, he depended entirely on a Welsh rally to carry him through to his supporters in England. Many of the northern Welsh lords did rally to him at Shrewsbury, and at Bosworth Henry unfurled the Red Dragon of Cadwaladr. He called his eldest son Arthur, and the Venetian ambassador commented that,

The Welsh may now be said to have recovered their independence, for the most wise and fortunate Henry VII is a Welshman…

The old Yorkist order in the Marches tried to hang on and, in the boroughs, made a last stand against the incoming tide of Welshmen. Henry kept St David’s Day and packed his own minor offices with Welshmen. By the end of his reign almost every marcher lordship was in royal hands, ‘over-mighty subjects’ had been cut down and charters of emancipation issued to north Wales. Under Henry VII’s firm hand a reinvigorated Council in the Marches began in the king’s name to bring about some uniformity in the government of the various lordships, particularly in the field of administration of justice. The late fifteenth and early sixteenth centuries saw an increasingly centralised Tudor state in which the special political arrangements of the March were becoming untenable. In 1490, Henry VII agreed to a form of extradition treaty with the steward of the lordships of Clifford, Winforton and Glasbury which allowed ‘hot pursuit’ of criminals in certain circumstances.

However, as he himself had demonstrated by his successful invasion on the way to ‘picking up the crown’ at the Battle of Bosworth Field, there remained a problem of the defence of the extended kingdom. Wales was England’s weakly bolted backdoor. Some degree of unified defence of Wales was of major importance to England’s security. His second son was left to find a solution to this problem, which was further complicated by his decision, in 1529, to go into action against the papacy. As the commissioners moved on the monasteries and their property, with Welsh gentry eagerly joining in, there was cause for alarm. As the Marcher lordships collapsed into gangster fiefdoms, just across the water, Catholic Ireland was also restive. If Wales was its backdoor, Ireland beyond ‘the Pale’ remained its back gate. It was from there that the Plantagenets had sought to dethrone Henry VII at Stoke Field in 1487, and even in the 1540s, Henry VIII remained paranoid about the threat from that quarter. The March of Wales had become so disorderly as a separate part of the kingdom that the Duke of Buckingham asked for a royal licence from Thomas Wolsey, the Lord Chancellor, to allow him to have an armed guard when he travelled through his lordships, declaring that he did not dare enter his lands in the March without an escort of three to four hundred armed men. Under these circumstances, the King’s solution for the disorder in the March of Wales was not to tinker with the constitutional anachronism which had become, but to abolish it.

By 1536, Thomas Cromwell realised that a ham-fisted coercion would not suffice. The law and order of England would have to embrace Wales with the aid of Justices of the Peace drawn from its gentry. The ‘British’ nation-state in the making was faced with the difficulty that there were two nations within it, with a visible border between them. So both the border and the smaller nation would have to become invisible. Therefore, between 1536 and 1543, the English crown put through a number of measures which have gone down in British history as the Acts of Union. The Act for Laws and Justice to be Ministered in Wales in like Fourme as it is in this Realm united the Principality and the March of Wales as part of ‘the kingdom of England and Wales’. The Acts of Union in 1536 and 1542, bound the two countries into a single state of ‘England and Wales’. The Act of Union of 1536 completed the long process of the absorption of the Principality of Wales and the March of Wales into the English kingdom. It rendered superfluous the castles that until then had held these territories in subjugation.

The old Principality was wiped off the map, and the lordships in the March were abolished and, by combining them in groups, new shires were created to be added to the two established by Henry III in South Wales, and the four in Gwynedd and Dyfed, which had been created by the Statute of 1284. Wales became thirteen counties in all. The marchers were permitted to retain their lands and rights of lordship as practised in England, but they lost their previous prerogatives and privileges. The whole country was subsequently administered as a corporate element of the same realm. Shrewsbury remained in all but name the administrative capital of the whole of Wales, with the Council in the Marches, responsible for maintaining law and order in the English Marches and Wales, meeting there until its abolition in the 1640s. A consequence of these changes was that the language of the ruling gentry class became predominantly English. The key office of the Justice of the Peace passed to the gentry as ‘kings of the bro‘ (the ‘locality’). Welshmen became entitled to the same rights under the law as Englishmen, including the right to representation, for the first time, in the Westminster Parliament. However, because Wales was poor compared to most regions of England, the ‘burden’ of sending an MP was reduced to one MP per county, and the boroughs of each county were grouped together to supply a second MP. Wales was provided with a distinct system of higher administration and justice, in that twelve of its counties were grouped into four circuits of three for a Welsh Great Sessions, meeting for convenience in the borderlands, which also meant that Ludlow became an important centre for many years.

In the Tudor ‘nation-state’, English was supposed to be the only official language. Henry VIII proclaimed the necessity of extirpating all and singular the sinister usages of customs of Wales. No person or persons that use the Welsh speech shall have or enjoy any manner of office or fees within this realm. The threat of cultural genocide was not, in fact, fulfilled. In many ways, Wales remained a ‘peculiar’, if not a separate nation, with a unique administration and its own customs and language. Although the official, written language of local administration and the courts was to be English, the right of monolingual speakers of Welsh to be heard in courts throughout the country necessitated the appointment of Welsh-speaking judges and ensured the continued public use of the language. The dominance of the local gentry ensured that the justices of the peace and the men running the shires on behalf of the Crown were magistrates of their own nation, thereby guaranteeing that Wales would not come to be regarded simply as a part of England. This was the case even in Monmouthshire, which was fully incorporated into England by the Act of Union, and became part of Wales only in 1972.

At the same time as its administration was being remodelled, Wales also experienced the religious upheaval of the Protestant Reformation. At first, the Reformation simply substituted one barely intelligible tongue (Latin) with another (English). However, in contrast to Ireland, where little effort was made to make religious texts available in the native language, Welsh translations of the creed, the Ten Commandments and the Lord’s Prayer came out as early as 1547, and these were soon followed by translations of the Prayer Book and the Scriptures. Since the Welsh could not be made invisible in the Tudor state, they had to be made Protestant, which meant that the Crown was forced to accede to pressure and authorise Welsh translations of the Bible, whose 1588 version was to prove a sheet-anchor for the threatened language. The early translation of the scriptures into Welsh also helped Protestantism to be accepted in Wales. In fact, the Welsh people embraced it enthusiastically, and later Puritanism and Nonconformity.

Above: The frontispiece of the first full translation of the Bible into Welsh, published in 1588.

Nevertheless, although it could be used when necessary in the courts, Welsh ceased to be an official language and had to retreat into the Church and the kitchen. The long-term effects of this were very serious for the language. Since it was all but excluded from administration, the position of Welsh gained as the language of religion did much to ensure its survival. The survival of Welsh as a living tongue compensated for the collapse of the medieval bardic tradition with its characteristic prophetic elements. Another Celtic tradition that sank into disfavour was the use of patronymics, by which a person’s second name identified or her as the child of a known parent (e.g. ap Arthur). This was superseded by the use of surnames, in the English manner, handed down from one generation to another. Many traditional Welsh Christian names also fell out of fashion in this period.

At the time, however, the Union was celebrated among the self-confident Welsh burgesses, who saw themselves as being as free as Englishmen under the law of England and Wales. Most importantly, perhaps, the ‘ordinary’ Welshman was no longer at the mercy of his lord or prince in terms of justice, which could no longer be administered arbitrarily by a master who was ‘a law unto himself’. Henry VIII was as masterful a monarch as Edward I in cutting the Lords Marcher down to size, and the lords seem to have accepted that their time for full submission to kingly authority had finally come. Now fewer in number and with most of the lordships already in the hands of the Crown, they were largely absentee landlords; their interests in England were, vulnerable to royal retaliation, were more valuable to them than their Welsh ones, which were still recovering their economic value from the long-term effects of the Glyndwr Rebellion.

These political changes in Tudor times left the Border itself with less strategic importance. Wales after the Union was no cultural backwater. The Welsh adopted Jesus College in Oxford (founded in 1571) and the Inns of Court in London to complete their education. The Welsh gentry took enthusiastically to the Renaissance, building houses and art collections comparable with those anywhere else in Europe. Against these cosmopolitan tendencies should be set the work of Sir John Price in defending the Arthurian tradition in the face of general scepticism, and the work of Gruffydd Done, in the sixteenth century, and of Robert Vaughan of Hengwrt, in the seventeenth, who both collected and preserved Welsh medieval texts. By the time of the early Stuarts, ‘the Wales of the squires’ was entering a golden age in which Anglicanism and royalism were becoming rooted among the Welsh gentry. James I and VI was therefore favourably disposed to them and their loyalties were easily transferred to the Scottish dynasty with its own idea of Great Britain, not far removed from their own developing identity as Cambro-Britons. William Vaughan of Cardiganshire, who tried to launch a Welsh colony, Cambriol, in Newfoundland, was also keen to discard the ‘idea’ of the old frontier when he wrote:

I rejoice that the memorial of Offa’s Ditch is extinguished.

Above: Plas Teg, near Mold, Flintshire, the earliest Renaissance-style house in Wales, built c. 1610 for Sir John Trevor, a senior figure in naval administration.

Administration, Language, Trade and Religion:

Wales had acquired its historic frontier in the estate boundaries of an Anglo-Norman oligarchy. Ethnic minorities were left on both sides of the line. Old Ergyng (Archenfield) disappeared into Herefordshire but remained Welsh-speaking for three hundred years. The integration of Britain became visible in the large-scale migration of the Welsh to London, the growing centre of both trade and power. Dafydd Seisyllt, from Ergyng, was one of those who went up to London as a sergeant of Henry VII’s guard. He bought land and installed his son as a court page. His grandson was William Cecil, Elizabeth’s potent statesman. The Seisyllts, in a transliteration which became commonplace, became the Cecils. The family of Morgan Williams the brewer who had married a sister of Thomas Cromwell changed his name and Oliver arrived three generations later.

Monmouth became an anomaly; nearer to London and relatively wealthy, with an early tin-plating industry, it was saddled with the full parliamentary quota and subjected to the courts of the capital. Always reckoned to be a part of the ‘Welsh’ Church in diocesan terms, it was, however, excluded from the Great Sessions and the Welsh parliamentary system. This led to the curious hybrid title of ‘Wales and Monmouthshire’ as a standard secular description, which continued English settlement in the county reinforced. Among the landowners clustering thick in Glamorgan and Monmouth in the south were some of the richest squires in contemporary Europe.

The lordships had varied greatly in size and in physical character, which largely governed their capacity for profitable exploitation, their lords’ primary aim in winning, holding and administering their conquests:

Glamorgan (Morgannwg) was large, much of it agriculturally productive;

Maelienydd, a core lordship of the Mortimer family, was small, an upland and sparsely populated territory of little intrinsic value other than its strategic location;

Clifford, another Mortimer lordship, was very small, perhaps only twenty square miles in extent, but of strategic importance in the Wye valley, the ancient and medieval gateway into Wales.

Conquest was followed by settlement and the evolution of ‘Englishries’ and ‘Welshries’, an ethnic division of population. The Welsh were evicted from the more low-lying arable districts of the lordships which then became ‘the Englishries’, organised in the English manorial system. Here the lords established their ‘vassals’ and immigrant settlers to farm their ‘demesne’ as tenants, paying rent. Often the marcher lords would be absentee landlords, leaving their officials to administer the lands. In this respect, the Mortimers were atypical in that their power and prosperity lay in the March of Wales. By the end of the fourteenth century, they had connections all over Wales of long duration. A Mortimer had married Gwladus, daughter of Llywelyn ap Iorwerth, in the previous century, and in the last half of the fourteenth century Roger Mortimer, fourth Earl of March, had probably as good a dynastic claim as any to the inheritance of Gwynedd. He became the focus of extravagant hopes among the Welsh gentry. The poet Iolo Goch, who was one of his tenants, wrote a fulsome ode of loyalty to him, presenting him as an Arthurian ‘Hero Returned’ who would rescue the Welsh from their degradation. What made this all the more significant was that Mortimer also had a good claim to the inheritance of Richard II. This shift in consciousness came just at the time when a  renaissance of the Welsh language and culture was beginning to provoke political responses and to meet with judicial resistance.

The dispossessed Welsh, were effectively ‘internal exiles’, resettled in ‘the Welshries’ which consisted of the upland and less productive districts of the lordships where raising cattle and sheep were the principle agricultural enterprises. These areas would be more or less self-governing, with courts conducted according to Welsh customs and practice, and in the Welsh language, with little if any interference from the lord provided its inhabitants gave no trouble and paid their tributes in kind. In the lordship of Hay, in the mid-fourteenth century, while the men of the Englishry paid for their land with rent and services, the Welshry as a whole gave the lord the traditional tribute of twenty-four cows every year, though this was later replaced by payment in money. In the later Middle Ages the gradual abandonment of Welsh laws, customs and systems of land tenure was welcomed in some quarters of Wales, particularly among peasant farmers; in the second half of the fourteenth century, Welshmen in Clwyd were eager to surrender their holdings and receive them back on ‘English’ terms, while others were willing to pay for the privilege of ‘English’ status. This was because they preferred the inheritance law of primogeniture to the Welsh system of gavelkind, the equal division of a man’s inheritance among his sons, involving restrictions on his disposal of land according to his family’s individual circumstances.

These moves towards greater integration in the March of Wales had various manifestations. The Welsh language had started to reconquer the Vale of Glamorgan; Welshmen began to appear in the lowland and valley towns, in Oswestry, Brecon and Monmouth; the Welsh began ‘harassing’ English merchants in the March. A chorus of complaint against them burst from boroughs not only in Wales but in the English border counties. Nearly every Parliament which sat between 1378 and 1400 demanded urgent action against these impertinent ‘scrubs’. Even as the gentry turned their hopes towards Richard II, the English administrations in Wales slammed their doors hard. This was a reassertion of colonialism in a régime that was breaking down under its own contradictions, and the Welsh-English tensions that it provoked provided an even greater incentive for the discontented Welsh to support Richard II and Roger (VI) Mortimer.

Although the distinctions between Englishries and Welshries were breaking down by the later Middle Ages, these can sometimes be identified on the landscape today from old place names, where these appear as either English or Welsh, or sometimes bilingually:

Gwerthrynion and Cwmwd Deuddwr (the latter identifiable on today’s map as one of the longest original Welsh place-names, Llansantffraed Cwmdeuddwr) were two Mortimer upland lordships, located north-west of Rhayader on the upper reaches of the Wye. Presumably, they were unattractive to English settlers as there is also a notable absence of English placenames in that area.

Newtown bears its English name, with a translation provided into Welsh (Y Dref Newydd), despite being surrounded by villages with Welsh nomenclature, because it was established as a borough by Mortimer. Other attempts by them to found boroughs were not so successful. Cefnllys remains the name of a long-ruined castle near Llandrindod Wells, because the Mortimers failed to take into account both its isolated position remote from major trade routes as well as the very limited potential for agricultural production within its close vicinity. When the once important castle had been abandoned as no longer of strategic value, its fate was sealed. Similarly, the prosperity of the borough of Wigmore, and the value of its castle languished after the Mortimers moved their seat of power to Ludlow. The military security of the marcher lordships depended on castles, boroughs and the lords’ private armies. Castles were pivotal in their survival and territorial ambitions as well as being status symbols; they served as ‘launching pads’ for aggression, defensive strongholds and bases in which they could reside when in their Lordships. They were also administrative centres from which their stewards could operate, collecting rents and dues and exercising justice.

The marcher lords inherited from the Welsh princes the obligation of all free men to fight for them, and Wales throughout the Middle Ages provided a pool of experienced fighting men on which the marcher lords, and by extension, the king, could draw. Most of the infantrymen in the king’s armies were Welsh, and the archers, in particular, distinguished themselves in the Hundred Years War, and for both Yorkist and Lancastrian armies in the Wars of the Roses. The bowmen of Monmouthshire and south Wales were celebrated in both English and Welsh writing; in the March this intensified a loyalty to their lords which became a political as well as a military force. Thousands of Welshmen in their proud livery – like Mortimer’s men, all clothed in green with their arms yellow – were a force to be reckoned with in the politics of England itself, whenever the marchers were heavily involved, as they nearly always were.

Some of the larger lordships, like Glamorgan and Pembroke were organised along the lines of English shires, long before they were formally recognised as such in Tudor times. Maelienydd, by contrast, did not even have knight service, and the Mortimer administration was far less English in form. Rhys ap Gruffydd was knighted by Edward III, one of a number of Welshmen who achieved rank, office and respect in the king’s service and in the March. He commanded the Welsh bowmen in France, as a discrete unit in the English army. Hywel ap Meurig’s family had long been associated with the Mortimer family. In 1260, he was appointed as the negotiator with Llywelyn ap Gruffydd on behalf of the Crown and then became constable of the Mortimer castle at Cefnllys. He served as the king’s bailiff in Builth and soon after the end of the Welsh War of Independence of 1276-77 was commissioned as a justice in Wales. He and his family prospered as important cogs in the administration of Wales. Roger Mortimer (IV) maintained a retinue, or private army of Welsh soldiers during his ascendancy in the late 1320s. Although the final resort in settling disputes among the marcher lords, and with their princely Welsh neighbours may have been to engage in warfare, a full-blown war was unusual and arrangements developed among them for settling quarrels which would usually have been of a minor nature over such matters as cattle rustling and boundaries. ‘Letters of the March’ were forms of passports for travellers and merchants passing from one lordship to another. If a traveller was arrested in a lordship other than his own, he could present his letter, which would have been issued by his lord stating that he was a tenant, and request to be returned to face justice in his own lordship.

The prosperity of the lordships depended largely on agricultural exports of cattle to England and across England to the continent. In 1349, four hundred cattle were driven from the Bohun lordship of Brecon to Essex for fattening. The first part of this journey was along long-established drovers’ roads through the hills, which still mark the landscape of Wales today. Twelve years earlier fourteen sacks of wool were dispatched to from the Mortimer lordship of Radnor en route to Dordrecht, and in 1340 another thirty were awaiting dispatch (each sack weighed 165 kilos). They were probably held up because of the chaotic conditions in trade as a result of the early stages of the Hundred Years’ War. Wool exports to Flanders had been a thriving business since the early twelfth-century. Welsh border wool may have been of an inferior quality to that of the prime sheep-rearing centres of the Yorkshire moors and dales, but it was certainly superior to the wool of East Anglia.

When Shropshire fleeces were fetching fourteen marks a sack, the Suffolk farmer could only get four marks for his. Yet Suffolk was richer than Shropshire and closer to their foreign customers. The sight of foreign buyers riding eastwards to Ipswich or Dunwich followed by long lines of pack horses laden with Welsh wool was a familiar one in medieval East Anglia. Suffolk farmers and merchants could do a brisker business with the continent because they were closer, but they could not compete in volume or the quality needed by the weavers of fine cloth in Flanders. Then Edward III decided to levy swingeing taxes on markets and customs duties on ports both in order to raise money for his wars with France and as an economic weapon in those wars. In the wool-producing areas the immediate effects were catastrophic, but after 1350 the introduction of weaving to East Anglia, accompanied by the migration of skilled weavers from the depressed textile industries of Flanders, led to a boom in demand for fleeces.

Throughout the early modern period, Wales remained predominantly agrarian, specialising in cattle production, rather than sheep-grazing; dairy products, and, until the Industrial Revolution, cloth-manufacture. The countryside underwent gradual enclosure and deforestation. Settlements remained small and scattered, with farmers maintaining upland summer homes and lowland winter houses. Towns, other than the boroughs already referred to, were not an important feature until the eighteenth century and even then were restricted largely to Glamorgan. There was some tin-plating in Monmouthshire, but neither coal-mining nor iron-casting was as important as they were to become.

Dislike of the Anglo-Norman hegemony in Wales was not confined to the civil sphere; it was also present in the Church. The great religious revival of the eleventh century in Normandy was carried to England by the Conquest, which the Roman Church and the Norman barons themselves regarded as a Crusade, predating the ones they began to the ‘Holy Land’ in 1096. They considered the Welsh Church, still with its independent Celtic roots, to be, like the English one, in need of reform and physical rebuilding. The early conquests in Wales were accompanied by expropriation of church property for the benefit of religious foundations in Normandy and appointed French bishops whose dioceses by the early twelfth century had been incorporated into the province of Canterbury. In the Anglo-Norman borderlands and the Anglo-Welsh March, the abbey at Much Wenlock was refounded circa 1080; the Mortimers founded an abbey circa 1140 at Shobdon, a predecessor of Wigmore Abbey, and were later benefactors of the abbey at Cwm Hir in Maelienydd. Llanthony Abbey (detailed below) was founded in 1107. The native religious houses of Wales were slowly superseded by Anglo-Norman foundations or reformed in the new tradition as religious and cultural control of the Church passed out of Welsh hands for the next eight hundred years. Hardly surprisingly, this meddling was a cause of great resentment, with that champion of the Welsh Church, Giraldus Cambrensis, indignantly asking the Pope, …

… Because I am a Welshman, am I to be debarred from all preferment in Wales?

A Pilgrimage to Llanthony Abbey & through Gospel Pass:

Above: The Landor Estate at Llanthony.

This is an appropriate point to engage with the path itself. The section from ‘Pandy to Hay-on-Wye’ officially begins where it crosses the A465 from Hereford to Abergavenny by “the Lancaster Arms.” However, by following the Afon Honddu northwards along the B4423 from Llanfihangel Crucorney, we can find our way to Llanthony Abbey. Given the remarks of Giraldus Cambrensis above, this is perhaps a better place to start a historical walk. The Priory is directly below in the deep Vale of the Ewyas which, as the twelfth-century itinerant Giraldus described it, is about an arrow shot broad. The priory he found, perhaps somewhat grudgingly, not unhandsomely constructed. It is, in fact, well worth the detour, either along the ‘B’ road or coming down from the Loxidge Tump from the Dyke Path (see maps below).

You come to the priory ruins in a beautiful setting of meadows and groves of chestnuts. It is said that St David settled at Llanthony during his travels through Wales in the sixth century, establishing the llan (church). It is unlikely that he stayed long, but Llanthony’s special claim to fame is that he supposedly ate the leeks here that were to become the Welsh badge during the campaigns of the Hundred Years’ Wars with France. The priory was founded in 1107 by the powerful marcher lord William de Lacy at the place where, while on a deer hunt, he is said to have forsaken ambition and decided to devote his life to the service of God. As a result of Welsh raids on the Augustinians whom they no doubt considered to be the Roman Church’s supporters of the Norman incursion, the monks sought refuge with the Bishop of Hereford, only a few of them returning to the priory. From 1300, with Edward I’s conquest, the priory flourished once more, and at some point housed the largest single body of medieval Welsh ecclesiastical manuscripts, but by 1376 it was in a poor state of repair. Owain Glyndwr burnt it down around 1400; by 1481 only four canons and a prior remained, and its end came with its Dissolution by Henry VIII.

In 1807 the estate was bought by the poet Walter Savage Landor (right) for twenty thousand pounds. From a wealthy Whig family, he held estates at Rugeley in Staffordshire and Bishop’s Tatchbrook in Warwickshire, but had been looking for a more secluded country property in which to write, and settled on Llanthony. The previous owner had erected some buildings in the ruins of the ancient abbey, but an Act of Parliament, passed in 1809, was needed to allow Landor to pull down these buildings and construct a house, (which he never finished). He wanted to become a model country gentleman, planting trees, importing sheep from Spain, and improving the roads. The Victorian diarist Kilvert wrote of his varied experiences of coming down the valley to the Abbey:

Under the cloudless blue and glorious sunshine the Abbey looked happy and peaceful. … How different from the first day that I pilgrimaged down the Vale of Ewyas under a gloomy sky, the heavy mist wreathing along the hillsides cowling the mountain tops. 

There is still an avenue of trees in the area known as “Landor’s Larches” and many old chestnuts have been dated back to his time. But though he had literally fallen in love with Welsh people as a young man in Tenby and Swansea, where he lived for a time, he quarrelled with local people and the Bishop of St David’s, also finding the Black Mountains to have an “ungenial clime”. He left the estate in the hands of trustees and moved to Italy with his wife, whom he had met and married in Bath while living at Llanthony. They had returned to live in Llanthony. The remains of Landor’s house lie at Siarpal in the ‘cwm’ above the priory formed by the Hatterall Ridge and the Loxidge Tump. Together with the tower of the priory, they form what is now the Llanthony Abbey Hotel. The main surviving buildings of the priory are in the care of Cadw, the Welsh ‘keeper’ of historic monuments. Entrance is free.

It’s a pretty steep climb up the cwm to the ridge and the tump where the path can be regained, so the four-mile trek up the valley road to Capel-y-ffin seems more inviting, particularly as it’s rewarded by another monastery, founded in 1870 by the Rev. J. L. Lyne (Father Ignatius) for the Benedictines, in an unsuccessful attempt to reintroduce monasticism into the Anglican Church.

Soon after his death in 1908 the community ceased to exist, and the church became ruined. In the 1920s, though, the artist Eric Gill lived at the monastery for four years, and the house remained in his family after he returned to London. Besides the Catholic church are an Anglican chapel and a Baptist chapel. Capel-y-ffin means ‘chapel on the border’.  Just over a mile further on towards the Gospel Pass is the Youth Hostel.

The road goes on through the pass between ‘Lord Hereford’s Knob’ and ‘Hay Bluff’, where it eventually joins the Dyke path for the descent into Hay-on-Wye, avoiding the steep section on the road. This is where you are likely to see the Welsh mountain ponies.  Following the path itself from Black Daren northwards brings you very gradually to towards the unmarked summit of the ridge, and of the path, at 2,306 feet, on a broad and bleak nameless plateau of peat.

The surrounding landscape becomes wild and remote, a place to avoid in mist and rain. The Welsh have a saying, mae’n bwrw hen wragedd a ffin, meaning “it’s raining old ladies and sticks” (“cats and dogs” in English, of course!) Although “ffin” could mean “boundary” as suggested above, it might also mean “sticks” and there is a legend tell of the Old Lady of the Black Mountains, who is said to appear at night or in mist with a pot and/or wooden cane in her hand and who, going before wayfarers, will cause them to lose their way.

A friendlier spectre, said to appear to travellers lost in the mountains between Llanthony and Longtown, is of a man who will guide them to the nearest road before disappearing. Best take the road in the first place, I say, with its beautiful views along the Ewyas Valley (above). At Pen y Beacon (or Hay Bluff), which is bypassed by the official path, we come to the to the steep north-west facing scarp of the Black Mountains, high above the middle Wye Valley. The way-marked alternative path to the beacon itself was described by the Victorian diarist Kilvert, and has apparently changed little over the last century and a half:

Soon we were at the top, which was covered with peat bog and black and yellow coarse rushy grass and reed. Here and there were pools and holes filled with black peat waters. … The mountains were very silent and desolate. No human being in sight, not a tree. 

On the high and windswept bluff, on the very cornice of the range, a wide-sweeping countryside stretches away almost to the limits of vision. Beyond the Wye, hidden from view, where the Dyke path continues its journey, the Silurian hills of Radnorshire rise to grassy tops or to open hill common. In the distance are the outlines of Mynydd Eppynt, and the Radnor Forest. Dropping down over the cornice of Brownstones you aim between two deep gullies to join the Gospel Pass road on its way from the Honddu Valley. The path leads past the prehistoric burial mound at Twyn y Beddau and along the side of Cusop Dingle, on a steady descent into Hay. In a triangle bounded on two sides by main roads, Hay forms a compact and sleepy town, except when the International Book Festival is in town, in May.

In the town, there are the remains of two castles, both Norman. The mound of the earlier motte and bailey, built around 1100 by William de Braose, is beyond the medieval core of the town, near St Mary’s Church. Legend has it that the castle was in fact built, not by William, but by his wife, Maud de St Valerie (‘Moll Walbee’). She is said to have built it in one night, carrying the stones in her apron. A pebble that dropped into her shoe is reputed to have been thrown into Llowes churchyard, three miles away. The ‘pebble’ measures nine feet in length and a foot in thickness! The later castle seems to have been destroyed by King John in 1215, the year that he signed the Magna Carta. It was rebuilt and then burnt by Llywelyn ap Iorwerth in 1231, though it was apparently still in use when Henry III rebuilt it about two years later. In 1236, the town walls were built, and by 1298 a compact town had grown within them. The castle was captured and changed hands several times in the succeeding decades so that John Leland in the sixteenth century found Hay to show…

… the token of a right strong Waulle having in it three Gates and a Posterne. Ther is also a Castel the which sumtime hath bene right stately.

The seventeenth-century Jacobean castle incorporated into it was owned in the 1980s by R. Booth, who ran a remarkable second-hand book business in the town. Apart from the castle itself, where rarer books were kept, many shops and other buildings have become bookshops. The collection is claimed to be the largest collection in the world, and it is well worth setting aside time to explore the bookshops. It is this recent remarkable piece of social history which has given rise to the book festival and Hay’s unofficial title as ‘the book capital of the world’. As a postgraduate student in Cardiff, I well remember organising a minibus trip to Hay and returning with a number of books which were out of publication, dating back to the early twentieth century, the period I was researching.

North of Hay, the Dyke crisscrosses the border into Herefordshire, before reaching the lowlands of Montgomeryshire. This is the ancient territory of the kingdom of Powys known as Rhwng Gwy a Hafren (‘between Wye and Severn’). Although Mercian influences were strong along this part of the Border, this is essentially a countryside of dispersed habitation in the Welsh tradition. Much of the walk is through some of the quietest and most beautiful, undulating country along the Border. Leaving Hay en route for Knighton you cross over the Wye into Kilvert country, where the wayfaring diarist we met at Lanthony Priory and atop the Black Mountains, Francis Kilvert, was curate of the parish of Clyro from 1865-72 and where, in 1870, he began his diary, describing vividly both the way of life in the area and much of the surrounding countryside. As it is only a mile along the road, but is not on the Dyke Path, it seems sensible to include the short walk to Newchurch as part of a sojourn in Hay. That is where I plan to end my journey this year.

For some of its course, the Dyke marks local government boundaries, or more locally the boundaries to farmsteads, like Pen Offa near Chirk, where I hope to get to next year. But while, for the most part, the political boundary between England and Wales no longer follows it, and there are many gaps in the great earthwork itself (mostly due to modern development), the Dyke retains its place in the imagination as the symbolic frontier. It represents a natural if man-made division between upland and lowland peoples, as the only visible and historic structure which corresponds both to the imagination of those peoples, and to the fundamental reality of that division.

Sources:

Charles Hopkinson & Martin Speight (2011), The Mortimers, Lords of the March. Hereford: Logaston Press.

Gwyn A Williams (1985), When Was Wales? A History of the Welsh. Harmondsworth: Penguin Books.

Asa Briggs, John Morrill, et.al., (eds.) (2001), The Penguin Atlas of British & Irish History. London: Penguin Books.

Irene Richards & J. A. Morris (1946), A Sketch-Map History of Britain and Europe to 1485. London: Harrap.

George Taylor & J. A. Morris (1939), A Sketch-Map History of Britain and Europe, 1485-1783. London: Harrap.

John B. Jones (1976, ’80), Offa’s Dyke Path (Long-Distance Footpath Guide No 4). London: Her Majesty’s Stationery Office (Prepared for the Countryside Commission). 

 

 

‘Smash & Grab!’ – The Norman Conquest of Wales:

The Norman Conquest of Wales, unlike that of England, was piecemeal, but that served only to expose and intensify Welsh disunity. The invasion was not conducted by the King, or as a religious crusade, but as a piece of private enterprise on the part of the Norman barons, with the King’s agreement. They advanced by the easier valley routes and using the old Roman roads, conducting ‘smash and grab’ campaigns from their newly acquired estates in the Borderlands, which they later gave the French name ‘March’. A little further east William established three great strategic centres, from which the Normans could advance into this area. From Hereford, important in Offa’s time, but re-established in 1066 and based on the cathedral settlement, went William FitzOsbern, establishing Border castles at Wigmore, Clifford and Ewyas Harold, at Chepstow and later at Caerleon. From Shrewsbury, dating from the time of Aethelfleda, Queen of Mercia, re-established in 1071, Roger de Montgomery proved a constant threat in the middle Border to Powys. From William’s third strategic centre at Chester, rebuilt in 1071 on the site of the Roman Deva, Hugh d’Avranches opened a route into North Wales, enabling Robert of Rhuddlan to press forward to gain lands of his own and establish his castle a Rhuddlan.

The three earls were given widespread powers within their earldoms, untrammelled by the king, but what, if any, instructions they were given with regard to military adventures in Wales is not known; it seems likely, however, that they were advised that they could annex lands in Wales on their own account, but must not involve King William whose primary interests lay elsewhere. In the early twelfth century Henry I, in what is probably an example of the kind of licence that King William granted explicitly or implicitly to his border earls, authorised one of his barons to conquer part of Wales:

King Henry sent a messenger to Gilbert FitzRichard, who was a mighty, powerful man and a friend of the king, and eminent in his deeds. And he came forthwith to the king. And the king said to him: “Thou wert always asking me a portion of Wales. Now I will give thee the land of Cadwgan ap Bleddyn. Go and take possession of it.” And he accepted it gladly from the king. And he gathered a host and came to Ceredigion and took possession of it and made two castles in it.

Certainly the earls rapidly and individually moved aggressively against the eastern districts of Wales, with Earl Roger also launching raids deep into the interior. He became the major figure in the central sector of the Anglo-Welsh borderlands after FitzOsbern was killed in battle in Flanders in 1071. He was one of King William’s trusted lieutenants whom he had created Earl of Shrewsbury by 1074. Ralph Mortimer was his ‘vassal’, having come to England with the Conqueror. By 1086, Ralph was firmly established as a tenant-in-chief, possibly through his association with William FitzOsbern as Earl of Hereford. The Wigmore chronicler records that Mortimer distinguished himself in suppressing the rebellion of the Saxon magnate, Edric the Wild, who had taken up arms against the Normans in Herefordshire and Shropshire, having allied himself with two Welsh princes. The rebels had threatened Hereford and burned Shrewsbury as the revolt spread into Staffordshire and Cheshire. The significance of this rebellion can by judged from King William’s decision to temporarily abandon personal control of his campaign in the north of England to deal with the rising, doing so with the same ruthlessness with which he then ‘harried’ Yorkshire. It is likely that Ralph had come to the king’s notice during this short campaign and by 1086 he held estates which once belonged to Edric. He had also been one of the lords who had put down the rebellion of FitzOsbern’s son, Roger, in 1075. Ralph received a number of the estates that Roger forfeited. As the Earl of Shrewsbury’s kinsman and steward or seneschal, he was allied to one of the most powerful barons in the kingdom and was his right-hand man, holding his Shropshire lands through this service. The Domesday Book records that he held lands and property in twelve English counties, mainly in Herefordshire and Shropshire, with several manors waste in the Welsh March.

Thus began the piecemeal, private enterprise, ‘internal colonisation’ of Wales. The king’s solution to the problem of the Welsh frontier worked whilst his appointees were men with whom he had a personal bond and affinity; but when the earldoms with all their prerogatives passed to their successors by inheritance, there would be distinct dangers for the Crown, as was made evident in Roger FitzOsbern’s rebellion. Wales was very different from England in politics as well as in geography. Although its inhabitants acknowledged a common Welsh identity, it was a country of many sovereign states with mountainous terrain governing their borders and hindering relationships with their neighbours. These petty principalities, perhaps as many as eighteen in number in the eleventh century, were often at each others’ throats, as Giraldus Cambrensis, Gerallt Cymro, described:

This nation is, above all others, addicted to the digging up of boundary ditches, removing the limits, transgressing landmarks, and extending their territory by every possible means. So great is their disposition towards this common violence … hence arise suits and contentions, murders and conflagrations, and frequent fratricides.

A source of perennial political weakness were the rules of inheritance where land was divided equally between all the sons which militated against any constitutional centralisation. A politically fractured Wales made it much easier for the marcher lords to conquer the country piece by piece and conduct a policy of divide and rule; on the other hand, the usual lack of a Welsh national leader made it more difficult to conduct diplomatic negotiations. To what extent individual conquests in Wales were actually licensed is not clear, but many were probably not expressly authorised by the king. From time to time during the Middle Ages, however, a Welsh prince was able to win control over other principalities, form alliances and exert capable leadership over large tracts of Wales; the Welsh would then prove formidable adversaries to the marcher lords. Such Welsh unity was, however, fleeting; it did not long survive the departure of a national leader and the principalities soon reverted to their customary political isolation and division. When there were leaders such as Rhys ap Gruffydd in the twelfth century and Llywelyn ap Iorwerth and Llywelyn ap Gruffydd in the thirteenth, an uneasy modus vivendi between the Welsh and the English would be established after military successes had enabled the Welsh to recover some, and on occasion almost all, of their lands.

If ‘independent Wales’ was politically fragmented, so in one sense was the March. The lords may have, on the surface, presented a coherent power bloc, but the pattern of lordship and power in the March, with the marchers’ individual political agendas and rivalries, would often change. Death and the lack of a direct male heir, or line of heirs, marriage, wardship and the creation of new lordships by the king, as well as forfeiture of them to him, all influenced the development of the March. From a crude beginning, the Norman lordships of the March grew into a complex and multi-ethnic society and a power in their own right. The lords succeeded the Welsh princes in owing little beyond allegiance to the English Crown; they were often decisive in the politics of England and Normandy. As Gwyn Williams (1985) pointed out, their relationship between invaders and invaded, a simple one at first, soon became more complex …

… Very rapidly they became hopelessly enmeshed with the Welsh in marriage, lifestyle, temporary alliance. A new and hybrid culture grew up in the March with quite astonishing speed. Plenty of marchers over time were cymricized … several became more Welsh than the Welsh. … The formation of so peculiar and potent a society was the direct result of Welsh survival and recovery. At first, nothing could stop the Normans … The first smash and grab thrusts from Chester, Shrewsbury and Hereford overran the north and penetrated deeply into the south-west. … the robber barons swarmed all over Wales. 

Marcher Lords, Welsh Princes and Court Poets:

Above: The Lordships of the Mortimers in Wales in 1282

It was from their lands in the March of Wales that the Mortimers exercised their power and influence in England. Holding lands in Wales as marcher lords they were members of a select group of barons owing allegiance as tenants-in-chief to the king but ruling their lordships with a degree of independence unobtainable by the Anglo-Norman aristocracy in England. Nevertheless, William I did make arrangements for the defence of the frontier, indeterminate as it was, and for the introduction of Norman administration into the English borderlands, a remote area where his representatives would have to have more freedom of action than in elsewhere in the kingdom. The Norman system of castle, manor and borough was dominant in the lowland areas where the Norman advance had been most effective. Weekly markets and yearly or twice-yearly fairs were now a feature of life where country folk could trade. The areas administered in this way constituted ‘the Englishries’. In contrast, in ‘the Welshries’, the more hilly areas, the Welsh by and large retained their own way of life based on the Law of Hywel Dda, but paid tribute to the Norman lord.

Many of the large number of castles that had been built up and down the March were therefore fortified centres of government, each lordship having one main castle and usually other castles the centres of sub-lordships. At first the castles were of the simple motte and bailey type; but, under increased Welsh attacks, were soon strengthened. On each lordship the lord developed certain lands paying in money or kind for their homestead and share of the plots. During the Conqueror’s reign, the Normans had made significant inroads to southern and northern Wales, but in central Wales the raids mounted by Earl Roger of Shrewsbury had not been followed up by more permanent occupation, probably because considerable military resources were needed to deal with a resurgent Powys under Gruffydd ap Cynan. No doubt, Ralph Mortimer was involved in these earlier raids. Unlike the Saxons or the Vikings, the Norman method was not simply to destroy Welsh houses; they marched to a point well inside Welsh territory and built a fortress, from which they proceeded to reduce the surrounding countryside to submission, including any local lords who might object. By the end of the eleventh century, the Welsh Border had undergone unprecedented political change. The Normans of the March who had gained their lands by private conquest ruled virtually autonomously. In these lands the king had little right to interfere. The origins of this constitutional anomaly lay in the Conqueror’s arrangements for the settlement and defence of the Anglo-Welsh frontier.

The last decade of the eleventh century, however, saw a much more aggressive attitude towards Wales on the part of the Norman lords with lands in the Borders when a Welsh chronicler related with some exaggeration that the French seized all the lands of the Britons. Earl Roger pushed far into Ceredigion and then into Dyfed to set up what would become the lordship of Pembroke. Meanwhile, there was a free-for-all along the Anglo-Welsh frontier; the Welsh cantref (‘hundred’) of Maelienydd, adjoining the Mortimer estates of Herefordshire and Shropshire, offered a natural target for Ralph Mortimer to annex more territory for himself, probably in the early 1090’s when other border lords were acquiring Brycheiniog (Brecon), Buellt (Builth) and Elfael. Maelienydd had once been part of the kingdom of Powys but, after the collapse of Gruffudd ap Llywelyn’s ’empire’ when he was killed in 1063, it seems to have been ruled by local chieftains. It was an upland region with little scope for economic exploitation by its new lords, but by this relatively unrewarding conquest Ralph had made clear his determination that the Mortimers were not to be left out of the Border barons’ race to carve out for themselves territories and spheres of influence in Wales. Even though Maelienydd was the central lordship in Wales for the Mortimers, their control was to remain precarious  with it reverting to Welsh rule on a number of occasions before the final collapse of the fight for Welsh independence in the last quarter of the thirteenth-century. It is likely that Ralph built the castle at Cymaron to secure control of his new lands; this castle, on the site of the cantref’s old Welsh llys (court), became the major fortress of the lordship until it was replaced in the thirteenth century by Cefnllys; it did, however, remain the centre of Maelienydd’s judicature.

Maelienydd seems to have been Ralph Mortimer’s only significant acquisition of territory in Wales, but his hold on it remained tenuous. In general, the Norman inroads into Wales at the end of the eleventh century met with setbacks. A widespread uprising broke out in 1094 and in many districts, including Maelienydd, the Welsh regained temporary control of their lands. The lords were unable to cope with the crisis and the king had to come to their rescue, a pattern which would be repeated on a number of occasions over the following centuries. In his When Was Wales? Gwyn Williams added colour to this chronicle:

The shattered dynasties … with their backs to an Irish wall, using their own weapons and stealing the Normans’, fought back. They beat the bandits out of the west, only to bring the power of the English king down on their heads. Henry I rolled his power into Wales over Welsh kings and Norman lords alike.

Ralph Mortimer had kept his distance from the rebellion of Robert, the third Earl of Shrewsbury and other barons in 1102, which was an unsuccessful conspiracy to replace Henry I with Duke Robert on the English throne. King Henry confiscated Shrewsbury and took the Montgomery lands in the west, making Carmarthen the first royal lordship in Wales. He imported Flemings and planted them in southern Dyfed where they transformed its agrarian economy, making it ‘the Little-England-Beyond-Wales’ that it is known as today, pushing the Welsh north of a line known as the landsker which still remains a cultural boundary. But that relates more to the other, original long-distance footpath, the Pembrokeshire Coastal Path. Nevertheless, it demonstrates how, by the early twelfth century, the Normans had re-established control over Wales as a whole, other than the remoter parts of the north-west,  even if their hold was to remain tenuous until the end of the next century.

Ralph Mortimer remained a key figure in this consolidation, benefiting from the Earl of Shrewsbury’s disgrace, since the king’s decision not to appoint a successor to the powerful magnate had removed one of the contestants for power along the Welsh border and into central Wales. But in the following early decades of the twelfth century, his attention and resources were increasingly drawn away from his lands on the Anglo-Welsh Border to events in Normandy and the quarrels between the kings of England on the one hand and the dukes of Normandy on the other. For some time, Normandy remained as important as England or Wales to the Norman aristocracy, but the descendants of the first generation of barons in these countries were to become increasingly ambivalent in their attitude to the Duchy, until in 1204 they were forced to choose between their lands at home and those acquired by conquest across the Channel.

But although Mortimer’s affairs both there and in England, as a loyal supporter of Henry I, would have been expected to prosper, there is no evidence of this in court rolls or chronicles during the twenty-five years from 1115 to 1140, perhaps suggesting that, on the contrary, he and/or his successor fell foul of King Henry and that the Mortimer lands were confiscated by the Crown. The only record is of a marriage alliance between Ralph’s daughter to William the Conqueror’s nephew Stephen, who had been implicated in the 1095 revolt as a possible replacement for William II and had also been involved in unsuccessful baronial revolts in Normandy which had been supported by Louis VI of France. Another record suggests that Ralph died in c. 1115, and that his son Hugh eventually received his inheritance of the Mortimer lands in Normandy, England and Wales. By the 1130s, they had added Maelienydd had fallen to their Welsh lands. But in 1135 Henry I died without a male heir and England descended into civil war between the supporters of Stephen of Blois and Matilda, Henry’s daughter. Once more the attention of the marcher lords were drawn away from Wales, and the Welsh princes seized their chance. Owain Gwynedd, son of Gruffydd ap Cynan, rebuilt Gwynedd into a power, driving it across north Wales to the Dee. He also thrust south into Ceredigion. Powys, in full revival and trying to recreate its ancient principality, was confronted with a new and permanent menace. In Deheubarth, the prince’s sons fought the Normans and each other for their inheritance, and Rhys ap Gruffydd began to establish himself.

The Normans took only five years to conquer England; it took them over two hundred years more for them to subdue and subjugate Wales. For the first 150 years it was subjected to periodic attack and colonisation by the marcher lords. It was beyond the military capacity of the Anglo-Normans, so often preoccupied, as they were, with events elsewhere, to mount a full-scale conquest of the interior. In 1154, the English civil war came to an end with the accession of Henry II, son of Matilda’s match with the Duke of Anjou who had also become Holy Roman Emperor. He established the Angevin Empire, and in two big land-and-sea campaigns brought the Welsh resurgence to a halt. Owain pulled back to the west of the River Conwy, while Rhys was hemmed-in, in his traditional base of Dinefwr (Dynevor). From here, he was able to launch raids against the marcher lords, and these transformed into all-out war when Gwynedd joined in. Clearly, the native Welsh, neither princes nor people, had yet accepted the Anglo-Normans as their masters, however. In 1163, during his first big military expedition into south Wales, one old Welshman of Pencader was asked by Henry II if he thought of his chances of victory, and whether his countrymen could resist his military might. He was, after all, ruler of the European empire of the Angevins as well as king of England. The old man had joined the king’s army against his own people because of their evil way of life, but his reply still amounted to a declaration of independence:

This nation, O King, may often be weakened and in great part destroyed by the power of yourself and of others, but many a time, as it deserves, it will rise triumphant. But never will it be destroyed by the wrath of man, unless the wrath of God be added. Whatever else may come to pass, I do not think that on the Day of Direst Judgement any race other than the Welsh, or any other language, will give answer to the Supreme Judge of all for this small corner of the earth.  

Henry, distracted by the Becket controversy, eventually responded by mobilising a massive expedition in 1165 to destroy all Welshmen. His attempt at genocide collapsed humiliatingly in the Berwyn Mountains in the face of bad weather, bad logistics and good guerilla tactics by the Welsh. Owain Gwynedd again cut loose to the Dee while Rhys took Ceredigion, Ystrad Tywi and much of Dyfed. Powys, threatened with renewed extinction, rallied to the English crown. But by 1170 Owain was dead and his sons began a ‘traditional’ fratricidal war for his inheritance. Henry offered a settlement, formally confirming Rhys in his lordships and making him Justiciar of South Wales. All Welsh rulers took oaths of fealty and homage to the king. By the end of the twelfth century, the frontier which had emerged over two generations or more had been settled.

The old kingdom of Morgannwg-Gwent was replaced by the shires of Glamorgan and Monmouth, two of the strongest bastions of Anglo-Norman power in Wales. In the end, Powys was split into two, Powys Wenwynwyn in the south usually supporting the English crown, while the northern Powys Fadog tended to side with Gwynedd. A core of the old principality of Deheubarth had been re-established, but it was ringed by marcher lordships with a strong base at Pembroke and royal estates around Carmarthen. Much of the south and east seemed to be under almost permanent alien control. Only Gwynedd had ultimately emerged as fully independent. Under Owain’s ultimate successors it grew into a major force, the strongest power in ‘Welsh Wales’ at the time. It was able to combine its natural mountain barrier and its Anglesey granary with its newly learned modes of feudal warfare. Its laws were based on those of Hywel Dda. There was a temporary Welsh overlord in ‘The Lord Rhys of Dinefwr’, Yr Arglwydd Rhys, but Gwynedd had its ‘prince’, an imprecise term which could be charged with constitutional significance. To the south and east, taking in most of the best land and expropriating much of its wealth, there was an arc of marcher lordships owned by the Montgomery, Mortimer, Bohun and the Clare families. Their lands stretched deep into mid-Wales and along the rich and open south coast. As Gwyn Williams commented, …

There was a permanently disputed shadow zone and endless border raiding, but there was also a fine mesh of intermarriage and fluctuating tactical alliances. The beautiful princess Nest of Deheubarth could play the role of a Helen of Troy, precipitating wars over her person.

During this period, the native Welsh were admitted to much of the rapidly developing learning of Europe; there were works on medicine and science in the Welsh language. In a revival arising directly from the struggle for independence, the bardic order was reorganised. Bardic schools were arduous and apprenticeships in the strict metres were long. Gruffydd ap Cynan was credited with the initial impetus, and he was, possibly, the first to systematise the eisteddfodau under the Maiestawd Dehau (‘the Majesty of the South’), The Lord Rhys, Justiciar of the King, who exercised some shadowy, theoretical authority over every lord in Wales, whether Welsh or Norman, and whose eminence endowed the Welsh language and its poetry with prestige. This was the age of the gogynfeirdd, the court poets, when every court and many a sub-court had its official pencerdd, the master-poet who sat next to the prince’s heir in hall, and its bardd teulu, the household poet. The poets had official functions and were the remembrancers to dynasties and their people. They evolved a complex, difficult and powerful tradition which, in the thirteenth century, involved a renaissance influence; princes like Owain Cyfeiliog were themselves poets. Most, like the great Cynddelw in the twelfth century, saw themselves as being in the service of a mission, rather than a simply the servants of a particular prince. Norman lords also succumbed to the charms of the court poets, harpists and singers. Giraldus Cambrensis made a special note of the harmonies he heard:

… when a choir gathers to sing, which happens often in this country, you will hear as many different parts and voices as there are performers, all joining together in the end to produce a single organic harmony and melody in the soft sweetness of the B-flat…

However, this was a period of temporary truce rather than permanent peace, and in the face of Welsh resistance and counter-attack, the marcher lords’ conquests were far from secure; their lands increased and decreased in area. Nevertheless, by 1200 much of eastern, southern and south-western Wales was under Anglo-Norman control. As the twelfth century progressed, there had also been a continuing and accelerated opening up of the land along the Border, many of the great woodland areas being cleared to make way for agriculture, and to provide timber for housing, fuel and ships. In addition, these subsequent decades saw the growth of townships around the Norman castles. Today the Border contains a fascinating variety of towns, while a number of the motte and bailey castles are now no more than mounds, like Nantcribbau near Montgomery. At White Castle, a township never developed at all, while at Grosmont the beginnings of a town are clear. Monmouth is a township which grew into a market town, while Oswestry grew into an important sub-regional centre. It was during this period the parts of Wales under Anglo-Norman control came to be known as marchia Wallie, the March of Wales, whilst ‘independent Wales’ governed by its native rulers was known as Wallia or pura Wallia. With the ebb and flow of conquest and the periodic recovery of lands by the Welsh, the boundaries of the March were constantly changing; the medieval ‘March’ as a geographical term, therefore, had a very different meaning from the early modern ‘March’ which Tudor government used to describe the Anglo-Welsh border counties.

The Fate of Princely Wales & Plantagenet Hegemony:

Within a few years of the beginning of the thirteenth century, Llywelyn ap Iorwerth (‘the Great’), Prince of Gwynedd, had united all the Welsh princes under his overlordship and was also supported by the English barons against King John. With the help of his allies, he had recovered much of the March for the Welsh, including the Mortimer lordships of Maelienydd and Gwerthrynion. In 1234, the ‘Treaty of the Middle’ brought about an uneasy peace between Henry III, the marcher lords and Llywelyn. His triumphs, and those of his grandson, Llywelyn ap Gruffydd, further inspired the renaissance of Welsh poetry, which did much to keep alive the desire for independence. However, on the death of the ‘Great’ Welsh Prince in April 1240, the king refused to recognise the rights of his heir, Dafydd (David), to his father’s conquests. Instead, Henry appears to have encouraged the marcher lords to recover ‘their’ lost lands by ordering the sheriff of Herefordshire to transfer possession of Maelienydd to Ralph (II) Mortimer. During the following summer of 1241, Ralph recovered the lordship by force and agreed a truce with the local Welsh lords. Earlier that year, however, they had met Henry III at Worcester, formally submitting to his kingship. In return, he had endorsed their right to resume hostilities with Ralph Mortimer after their truce had expired. In other words, it was not the king’s business to involve himself in disputes between the Welsh lords and the marcher lords.

Fifty years later, Edward I did intervene decisively in the March, determined to demonstrate that affairs there were his business and that he was the overlord of the marcher lords. In 1267, Llywelyn ap Gruffydd had been recognised as Prince of Wales by Henry III (that is, overlord of the native princedoms beyond the March), but Llewelyn proved reluctant to fulfil his side of the bargain and accept, in turn, the feudal overlordship of the Plantagenets over the whole of England and Wales. Llewelyn had taken advantage of Henry’s problems with his English barons, which culminated in civil war in 1264-5, to expand his territories both at the rival Welsh princes and the English marcher barons: his success made him overconfident, however, and needlessly provocative. In the Statute of Westminster of 1275, Edward declared that he would do right by the March, and anywhere else where his writ did not run, seeking fairness and justice for all complainants. Meanwhile, Llywelyn ap Gruffudd, who had inherited his grandfather’s Principality of Gwynedd, and had been an ally of the English rebel Simon de Montfort, refused to pay homage to Edward I. In 1277, determined to subdue Llywelyn and bring him to heel, Edward proceeded by land via Chester, Flint and Rhuddlan, and sent a fleet to cut off food supplies from Anglesey, so that the Welsh prince was forced to accept a negotiated peace. The terms were harsh for the Welsh prince: he was forced to surrender the area known as ‘the four cantrefs’ between Chester and the River Conwy, which Edward then used to create a new series of powerful marcher lordships. Edward also imposed a potentially crippling war indemnity of fifty thousand pounds. It is hard to see how Gwynedd could ever have raised such a sum, but the waiving of the demand was a means by which Edward demonstrated the control he now had over Llywelyn.

It was Edward I’s single-minded concentration of the kingdom’s resources and his shrewd use of his armies and his navy (to supply them) that brought Welsh independence to an end in 1282 after a second rebellion was suppressed. Llewelyn’s brother Dafydd launched a revolt against the English from his lands in Gwynedd. Ironically, he had been an ally of the English crown but felt aggrieved at the lack of reward for his former services by Edward. Dafydd’s rebellion forced Llewelyn’s hand; instead of crushing the rebellion, he joined it. Edward’s response was to launch a full-scale war of conquest. Proceeding along the north Wales coast as he had done five years before, but now through what was friendly territory, his forces took Anglesey and pushed Llywelyn back into the fastnesses of Snowdonia. Llywelyn then attempted to move south, but was ambushed at Irfon Bridge near Builth, and killed. His brother, Dafydd, was eventually captured by Edward’s forces, possibly through treachery, in June 1283, and hideously executed at Shrewsbury. All of Dafydd and Llywelyn’s lands in Gwynedd were confiscated by the English Crown.

Independent Gwynedd was obliterated along with all insignia and other symbols which might be used to revive the cause. Chief among these were the courtly poets, whose martyrdom was later recorded by the Hungarian poet János Arány to serve as a parable of resistance to another Empire after the ‘heroic’ uprising and war of independence of 1848-49. Arány’s poem, Walesi Bardok (‘The Bards of Wales’; see the link below) is learnt and recited today by every school child in Hungary. It is also available in an English translation. Gwyn Williams wrote of how, with the fall of the house of Aberffraw, the epoch of the Wales of the Princes came to an end:

The Welsh passed under the nakedly colonial rule of an even more arrogant, and self-consciously alien, imperialism. Many historians, aware that the feudal principalities and princes have elsewhere made nations, have largely accepted the verdict of nineteenth-century Welsh nationalism and identified the hose of Aberffraw as the lost and legitimate dynasty of Wales. Llywelyn ap Gruffydd has become Llywelyn the Last. In fact, Wales of the Princes had to die before a Welsh nation could be born. That Welsh nation made itself out of the very tissue of contradictions which was the colonialism which choked it.

The Plantagenet hold on Wales, now extending over the north and west of the country, was accompanied by a second great phase of castle building. Edward rebuilt the castles at Caernarfon, Flint and Rhuddlan and built new concentric ones at Harlech, Conwy, Beaumaris and Criccieth, to overawe the Welsh, standing both as bastions and as symbols of Plantagenet rule. Important market towns grew up around the new castles. But the military occupation of the north-west was also followed up by a constitutional settlement, imposed and established by the 1284 Statute of Rhuddlan. By this, the former principality was placed under the direct jurisdiction of the English crown and Anglo-Norman law. Both Gwynedd and Deheubarth were divided into shires, like in England, and English courts of justice were introduced. Further revolts, in 1287 and 1294 were ruthlessly suppressed, and in 1295 the Earl of Warwick defeated the North Welsh rebel leader, Madog ap Llewelyn, at Maes Madog, in an engagement which presaged the tactical use of ‘mixed formations’ of archers and dismounted men-at-arms in the Hundred Years War.

The king then undertook a great circular progress through Wales to reinforce his authority. Although there was no drastic change in the customs of the people, and the tribal and clan groupings still existed, these slowly broke down over the following centuries. In 1301 Edward granted all the English Crown lands in Wales to his eldest son, ‘Edward of Carnarvon’, now called the Prince of Wales in what some have presented as an attempt to appease the Welsh people. In reality, however, it was a powerful reminder that the days of the native princes were over. Half of Wales became a unified Principality, to be ruled directly through statute by the English king. Gradually, too, there was a resulting decline in the power of the Marcher lordships. The king, concerned at their level of autonomy, had now acquired his own Welsh lands.

The March of Wales in the Later Middle Ages:

Nevertheless, the forty or so marcher lordships, comprising the other half of the country, were left intact and remained in existence until 1536. Throughout the fourteenth century, strong undercurrents of discontent needed only the emergence of a strong leader to unite Wales in rebellion. Exactly how the marcher lords acquired and were able to hold on to their special constitutional status in Wales has been the subject of continual debate. It is argued on the one hand that they simply acquired the regal powers of the Welsh princes they dispossessed. The basic units of Welsh territory and administration within the gwlad (the territory of a single prince) were the cantrefi consisting of two or more cymydau which can be loosely equated to the English Hundreds. By annexing a relatively small cantref or cymyd, with its llys or administrative court, an invading lord stepped into the shoes of the local Welsh prince or lord, just as if one Welsh prince had defeated another and annexed his territory. On the other hand, the lords’ powers were openly or tacitly granted by the king as rewards for carrying out their conquests on the Crown’s behalf. The March of Wales was not, however, a homogeneous region, subject to a uniform style of conquest and administration. It was through a diversity of circumstances that the lords of the March won the prerogatives which were later collected into a set of privileges recognised by thirteenth-century lawyers.

After his conquest of Wales and the partition of the country into Crown lands and the March, Edward, with his passion for law and order, would have considered the divided administration of the country, the relative independence of the rulers of much of it and its fragmented judicial system as an anathema; but the marchers with their jealously guarded immunities were difficult to dislodge, and although Edward flexed his muscles towards them, he seems to have accepted the political reality of the March, provided his authority as monarch was recognised.  Whilst the king acknowledged that his writ did not run in the March, in the last resort he reserved his authority over the Lords Marcher as tenants-in-chief, especially in the case of disputed titles to lordships. In 1290, Gilbert de Clare, Earl of Gloucester and lord of Glamorgan and Humphrey de Bohun, Earl of Hereford and lord of Brecon were at loggerheads, mainly over a disputed debt. In 1291 the two earls were summoned in their capacities as lords of the March and arraigned before the king and council at Abergavenny, and the following January before parliament at Westminster. Gilbert de Clare was found guilty of waging war after the king’s injunction and Humphrey de Bohun of defying the king by claiming that he was entitled to act in the March of Wales in a way he could not do in England. The two lords were sentenced to imprisonment and forfeiture of their marcher lordships during their lifetimes; but the king soon relented and commuted their sentences to fines, which they seem never to have paid.

King Edward’s masterful management of this affair and the severe penalties meted out to two prominent marcher lords must have had a traumatic effect on their peers. What the lords had considered to be prerogatives, the king and his council now considered to be privileges, and the extent to which the king could interfere constitutionally in the affairs of the March was to prove a running sore between strong and ambitious kings and the marchers. The cherished symbol of their status, the right to wage war, had been abolished by a royal proclamation. Edward I’s intervention of 1291-92 constituted a precedent and a turning point in the standing of the marcher lords, especially as he had demonstrated that he had even been prepared to humiliate the two lords. In the same year, 1292, he persuaded the marcher lords to pay a tax on their lands in Wales as a contribution towards a subsidy granted to him by parliament two years previously. On one occasion, the king confiscated Wigmore Castle when Edmund Mortimer executed an inhabitant of the royal lordship of Montgomery, thereby encroaching on the king’s rights, and Edmund was only able to recover it after payment of a fine of a hundred marks and providing a straw effigy of the man to be hung on the gallows in the town of Montgomery. In 1297, the men of the Mortimer lordship of Maelienydd submitted a list of grievances to the king who seems to have induced Edmund to grant the men of the lordship charters of their liberties, another example of royal interference in the administration of the March.

The position was further complicated by the fact that the marcher lords also held lands in England by normal feudal tenure; by the end of Edward’s reign in 1307, seven out of ten of them. A specific instance of the marchers’ autonomy related to castle-building; the earls of Hereford would have had, at least in theory, to obtain a licence to build a castle in Herefordshire, but in their marcher lordship of Brecon, they could have built one without reference to the Crown. The marcher lordships were to exist for more than another two centuries but their constitutional status would never again be as secure as it had been before the reign of Edward I. Furthermore, the conquest of Gwynedd and the de facto unification of England and Wales had rendered obsolete the justification for the very existence of the marcher lordships, namely the suppression of any threat to England. Although the marchers were conspicuously involved in the civil strife of Edward II’s reign, during the rest of the fourteenth century they were, by and large, left to their own devices at home. Edward III needed the support of his barons, many of whom held lands in the March of Wales, during the Hundred Years War with France, especially since it was from their domains that many of the Welsh archers and spearmen were recruited for the king’s armies. In 1354, when there was a possibility of a French invasion of Wales, Edward emphasised that the loyalties of the marchers must be to the Crown. The March of Wales and the borderlands were still viewed with suspicion; they remained territories in which it was difficult to exercise royal supervision and for the Crown to intervene militarily. Throughout the Middle Ages, the marcher lordships were a refuge for rebellious barons, criminals and anyone else who wanted to ‘disappear’.

The English exploitation of Wales and exporting of its wealth, particularly by the late fourteenth century, was a primary cause of intermittent national and regional rebellions. In 1387, eleven archers escorted a convoy of treasure worth close on a million pounds in today’s money from Wigmore to London, which had presumably been ‘milked’ from Wales. A particular cause of Welsh resentment was the status and privileges of the boroughs ‘planted’ in Wales, which often extended miles beyond the town’s actual boundaries. Newtown was a case in point, established by Roger Mortimer (III) in the 1270s, which, with its commercial advantages from which he would benefit, supplanted a nearby Welsh town.

Much has been written for and against Owain Glyndwr, who appeared as the leader of the Welsh in 1400. I have also written an article about him, published on this site (see the links below). That the catalyst for the national revolt was a boundary dispute between Glyndwr and Lord Grey of Ruthin demonstrates the importance of marking borders along what was now ‘the March’. It left behind widespread destruction on both sides and a country broken by demands for lost revenues. Glyndwr was strongly backed by ‘English’ elements, including Edmund Mortimer, who married Catherine Glyndwr. Many others were hostile to Henry IV’s usurpation of the throne from Richard II. The very public failure of the marchers to contain the Glyndwr rebellion inevitably called into question their continuing utility as a group and reinforced calls for reform of the administration of the March. This demand faltered in the face of England’s preoccupation with the renewal of the French Wars in 1415.

Rebellion would be followed by repression and by ‘ethnic cleansing’ which was particularly severe in both the Principality and the March after the suppression of Owain Glyndwr’s rebellion. Glyndwr himself disappeared into Herefordshire’s Golden Valley (perhaps to his son-in-law’s manor at Monnington Straddel), so-called because the Anglo-Normans confused the Welsh word for water, dwr, giving its name to the River Dore, with the French word d’or. This misunderstanding was perhaps symptomatic of the continued disjunction between the Cambrian and Anglo-Norman cultures. Welsh hatred re-focused on the marcher lords as the mistrusted agents of English rule. Like Arthur, Glyndwr could not die and Henry V, born in Monmouth, would have had no desire to make a Welsh martyr of him. In 1415, he was to need his men of Monmouth, skilled bowmen, on the field at Agincourt. The outlaw prince was left to live out his days in seclusion, too proud to accept Henry’s twice-offered pardon, but his remaining son was taken into the king’s own service. Arthur would come again in the form of the grandson of Owen Tudor.

(to be continued…)